Is it really true that the clef in a part can't be unlinked from the clef in
the score?  There's a legitimate need for this, e.g., a bassoon or trombone
staff shared by 2 parts, both of which in the score are in tenor clef (to
save space), but the lower voice in the part should be in bass clef (for
readability).  Not that common, but when you need it, you need it.

And what about a passage using 8va in the score, but written at pitch in the
part?  This sometimes happens in high flute and violin parts.  Is this
possible?

-Lee


Lee Actor
Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic
http://www.leeactor.com



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