Hi alI:

About a year ago, I  showed a copy of one of my Graupner editions to
my former supervisior (Ph.D. in musicology from Columbia)-- where I
duplicated the autograph score (i.e. no written out repeats of the "A"
section, and Da Capos under each section). He has no idea how to read
the movement, and asked me how it would be performed. He is very
familiar with early music too (his dissertation was on Zerlino). After
this, when I suggested to my publisher that maybe we should write out
all the "A" sections, he insisted early music performers would know
how to perform the music, and the instrumental parts could be modified
as ordered (i.e to write everything out) if requested.

Thanks,

Kim
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