This may be a pain, but what I might do is (after creating the multimeasure
rest), enter a note orrest in the first bar of it. (It can be a hidden.)
That causes the multimeas rest to disappear and you can then make it look
however you like. I do this for TACET passages where I don't want to show
the number of bars rest.

On Fri, Jan 23, 2015 at 9:06 AM, Craig Parmerlee <[email protected]>
wrote:

> In most of the big band charts I write, for the drummer I write a
> measure or two with the suggest beat pattern, then turn the rest of the
> measures into staff style Z so they will appear as a multi-measure rest
> up to the next double bar.  If there are any important punches, I will
> typically show those measures with slash notation and write the horn
> rhythms in notes above the staff, letting the drummer figure out how
> best to play that.  If there is an exact part I need played, I will show
> those measures.  For example, there may be a particular tom-tom riff or
> there may be a place where drums hit on 1 and then drop out.  I show all
> those measures explicitly.
>
> But my question is about the sections where the drummer is just carrying
> along.  I show those as multi-measure rests and put the indication
> "(Continue)" above the MM rest.  This gives a really clean, compact part
> and allows the drummer to play more artistically instead of trying to
> read a very cluttered chart.  But there is an ambiguity with the MM
> rests.  I am using the same look whether the drummer is continuing to
> play a pattern or whether the drums are out for a section.  My
> "(Continue)" marking attempts to clarify that, but I wonder how others
> deal with this.
>
> I think what I'd really like is two different visual styles of MM rest
> -- one for playing and one for resting.
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