On 12/25/2012 9:54 PM, Williams, Jim wrote:
> Yeah...interesting indeed. Never seen that before.
> You've described the chords correctly as 7(b9), so why not go with what the 
> parts are saying?
> Jim
>
> Sent from my iPhone, so please pardon all the typos.

Thanks, Jim.  I appreciate the feedback.  It's always useful to have a 
second opinion.

cd

> On Dec 26, 2012, at 12:49 AM, "dershem" <ders...@cox.net> wrote:
>
>> On 12/25/2012 9:09 PM, Williams, Jim wrote:
>>> What do the parts tell you?
>>>
>>> Sent from my iPhone, so please pardon all the typos.
>>
>> First one is a D9 - D, F#, A, C, Eb.  D7(b9)?
>> Second is an E9 - E, G#, B, D, F      E7(b9)?
>>
>> Both have that b7, b9, but both have M3, so not minor 9 chords.
>>
>> Interesting notation, eh?
>>
>>> On Dec 26, 2012, at 12:07 AM, "Don Hart" <donhartmu...@gmail.com> wrote:
>>>
>>>> Hi Carl - I've never seen that either. My first guess would be that the 7th
>>>> is assumed and the parenthesized comments concern the ninth in each chord.
>>>> Which chart/arranger? - Don Hart
>>>>
>>>>
>>>> On Tue, Dec 25, 2012 at 9:42 PM, dershem <ders...@cox.net> wrote:
>>>>
>>>>> I'm putting an old Kenton chart into Finale (always have a safety copy
>>>>> in case some bozo loses or destroys a part!) and have found some chord
>>>>> markings that are new to me.
>>>>>
>>>>> Measure 1 is  D9(flat)
>>>>> Measure 6 is  E9(natural)
>>>>>
>>>>> This might be how it was done back in the day, but .. how would these be
>>>>> marked now?  Is it D9(b???)  D7(b9)???  Ummm... new to me.
>>>>>
>>>>> Any relevant thoughts would be appreciated.
>>>>>
>>>>> Carl
>>>>> --
>>>>> http://projectselene.com

-- 
http://projectselene.com




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