I know what you are saying about the lack of voice leading of any 
fashion on the chord playback.  But my biggest problem with chords is 
that I can't ever figure out what bizarre spellings Finale expects of me 
when I type in chord names.  I have been over the documentation several 
times and I can never make any sense out of it.  It seems like each time 
a start a new project, 90% of the names I try to enter are not accepted. 
And I cannot figure out if it is a chord that Finale honestly doesn't 
know or if I just have to put in an extra set of parentheses or something.

I'll often enable MIDI input to see if Finale will tell me the spelling 
it is insisting on.  Sometimes that works.  But sometimes the chord 
spellings it comes up with are horrendous.  And so then I try to add my 
own suffixes to the library, and I can't make any sense out of that 
either.  Basically Finale doesn't adhere to any chord naming system I've 
ever seen.  I have no idea where they came up with their rules.

And on top of that, sometimes it insists on changing the enharmonic of 
the roots, even when I enter them verbatim.  There was a time recently 
where I never could get it to accept a Cb7 chord.  It insisted on 
changing that to a B7, which was absolutely wrong in that context.  I 
suppose that was a case where the Cb didn't match my key signature, but 
this was in the bridge of a jazz tune, and the Cb was absolutely the 
right spelling for that passage.  Does this happen to anybody else?  Is 
there a way around that?



On 5/2/2013 10:03 AM, Chuck Israels wrote:
> I could not agree more.
>
> Chuck
>
>
> On May 1, 2013, at 10:48 PM, Darcy James Argue <[email protected]> wrote:
>
>> Best workaround — turn off chord playback globally, create your own piano 
>> realization, and put it in a hidden layer.
>>
>> Finale's chord symbol playback is TERRIBLE — chord-to-chord voice-leading is 
>> completely ignored. The fact that it doesn't work with HP is honestly the 
>> least of it. Just write a simple piano part and hide the notation.
>>
>> Cheers,
>>
>> - DJA
>> -----
>> WEB: http://www.secretsocietymusic.org
>>
>> On May 2, 2013, at 1:19 AM, Craig Parmerlee <[email protected]> wrote:
>>
>>> OK, this is probably a bug that has no fix, and maybe I'm the only
>>> person in the world who thinks this is important.
>>>
>>> When writing for jazz piano, I usually just put in enough notes to
>>> suggest a style and let the piano player use his own comping skills,
>>> which are almost always better than anything I would write out.  So I
>>> depend on the chords in the playback -- not for a realistic comping
>>> sound, but just as a check on the harmonic framework to make sure the
>>> other instruments are compatible.
>>>
>>> For a long time, I've been angry at HP because the swing values came out
>>> inconsistently.  I just figured out what was happening was that my
>>> manually entered notes are swinging as they should, but HP ignores the
>>> swing values for any chords that are on offbeats. Obviously if I write a
>>> chord on an eight note offbeat, that is expected to swing just like
>>> notes fully written out.  But HP doesn't seem to work that way.
>>>
>>> I wonder if anybody else has seen this.  And I am really hoping there is
>>> some easy solution I have overlooked.
>>>
>>> My solution for now is to edit any of the chord definitions for chords
>>> entered on offbeats and make them not play at all.  That is better than
>>> playing with bad timing.
>>>
>>> Any better workarounds?
>>>
>>> Thanks.
>>>
>>> _______________________________________________
>>> Finale mailing list
>>> [email protected]
>>> http://lists.shsu.edu/mailman/listinfo/finale
>>>
>>
>>
>> _______________________________________________
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>>
> Chuck Israels
> 8831 SE 12th Ave.
> Portland, OR 97202-7097
>
> land line: (503) 954-2107
> cell phone: (360) 201-3434
>
> <www.chuckisraelsjazz.com>
>
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>
>



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