Logic is certainly a smart way to go. Some of the mixdowns on the Finale site aren't completely done in Finale. Justin Phillips has admitted that. I use Finale for almost everything. The step entry in Finale is superior to Logic, IMO, and the notation is obviously beyond reproach. However, for an audio product, I save as a midi file in Finale and open in Logic. The capacity for mixing, editing, and of course using other sound libraries is unsurpassed in Logic.
It's a two-step process for me, and I can't see it being any other way. On 01/11/2011, at 12:09 AM, Richard Huggins wrote: > FINMAC 12 > > I wan't to take baby steps to the next level of mixing down a Finale > piece. I hear these examples of lifelike orchestral writing, or pop > writing, and wonder how these guys and gals do the finesse mixes of > their pieces. What are some tips about creating a well-finessed > mixdown of a piece that's otherwise ready for it? ANy books or web > resources on the subject>? > > I've just bought Logic Express 9. I was wondering if there was a way > that each Finale stave can become a separate audio track in LE9? Or is > there some automated-mix solution that's better. > > Richard > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale > _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
