A bit OT, but many years ago an ABC presenter, Jaroslav Kovarick, did a
late-night program of (I think) two hours consisting purely of different
version of the Pachelbel Canon. :-)

On 29 January 2011 13:11, David W. Fenton <[email protected]> wrote:

> On 28 Jan 2011 at 20:28, John Howell wrote:
>
> > It's been speculated--although I can't remember
> > where I read it--that since Pachelbel knew and
> > worked with all the hot musicians in Vienna, we
> > might be completely misinterpreting the Kanon.
> > It might have been intended for a much faster
> > tempo, with the violin canon a really challenging
> > tour de force to show off real virtuosos.  I've
> > never tried it that way, and don't know whether
> > it would work or not.  It would at least make
> > cello players happier!
>
> There is definitely an erroneous tradition of playing the thing way,
> way, too slow. The first time I ever worked on arranging it was
> before the IMSLP existed, and I used a MIDI file to create a Finale
> file. It ended up with the ground bass notes in WHOLE NOTES. In the
> original they are QUARTER NOTES.
>
> The early music movement has fixed this, I think, and no recent
> recordings play it as slowly as the old ones did. Of the recordings I
> examined as part of my blogging project, I derived tempos of between
> 32 and 72 bpm (based on the length of the recording divided by the
> number of measures, since not all the recordings play the whole
> thing). The first recording, the Fiedler 1940, is 70bpm, and it was
> not until Ton Koopman's 1981 recording that anyone exceeded that
> (72bpm).
>
> To me, it's quite clear that the slower tempos are vastly wrong. On
> the other hand, the really fast ones don't float my boat, either. I
> prefer something in the low 60bpm range.
>
> --
> David W. Fenton                    http://dfenton.com
> David Fenton Associates       http://dfenton.com/DFA/
>
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