At 06:43 PM 3/24/2007 -0700, Mark D Lew wrote:
>You should check your list to see if you have a font with the boring  
>and unhelpful name "Monotype Modern". 
>It was very popular in the  
>Victorian era and will probably look familiar to you.  I've seen a  
>lot of 19th century and early 20th century music published with it,  
>particularly in America.  I'm sure you've seen it.

I looked it up; it's not one that I have. It's closer, but again there's no
medium weight. It might be that the appearance of a medium weight in those
old scores is just an artifact of the engraving process, the depth of the
strike into the metal.

>You also might look for anything named "Didot".  Most of the 19th  
>century French vocal music I've seen has lyrics in some sort of Didot- 
>like font.  Personally, I think it's a poor choice.  It's got those  
>thick and thin strokes, so that after the third generation of  
>photocopying any combination of m, n and u just looks like so many  
>vertical strokes.

Yes, that's what I'm trying to avoid.

What I'm doing instead of looking further is scanning the old scores,
cleaning up the characters, and creating the font a character at a time.
Since these are mostly Italian operas in my collection, finding w, x, and j
have been difficult so farm, but I just turned up a German score in the
same font. In all of them so far, the English text below the Italian or
German is in a different font, unfortunately.

Many thanks,
Dennis





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