There are other problems with accidentals in "chromatic transposition" staves 
which may be related to the 9 key, but for sure it doesn't work properly even 
on normally transposed staves, or concert pitch staves. If you hit it more than 
once, you will never know what it will look like the next time you glance at 
that measure. Sometimes I start working on a different staff and when I look 
up, the spelling has gone haywire.

Christopher


On Fri Oct 12, at FridayOct 12 2:45 PM, Don Hart wrote:

> Same experience here that Steve reports.  Do I recall correctly that this
> was only a problem in scores without key signatures?  I never experienced
> the problem but that rings a bell.
> 
> Don Hart
> 
> On Fri, Oct 12, 2012 at 11:04 AM, Steve Parker <[email protected]> wrote:
> 
>> I always use it and never have a problem.
>> Apart from chord respelling where Finale goes through ludicrous options
>> before finding the obvious..
>> Here I use '9' to respell notes individually.
>> 
>> Steve P.
>> 
>> On 12 Oct 2012, at 14:51, Robert Patterson <[email protected]>
>> wrote:
>> 
>>> When linked parts were introduced in Fin07, MM severely broke the speedy
>> 9
>>> key. If you used it, you got strange and incorrect results, especially
>> with
>>> transposing instruments. Even after the maintenance release that
>> supposedly
>>> fixed the problem it was still broken. As as result, I started studiously
>>> avoiding using Speedy 9. Rather, my workflow became *without fail* to
>> back
>>> up and reenter any note that was enharmonically misspelled rather than
>> use
>>> speedy-9.
>>> 
>>> However, this is a huge pain, and I am wondering if it is safe to use
>>> again. Comments, anyone?
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>> 
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