On 19 Sep 2008 at 13:07, Eric Dannewitz wrote:

> Not at all. The program is very valuable with the following thing turned 
> off. 

But not for a real-sounding accompaniment that a busker might use in 
the subway, or a soloist might use playing at a wedding reception, or 
any number of contexts where you'd really require rubato.

> You can have it just GO and you have to keep up. You can also have 
> a click sounding in addition to the accompaniment.

If your goal is to replicate the old Music Minus One experience, 
sure, it's useful. But as someone who used it (Grieg's Piano 
Concerto), I can tell you, it wasn't much use.

> I also have found that the following feature doesn't work all that well. 
> I can't remember the last time I used it. There is also a sensitivity 
> setting too, so, you can tell it to what degree to follow the performer.

Ah. What I'd understood was that it worked very well.

-- 
David W. Fenton                    http://dfenton.com
David Fenton Associates       http://dfenton.com/DFA/

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