This is indeed depressing but hardly surprising.

Are you using Fin12?

On Fri, Oct 12, 2012 at 3:54 PM, Christopher Smith <
[email protected]> wrote:

> There are other problems with accidentals in "chromatic transposition"
> staves which may be related to the 9 key, but for sure it doesn't work
> properly even on normally transposed staves, or concert pitch staves. If
> you hit it more than once, you will never know what it will look like the
> next time you glance at that measure. Sometimes I start working on a
> different staff and when I look up, the spelling has gone haywire.
>
> Christopher
>
>
> On Fri Oct 12, at FridayOct 12 2:45 PM, Don Hart wrote:
>
> > Same experience here that Steve reports.  Do I recall correctly that this
> > was only a problem in scores without key signatures?  I never experienced
> > the problem but that rings a bell.
> >
> > Don Hart
> >
> > On Fri, Oct 12, 2012 at 11:04 AM, Steve Parker <[email protected]>
> wrote:
> >
> >> I always use it and never have a problem.
> >> Apart from chord respelling where Finale goes through ludicrous options
> >> before finding the obvious..
> >> Here I use '9' to respell notes individually.
> >>
> >> Steve P.
> >>
> >> On 12 Oct 2012, at 14:51, Robert Patterson <[email protected]
> >
> >> wrote:
> >>
> >>> When linked parts were introduced in Fin07, MM severely broke the
> speedy
> >> 9
> >>> key. If you used it, you got strange and incorrect results, especially
> >> with
> >>> transposing instruments. Even after the maintenance release that
> >> supposedly
> >>> fixed the problem it was still broken. As as result, I started
> studiously
> >>> avoiding using Speedy 9. Rather, my workflow became *without fail* to
> >> back
> >>> up and reenter any note that was enharmonically misspelled rather than
> >> use
> >>> speedy-9.
> >>>
> >>> However, this is a huge pain, and I am wondering if it is safe to use
> >>> again. Comments, anyone?
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