I can't really get decent sound from the midi files that finale produces. I print and play the parts in to DAW in realtime from a keyboard. You then get a 'personality' behind each part with tiny variations in timing and dynamics. Steve P.
On 31 Oct 2011, at 13:45, Nigel Hanley <[email protected]> wrote: > To answer your query more directly, your Finale staves need to be on > different midi channels to open in Logic on separate tracks. These tracks > will be midi tracks, not audio. Once you've completed your mixdown, Logic > then bounces your file to an audio file, ie mp3 or AIFF. > > Enjoy Logic, it is everything for audio that Finale should be for notation. > > > >> FINMAC 12 >> >> I wan't to take baby steps to the next level of mixing down a Finale >> piece. I hear these examples of lifelike orchestral writing, or pop >> writing, and wonder how these guys and gals do the finesse mixes of >> their pieces. What are some tips about creating a well-finessed >> mixdown of a piece that's otherwise ready for it? ANy books or web >> resources on the subject>? >> >> I've just bought Logic Express 9. I was wondering if there was a way >> that each Finale stave can become a separate audio track in LE9? Or is >> there some automated-mix solution that's better. >> >> Richard >> _______________________________________________ >> Finale mailing list >> [email protected] >> http://lists.shsu.edu/mailman/listinfo/finale >> > > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
