Your score gave another answer than expected by me, yet I fully agree with your footnote. If an embellishment had been wanted, it very likely would have been marked in the oboes voiced in unisono with the violins.
Klaus >________________________________ >From: Kim Patrick Clow <[email protected]> >To: [email protected] >Sent: Saturday, September 3, 2011 12:08 AM >Subject: Re: [Finale] O.T. 18th century notation question > >Here is the first page of my (very much a work in progress score): > >http://i.imgur.com/zuEQR.png > >Thanks Klaus! > >On Fri, Sep 2, 2011 at 5:48 PM, Klaus Smedegaard Bjerre < >[email protected]> wrote: > >> I have tried establishing scores from old, that is pre-1900, band parts >> made available in scans by the US-LOC. Also there inconsistency is a >> problem. However comparative reading of parts often is helpful. >> >> Maybe not very scholarly, but just down to earth practical, I would like to >> know the articulations in the other parts for the two beats in question. My >> immediate suspicion is that the harmony changes between them, or that the >> same chord is redistributed in a way leaving only this part repeating the >> same note. I might guess that the moving parts have these two beats >> slurred. >> >> Klaus >> >> >> >> >________________________________ >> >From: Kim Patrick Clow <[email protected]> >> >To: [email protected] >> >Sent: Friday, September 2, 2011 11:26 PM >> >Subject: Re: [Finale] O.T. 18th century notation question >> > >> >Thanks for all the help everyone. >> > >> >I don't know why I didn't think of this before, but Peter Brown's thematic >> >index has this symbol as tied notes with staccato markings above the >> notes. >> > >> >I'm working on a source from Florence, Italy, and there are only two >> others >> >(one is in Vienna, and another in the Czech Republic). Maybe the other >> >sources are more clear. >> > >> >But I showed the screen shot to Dr. Paul Bryan (editor of the Wanhal >> >thematic index) and he said that the Florence source was in a Vienna >> >copyist's handwriting). >> > >> >And on a side note: I can't tell you how frustrating the parts are-- the >> >inconsistencies on everything- dynamic marks, articulations. I don't know >> >how the musicians >> >performed the music in really acceptable manner, but I know, performance >> >standards were much much different back then. >> > >> >Thanks again! >> > >> >Kim >> > >> > >> > >> _______________________________________________ >> Finale mailing list >> [email protected] >> http://lists.shsu.edu/mailman/listinfo/finale >> >_______________________________________________ >Finale mailing list >[email protected] >http://lists.shsu.edu/mailman/listinfo/finale > > > _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
