Koechlin's "Le Méditation de Purun Baghat" begins with a unison statement of a 
very rambling tune over pedal points but then throws a subtle interweaving of 
countermelodies/parallel intervals into the mix fairly soon.    Returns to 
(accompanied) monody by the end.     Cool work; I've always found Koechlin's 
music to be pretty much an acquired taste, but well worth the effort.

Someone earlier in this thread (apologies for forgetting who) mentioned a 
composer I respect greatly and work of his I hold in high esteem: Enesco's 
Premiere Suite Pour Orchestre (op. 9) begins with a Prélude à l'unisson.    And 
I remember from my very first listening my astonishment at how far and long he 
pushes the envelope in presenting an unaccompanied tune, non-repetitive, in 
unison.....and manages great tension in so doing.     And that sense of wonder 
still holds when I listen to the piece to this day.     Really intriguing work. 
   And yes: simply a string unison for the entire movement - with NOTHING other 
than a pedal timp roll rooting the work near the end of the 8 - 10 minute 
movement.       Absolutely fascinating.   The rest of the suite actually seems 
a little anticlimactic after this spellbinding, audacious first movement.    He 
was only 21 when he composed the piece in 1903, which probably explains a 
lot.....

Best,

Les

Les Marsden
Founding Music Director and Conductor, 
The Mariposa Symphony Orchestra
Music and Mariposa?  Ahhhhh, Paradise!!!
 
http://arts-mariposa.org/symphony.html
http://www.geocities.com/~jbenz/lesbio.html 




  ----- Original Message ----- 
  From: Andrew Stiller 
  To: [email protected] 
  Sent: Wednesday, May 16, 2007 9:39 AM
  Subject: Re: [Finale] OT: works in octaves, unison etc.



  There is an orchestral work, _Le Méditation de Purun Baghat_, by 
  Koechlin that I have not heard but that has been described as "a strict 
  monody," which I assume means unison throughout.

  Andrew Stiller
  Kallisti Music Press
  http://www.kallistimusic.com/


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