Hi John,

It's not that NYC players don't own F-trigger horns or don't know how to use them. It's that they don't bring them to jazz gigs (including bigband) where they might be called on to play a solo. Their main solo horn is almost always a straight tenor trombone. The F-trigger horn is a backup instrument for those situations where they need one. It's definitely not a generational thing -- jazz trombone soloists of all ages overwhelmingly prefer the straight horn.

As I have said previously, Garritan JABB has a sampled bass trombone in addition to the five tenor trombones. Obviously they would not put out a big band set without including bass trombone. That ball was not dropped, I assure you.

In fact, I think anyone would be hard-pressed to complain about the instrument selection for JABB -- it is amazingly comprehensive. They actually have MORE instruments than they list on the product page:

http://www.garritan.com/jazz.html

Saxophones:


Sopranino saxophone

Mezzo Soprano sax

2 Soprano saxophones
(1 straight, 1 curved)

3 Alto saxophones

2 C Melody saxophones

4 Tenor saxophoness

2 Baritone saxophones

2 Bass saxophones

2 Contrabass saxophones

1 Subcontrabass saxophone (Tubax)

Woodwind doubles:
Piccolo

3 Flutes
Alto Flute

3 Bb Clarinets

Bass Clarinet

Trumpets:
5 Bb Trumpets (all with extended range, one with extreme range)
 [open, straight mute, cup mute, Harmon mute, bucket mute]
1 Plunger trumpet

5 Flugelhorns

Trombones:
5 Tenor Trombones [open, straight mute, cup mute, Harmon mute, bucket mute]

Bass Trombone
[open, straight mute, cup mute, Harmon mute, bucket mute]

1 Plunger trombone
Tuba


Keyboards:
Steinway B grand piano
Rhodes piano
Accordion

Guitars:
2 Electric guitars
Acoustic guitar

Basses:
2 Upright acoustic basses (plus one w/arco samples)
2 Fretless electric basses
2 Fretted electric basses

Drum Kits
Classic Jazz kits
Fusion Kit
Brush kit

Percussion:
Vibraphone (hard and soft mallets)
Wide variety of percussion including Latin percussion, bongos, congas, timbales, wood blocks, bells, whistles, etc.

I really don't see how anyone could have serious issues with that selection of instruments. Yes, it would be nice if one or two of the five tenor trombones had F-trigger range notes (though this could easily be added in an update). But they included a lot more instruments than they truly needed to for this library.

Cheers,

- Darcy
-----
[EMAIL PROTECTED]
Brooklyn, NY

On 10 Aug 2008, at 12:18 PM, John Howell wrote:

At 7:41 AM -0400 8/10/08, dhbailey wrote:

Sure, most of the top-tier jazz trombone players may not use F- attachments when on jazz gigs (unless they're on 4th bone parts) but I'm fairly positive that all of them would own and feel comfortable playing F-attachment horns for those gigs when they're required to have that extended range, and they could have been sampled on those instruments. Or Garritan could have done some programming magic and figured out how to stretch the range. Soundfonts can do it.

We're a small Music Department with no more than around 140 majors, but our studio teachers are first rate. We don't presently have a specific jazz major (although we did, and it was becoming very popular for both instrumentalists and vocalists before the first of several drastic budget cuts from the state), and we don't have specific jazz studio teachers (except for trumpet, since a dual- threat teacher was specifically advertised for).

That said, however, I can GUARANTEE that any and every serious trombone major has an F-attachment instrument and is taught how to use it. And that includes in our two big bands. As I commented earlier, I'm dealing with a different generation than Darcy is, but this is the generation that's going to take over in due course.

Considering the use of jazz bass trombone itself, going back to George Roberts and Kenton, I would say that yes, Garitan dropped the ball on this, or at least acted on questionable advice that may not survive the generation gap.

John


--
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
College of Liberal Arts & Human Sciences
Blacksburg, Virginia, U.S.A. 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html

"We never play anything the same way once."  Shelly Manne's definition
of jazz musicians.
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