That example really is clean looking .. I really like the rehearsal
numbers ... I don't know what the artistic term for it is ... like
"shadowed" or something?
Dean
On Jul 27, 2009, at 2:03 PM, Darcy James Argue wrote:
Hi John,
1) Nobody from MakeMusic monitors this list. You will have to send
your message to them directly.
2) Speaking on behalf of "commercial music arrangers," I hope you
won't be offended if I offer you some unsolicited advice: if your
chord symbol fonts are set in a serif font like Times New Roman,
then I'm not interested. If you can come up with a sans-serif chord
font that is as elegant and functional as Bill Duncan's Chord
Suffix font -- example here: <http://tinyurl.com/ntvzvy> -- then
you'll attract more interest from that world (especially as Bill's
font is no longer available).
Cheers,
- Darcy
-----
djar...@earthlink.net
Brooklyn, NY
On 27 Jul 2009, at 4:29 PM, <jclev...@aol.com> <jclev...@aol.com>
wrote:
Music theorists have always sworn by ChordSymbol 1, and I'm
hoping that commercial music arrangers will equally value the new
font, with
its full set of commercial chord symbols--not handwritten, as in the
existing Finale fonts, but properly set in Times New Roman.
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Canto ergo sum
And,
I'd rather be composing than decomposing
Dean M. Estabrook
http://deanestabrook.googlepages.com/home
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