Thanks Eric and Chuck! They look great - absolutely perfect answer to what I felt was lacking in my current copying.
Steve P. On 30 May 2012, at 21:06, Chuck Israels <[email protected]> wrote: > Yes, it is designed to look good with Maestro (though I imagine it would work > well with other roughly similar fonts). Bill created the articulation font > symbols to include things like jazz falloffs that would look appropriate with > Maestro. He spent the better part of a day in our home (when we were living > in Bellingham) visiting with Greg Hamilton (top notch Vancouver music prep > guy, friend and former student) and me exploring what we thought we might > need and then went home and created it. I had been using Jazz font falloffs > etc. with Maestro notation - resulting in a clunky looking combination, told > Bill about it, and he volunteered to help. When morose moods threaten to > overcome me, I try to remember some of the extraordinary lucky things that > have happened - like Greg's friendship and Bill's extraordinary "custom" > efforts on our behalf. Those things don't pay bills, but you can take them > to your life bank. > > Chuck > > > On May 30, 2012, at 12:40 PM, Eric Dannewitz wrote: > >> Bills stuff is all done with maestro, at least that was the intention. >> His fonts look great with maestro. I use the chord , over sized time >> signatures and articulations fonts in all my works >> >> Sent from my iSomething >> -- >> >> On May 30, 2012, at 12:35 PM, Steve Parker <[email protected]> wrote: >> >>> Hi Chuck, >>> >>> Thanks, I'll look at these. Do you use them with a generally handwritten >>> look or with Maestro? >>> A PDF would be great! >>> Thanks! >>> >>> Steve P. >>> >>> On 30 May 2012, at 15:09, Chuck Israels <[email protected]> wrote: >>> >>>> Steve, >>>> >>>> Look at Bill Duncan's chord fonts available from Nick Carter at NPC >>>> Imaging. >>>> >>>> If you want to see samples, I can send you a pdf. >>>> >>>> Chuck >>>> >>>> >>>> On May 30, 2012, at 4:05 AM, Steve Parker wrote: >>>> >>>>> Hi all! >>>>> >>>>> I'm having another bout of trying to sort everything that niggles me in >>>>> Finale... ;-) >>>>> >>>>> Any suggestions for chord symbol fonts/settings? >>>>> >>>>> I'm looking for something clear to use with Maestro but with a fairly >>>>> 'thick' house style (staff lines 0.01). >>>>> >>>>> Also, I always use the triangle for a generic maj7 chord when handwriting >>>>> but haven't got around to sorting this for use with Maestro. Any >>>>> suggestions here? >>>>> >>>>> Thanks! >>>>> >>>>> Steve Parker >>>>> _______________________________________________ >>>>> Finale mailing list >>>>> [email protected] >>>>> http://lists.shsu.edu/mailman/listinfo/finale >>>> >>>> Chuck Israels >>>> 8831 SE 12th Ave. >>>> Portland, OR 97202-7097 >>>> >>>> land line: (503) 954-2107 >>>> cell phone: (360) 201-3434 >>>> >>>> <www.chuckisraels.com> >>>> <www.chuckisraelsjazz.com> >>>> >>>> _______________________________________________ >>>> Finale mailing list >>>> [email protected] >>>> http://lists.shsu.edu/mailman/listinfo/finale >>> >>> _______________________________________________ >>> Finale mailing list >>> [email protected] >>> http://lists.shsu.edu/mailman/listinfo/finale >> _______________________________________________ >> Finale mailing list >> [email protected] >> http://lists.shsu.edu/mailman/listinfo/finale > > Chuck Israels > 8831 SE 12th Ave. > Portland, OR 97202-7097 > > land line: (503) 954-2107 > cell phone: (360) 201-3434 > > <www.chuckisraels.com> > <www.chuckisraelsjazz.com> > > _______________________________________________ > Finale mailing list > [email protected] > http://lists.shsu.edu/mailman/listinfo/finale _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
