Which makes me kind of think if something for Orchestras/Musical Pits was developed, it would have to have to be really like a light weight version of Sibelius/Finale which could do SIMPLE editing of a pre-existing score (say for like Fiddler on the Roof), and when the conductor marks up the score with all the cuts, it would send out the changes to Reader applications where the musicians could then use it for display, mark it up, etc.
But again, there would have to be some sort of copy-protection or something. I don't see MTI Shows giving out free copies of their works. But then again, I've come across scans of full scores and parts of Musicals out there on the net so.....I guess the illusion of security is what matters. On Dec 10, 2010, at 1:31 PM, David W. Fenton wrote: > > Your comment seems to me to confuse the question of what is used to > create the content and what is used to present the content. Finale > might very well still be what is used to edit the music, while PDF > output would be used to display on the music stand devices. That > would be more complicated than an integrated system where everything > was handled from one program (e.g., Finale or Sibelius), and the > portability might not be worth the effort, since for any particular > organization, it would be a closed system. NOT Sent from my iSomething _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
