That was Okay Temiz and Johnny Dyani. Temiz, a turkish born drummer, was
(and is) rather well-known for his early explorations of incorporating
odd metered rhythms as well as ethno elements into jazz.
Hans
Stockholm, Sweden
dhbailey wrote:
I saw him in concert at Dartmouth college in Spring of 1970, and was
dumbfounded at how horrible it was. Just him on pocket trumpet, Okay
Tamiz (never heard of him before or after that concert) on drums if I
recall correctly and Johnny D'Jahni (sp?) on bass. And it never seemed
as if any of them were listening to each other or even paying attention
to themselves.
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