All of them require workarounds. The 8va thing I would to with an octave transposing staff style (in the part).
For different clefs on a shared staff, you could try changing the instrument of the part only. That, or using a transposing staff style that imposes the clef you want. Many times I have to use staff styles to hide/show clefs or put in clefs as expressions. On Tue, Dec 25, 2012 at 6:30 PM, Lee Actor <lee.ac...@comcast.net> wrote: > Is it really true that the clef in a part can't be unlinked from the clef > in > the score? There's a legitimate need for this, e.g., a bassoon or trombone > staff shared by 2 parts, both of which in the score are in tenor clef (to > save space), but the lower voice in the part should be in bass clef (for > readability). Not that common, but when you need it, you need it. > > And what about a passage using 8va in the score, but written at pitch in > the > part? This sometimes happens in high flute and violin parts. Is this > possible? > > -Lee > > > Lee Actor > Composer-in-Residence and Assistant Conductor, Palo Alto Philharmonic > http://www.leeactor.com > > > > _______________________________________________ > Finale mailing list > Finale@shsu.edu > http://lists.shsu.edu/mailman/listinfo/finale > _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
