On May 6, 2007, at 12:54 PM, Linda Worsley wrote:
The article, by the way is mostly crap, and longer than it needs to
be to make any of the valid points.
It sure is!
What lover of classical music is going to pay good money for season
tickets to a half-synth, half-live orchestra, except where the synth
is playing actual synthesiser parts (not replacing section players)
as an addition to the orchestra?
Now, for pit orchestras for touring dance shows, there might be an
argument made. Not one that I would support, mind you, but at the
least the advantages are harder (not impossible, just harder) to
refute. For a concert, there is no question.
Christopher
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