Again, many thanks to Ryan Beard and Christopher Smith for all of the advice.
Very last question: C score or transposed score? Again, coming from the orchestra world, I learned from conductors who say that they want to see in front of them what the players see — so when they ask about, for example, the Eb clarinet’s C# in measure 74, they are asking about the written note C# that they and the player sees, instead of having to translate from seeing a C-score E-nat (or saying “concert E-nat”). So, all of my instincts and working methods tell me that I should write a transposed score. But what do band directors want to see? Does this answer depend on the band? This is for a professional group, with no expectation that it ever would be done by high school or amateur or non-conservatory college bands. Thanks again, David _______________________________________________ Finale mailing list [email protected] https://lists.shsu.edu/mailman/listinfo/finale To unsubscribe from finale send a message to: [email protected]
