On 22 Feb 2009 at 22:41, Kim Patrick Clow wrote: > David, your point about the Telemann scores being somewhat of a mess is > true. Some of cantatas are even worse, if you can believe that!
You flatter me, Kim -- I was making any such point, just asking what the situation is. Surely there is some documented practice reflected in the parts -- they are, after all, a perfectly proper bass line for the recorder line. On the other hand, the crossed-out clefs show that there was confusion at the time the score was being copied, so at least if there was some notational tradition involved there, it was likely not one that was second nature to the copyist. In this particular movement, do the violin parts get anything other than the bass line? Do the parts ever diverge? -- David W. Fenton http://dfenton.com David Fenton Associates http://dfenton.com/DFA/ _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
