In this case (and given that the piece is not too long), I would enter all on one line. It requires planning how many bars per system. I then would enter say 6 bars of part 1 followed by 5 bars of part two. All the music in the middle can be entered normally and then the opposite at the end.
This is easier than it sounds and not difficult to line up nor to fudge part names etc. Steve Parker On 18 Jan 2012, at 13:19, Giovanni Andreani wrote: > The reason for this is that I need to represent two melodies, the second > being performed as a canon and starting on measure 2 with measure 1 hidden, > thus ending one measure later, showing a double bar line; the same double bar > line will have to show in the last but one measure on the top staff (with its > very last measure hidden) _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
