not really "mid-bar" change, more like butt-splicing different pieces together, each with anacrusis and final "incomplete" measure. but yeah achieved in the same multi-step tasks in finale.
thanks for the reminder that i haven't listened to this piece in awhile :P > Change time signature. I realize this is unusual, but I think it >can make sense in certain situations. For example, it can be found >several times in Beethoven's 31st Piano Sonata, Op. 110, where, in the >last movement, 12/16 changes to 6/8 mid-bar, then back and forth another >couple of times, always mid-bar: > >http://hz.imslp.info/files/imglnks/usimg/a/a3/IMSLP51805-PMLP01488-Beethoven_Werke_Breitkopf_Serie_16_No_154_Op_110.pdf -- neueweise -- fonts for new music (and traditional) notation http://newmusicnotation.com/fonts.html shirling & neueweise | http://newmusicnotation.com new music notation + arts management + translation [FB] http://facebook.com/neueweise | [TW] http://twitter.com/neueweise _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
