Hey Jari,
But you would lose the collision avoidance for below-staff notes too.
This may or may not be a problem depending what the instrumentation
is, but if it's, say, SATB choir with orchestra, you probably want to
use two sets of dynamics.
Cheers,
- Darcy
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[EMAIL PROTECTED]
Brooklyn, NY
On 18 Dec 2007, at 11:40 AM, Jari Williamsson wrote:
Darcy James Argue wrote:
Good tip, but that method won't automatically avoid low entries
below the staff or high ones above it. For that, you still need to
use duplicate expressions.
Unless it's a piece that was written for Yma Sumac, vocal parts are
normally not spanning that wide range that dynamic collision is a
serious issue, is it? If it's just a few collisions, it's just to
drag those occurences.
Best regards,
Jari Williamsson
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