On 24 Mar 2008 at 3:31, shirling & neueweise wrote:

> even as far back as chopin we have examples of tuplet values which do 
> not necessarily have a clear-cut, unquestionable relationship to the 
> metre (22:6/8, for example, or 5-lets in cadences that REALLY do NOT 
> function like quintuplets in clear relation to the preceding and 
> subsequent music; i'm thinking esp. of the nocturnes); why is it then 
> such a problem with F et al?

Well, for one, in Chopin, they aren't intended to played evenly.

-- 
David W. Fenton                    http://dfenton.com
David Fenton Associates       http://dfenton.com/DFA/


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