Hi guys,
Thanks to both of you. Chromatic transposition seems the way to go,
and there are no chord symbols in this piece, so that problem is
avoided. Everything will be written.
Chuck
On Sep 2, 2007, at 11:57 AM, Darcy James Argue wrote:
Eric,
Your method #2 (go to Staff attributes, and then unclick the show
key signature for the soprano, then use the accidental plugin to
have it display the sharps and flats) is not particularly helpful
for works-in-progress. It might be okay if you only entered the
music once, but if you are composing into Finale, or even working
on something that might require revision at some point, not being
able to see the correct accidentals until you invoke a plugin is a
serious drawback.
I don't see how that's preferable to just turning on Chromatic
Transposition -- despite its problems, it seems clearly the least
bad option.
Cheers,
- Darcy
-----
[EMAIL PROTECTED]
Brooklyn, NY
On 02 Sep 2007, at 3:42 PM, Eric Dannewitz wrote:
Ah, but my #2 way doesn't have this problem.
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Chuck Israels
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