I would use a double whole as per original. 
I would split off the last movement to a new doc and change the default. 

Steve P. 

> On 16 May 2014, at 19:55, Martin Banner <mbanner...@aol.com> wrote:
> 
> Ryan,
> 
> I checked the Dolmetsch book, and if I read it correctly, yes, double  
> whole rests are the standard in 4/2 time. The piece that I am editing  
> is a multimovement work, with the first movement being in 4/4 time,  
> and the last movement being the one in 4/2 time. I may have to resort  
> to speedy entry and put in the double whole rests. Do you know how I  
> can get Finale to center those double whole rests (I did that many  
> years ago, but don't remember how I did centered the rests).
> 
> Thanks,
> Martin
> 
> 
>> On May 16, 2014, at 2:38 PM, Ryan wrote:
>> 
>> You're correct that the convention is to use a double whole rest in  
>> 4/2
>> (and possibly some other large meters). I'd say that today that  
>> practice is
>> somewhat antiquated. Players will instantly understand that they are  
>> to
>> remain silent for the entire measure if there's a regular whole rest.
>> 
>> That being said, if you really want the double whole rest as the  
>> Default
>> Whole Rest in Finale, go to Doc Options>Notes & Rests>Rest  
>> Characters pop
>> up menu. Choose Default Whole Rest. Select the double whole rest  
>> character
>> (it's in slot 227 on my machine). Note that this will change all  
>> default
>> whole rests for every measure, regardless of the time signature. If  
>> you're
>> working in only 4/2, then this is probably OK. AFAIK, there is no  
>> way to
>> have Finale automatically use double whole rests in 4/2 and regular  
>> whole
>> rests in all other meters in the same document. You could insert them
>> manually as expressions, though.
>> 
>> 
>> On Fri, May 16, 2014 at 8:24 AM, Gippo Mercoli <i...@clubgippo.com>  
>> wrote:
>> 
>>> I recenty had to solve a similar situation and I discovered (or  
>>> should I
>>> had to know?!) that no matter about the time signature, empty bars  
>>> need
>>> whole rest.
>>> 
>>> 
>>> ------
>>> 
>>> Gippo Mercoli
>>> www.clubgippo.com
>>> 
>>>> Il giorno 16/mag/2014, alle ore 17:05, Martin Banner <mbanner...@aol.com 
>>> ha scritto:
>>>> 
>>>> I am preparing a modern edition of an 18th century choral/orchestral
>>>> work. The last several movements are in cut time (4/2), four beats  
>>>> to
>>>> a measure, half note gets the beat.
>>>> 
>>>> Finale uses a whole rest as the default empty measure rest, but I'm
>>>> not sure if this is preferable, or a double whole rest (which is  
>>>> what
>>>> actually is written by the composer in his autograph score). For a
>>>> modern edition, is standard practice for an empty measure in 4/2  
>>>> time
>>>> a whole rest or double whole rest?
>>>> 
>>>> If the concensus is double whole rest, how does one get the double
>>>> whole rest centered in the empty measures?
>>>> 
>>>> Thanks,
>>>> Martin
>>>> 
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