Jim - Thanks for the perc. info. I'm getting into the Staff Styles section
as soon as I'm done here. RE: the cadenza. I'm sorry to say that as I
looked it over, I decided it needed a revision. It now has 64mm., too long
for the one measure, giant meter signature solution, I'm afraid. I'm
thinking of putting the cadenza after the last movement, as a reference for
the soloist, on the last page. And a similar fix for the score. My
Beethoven piano concerto scores are laid out this way. Any better ideas
would be greatly appreciated. I appreciate your help and advice.
BC
----- Original Message -----
From: "Williams, Jim" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Tuesday, July 24, 2007 3:59 PM
Subject: RE: [Finale] Percussion
Check out "staff styles" in the manual.
Jim
PS--how was the cadenza?
From: Bruce E. Clausen
Sent: Tue 24-Jul-07 18:55
To: Finale
Subject: [Finale] Percussion
Another beginner's question: I'm trying to lay out a score that has one
utility percussion part (orch. bells, bass drum, sus. cym., snare). It is
unclear from the manual just how to accomplish this task. If I choose a
percussion clef, I can't add the (pitched) bells and have a functioning key
sig. or be able to add accidentals. If I follow the manual, I'm supposed to
"map" the percussion, but it is supremely confusing. And playback is even
more opaque. Can anyone help? Thanks!!
Bruce E. Clausen, Ph.D.
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