From: Matthew Hindson (gmail) <[email protected]>
Subject: Re: [Finale] OT: Behind Bars
To: [email protected]
Date: Thursday, September 23, 2010, 11:19 AM
I have seen this book, both when it
was being written, and on a recent trip to the UK.
(Faber, who publish this book, are my publishers).
Elaine Gould is a super, super fussy editor, which is
exactly what is required of course from such a
position. This is her labour of love covering about 20
years or so of work, if I remember correctly.
It's a really comprehensive volume. It's not like what I
remember of the Read book so much, i.e. in terms of being
mostly about what symbols etc. to use, but also like the Ted
Ross book.
I thoroughly recommend this book - in fact I have made all
my students buy it and have ordered it myself.
Such volumes don't come around very often.
Perhaps the easiest thing to see is the PDF with sample
pages. I have it on my site at http://www.hindson.com.au/bb/
Faber have a special deal going at the moment whereby you
can save $$/££ before 31 Dec 2010. Details are in
the PDF. For the UK the brochure is at: http://
behindbarsnotation.co.uk/brochure/blad.pdf
Matthew
On 23/09/10 6:25 PM, Bob Morabito wrote:
Any thoughts on this?
http://www.behindbarsnotation.co.uk/
Behind Bars is the indispensable reference book for
composers,
arrangers, teachers and students of composition,
editors, and music
processors. In the most thorough and painstakingly
researched book to be
published since the 1980s, specialist music editor
Elaine Gould provides
a comprehensive grounding in notational principles.
Behind Bars covers
everything from basic rules, conventions and themes to
complex
instrumental techniques, empowering the reader to
prepare music with
total clarity and precision. With the advent of
computer technology, it
has never been more important for musicians to have
ready access to
principles of best practice in this dynamic field, and
this timely book
will support the endeavours of software users and
devotees of
hand-copying alike. The author’s understanding of,
and passion for, her
subject has resulted in a book that is not only
practical but also
compellingly readable. Supported by 1,500 music
examples of published
scores from Bach to Xenakis, this seminal and
all-encompassing guide
encourages new standards of excellence and accuracy.
ISBN10: 057151461
EAN13: 978-0571514564
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