I've dealt with this before and the lyrics get reduced along with the reduced 
noteheads, plus you have to assign them to a different layer and that causes 
lyric extension issues. I could try using a fixed font size for the lyrics, but 
that starts to get touchy, especially since I can't specify fractional point 
sizes.

The method that I use (convoluted it may be) is this

Enter ALL the required subdivisions in Layer 1 and assign lyrics to ONLY layer 
1. Jump over unneeded subdivisions as required in the verse you are in.
Wherever there are FEWER subdivisions needed, enter them in Layer 3 and hide 
the Layer 1 notes using O in Speedy. This will NOT hide the lyrics!
Just for show, enter the missing subdivided notes in Layer 2 and resize them. 
Since there are no lyrics assigned to Layer 2, they will not have resized 
lyrics.

Christopher


On Sun Jan 20, at SundayJan 20 4:27 PM, Mark D Lew wrote:

> I'm not sure if this is the exact situation Noel is describing, but if you 
> have a situation where verse 1 has one syllable on a quarter note and verse 2 
> has two syllables on repeated eighth notes on the same pitch, I would NOT 
> write it as two eighths with a dotted tie.  I would write it as a quarter 
> note upstem and then in a second voice have the two eighth notes downstem and 
> reduced.  (Or if it's two syllables in the first verse and one syllable in 
> the second, then the eighth notes are upstem and full size while the quarter 
> note is downstem reduced.)
> 
> I wouldn't say the dotted tie version is "wrong", but it's not how I would do 
> it.
> 
> mdl
> 
> On Jan 20, 2013, at 11:07 AM, Noel Stoutenburg wrote:
> 
>> Dennis,
>> 
>> Regarding your question,
>>> Suppose you have several verses under the same music, but with small
>>> variants in the syllabification between verses - two notes for one
>>> syllable in one verse but two syllables in another.
>>> 
>>> What's the standard way of indicating this if the beaming follows the
>>> syllabification? Two stems, one with flags, the other with a beam? Or?
>> 
>> I'm not prepared to call it "standard", but my customary method of 
>> dealing with the situation you describe is to prepare the notation for 
>> the greatest number of syllables, and use a dotted slur (or more rarely 
>> a dotted tie) to indicate the notes that are sung together on a single 
>> syllable in some instances. I have seen others use a notation such as s. 
>> 3 (for stanza 3) to indicate  to which stanzas the multiple notes apply, 
>> but I don't personally use this device.
>> 
>> ns
>> 
>>> Thanks,
>>> 
>>> Dennis
>>> 
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>>> 
>>> 
>> 
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