Darcy James Argue wrote:
Good tip, but that method won't automatically avoid low entries below the staff or high ones above it. For that, you still need to use duplicate expressions.
Unless it's a piece that was written for Yma Sumac, vocal parts are normally not spanning that wide range that dynamic collision is a serious issue, is it? If it's just a few collisions, it's just to drag those occurences.
Best regards, Jari Williamsson _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
