The only thing I see missing is something about talking to composers/clients. You mentioned a few times with me about how part of your job was education and how hard it was to tread a fine line between pissing off the client and helping him. That is something I haven't mastered yet, and few geeks have, either.
good point. i could incorporate it off-handedly in discussion of the function of the score. for now i am working towards gearing topics towards composers, but i could certainly expand (i.e. improvise) on the topic according to context.
I hope this seminar is documented!
mmmmmm, we'll see, not sure the first one will be the one to document though. :-)
anyone in berlin who is interested? i'll be giving a run-through mid-late october of perhaps as much as half the content and could use some guinea pigs.
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