Thanks for your comments.  I'm sure many of the issues I've seen have to do
with auto-spacing being on.  Still, the concept that I can make an
admittedly stupid error in one place, and not catch it for some time because
the effect is another place entirely, makes me queasy.

I have no doubt that one can, with enough workarounds and tiptoeing about,
make linked parts work.  My question remains, what compelling reasons are
there for doing so?  It still seems to me that using linked parts is more
work, not less.

-Lee

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of
SN jef chippewa
Sent: Sunday, January 06, 2013 5:33 AM
To: [email protected]
Subject: Re: [Finale] Linked parts


>if something goes wrong, EVERYTHING goes wrong.

despite my well known dissastisfaction with linked parts, i have to 
say this is a gross exaggeration.

>inability to have different music spacing factors in score and parts).

this is indeed stupid, but i have resolved the problem simply by 
doing EVERYTHING in the score layout first before spacing parts. 
also used JW plugin space empty rests recently that was great help in 
the parts once i found my ideal settings for it.

i have a sheet on the wall in front of me with my settings for the SC 
/ PTs spacing so can change back and forth quickly if needed.  and 
another sheet nearby with the H pos. settings for individual measures 
/ notes where running music spacing will change them (so after i run 
spacing in the PTs i can "correct" what has been undone in the SC).

using linked parts is all about deciding how much compromise you can 
accept -- in the output and/or workflow -- and where you can accept 
compromises are not terribly compromising.

in any case, you mention having a seperate score for editing of the 
parts, you are in effect not really using linked parts as they are 
"meant".  so none of the stupidities of the current disastrous 
implementation of finale's linked parts should be of any both to you 
anyways...?

>easy to inadvertently mess up a carefully laid-out part while 
>working on another part of the score (mostly while adding and 
>adjusting cues).

not clear what problems you are running into, but if you make sure 
many of the auto features are off you might avoid many problems:
- auto-update MM rests
- auto-spacing
- etc.


>inadvertently mess up the flute part while you're editing the oboe part.

this should not normally happen, unless you forget to uncheck certain 
instruments in the "select parts to affect" dialogue when doing 
certain operations (layout: systems or freeze measures in x systems.

--

if you can point out some specific things that are getting "messed 
up", there could possibly be some simple solutions to at least some 
of them.

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