----- Original Message -----
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Tuesday, August 01, 2000 9:44 PM
Subject: [mich-improv] THE DROPLIFT PROJECT: new copyright infringement
compliation


> I thought this might interest some of you...
>
> The anti-copyright collaborative project known as "The
> Droplift Project" was released last weekend. The album is a protest
> against the copyright restrictions on sampling, along with the music
> industry in general. Through the prank of dropping our independently
> produced disc of culture jamming and "infringing material" directly
> into the bins of record stores across the planet, we hope to raise
> awareness of fair use issues in music, along with exposing some
> unsuspecting people to the wonderful world of audio collage and the
> art of the sample.
>
> Much more information, along with free downloads of the
> complete album in mp3 or full uncompressed format is available at the
> Droplift Project website : http://www.droplift.org
>
> Press release:
>
> WHAT IS THE DROPLIFT PROJECT?
>
> The idea came suddenly.
>
> Manufacture our own CDs, go into chain stores, and leave them in the
> appropriate bins. Down among the established pop hits and top 40
> product, these CDs await those curious few who take them to the
> counter.
>
> Then what? Witness the confused faces of cashiers and customers alike
> when the CD does not show up in the inventory. But they'll most
> likely make the sale, and the CD known only as THE DROPLIFT PROJECT
> will go home with yet another customer. Mission accomplished.
>
> On the weekend of July 28th, 2000, all across the United States and
> Internationally, ordinary citizens will walk into record stores with
> copies of THE DROPLIFT PROJECT hidden on their person. They will
> proceed to leave them, well filed, in the stacks, and they will walk
> out.
>
> Why do this? Surely the artists know they won't get any MONEY from
> this puzzling act.
>
> Ah, but perhaps you are starting to understand already.
>
> The artists on THE DROPLIFT PROJECT make and find recordings of the
> stuff we all hear on radio, TV, in the news, on other CDs and tapes,
> and from everywhere around us. Then we cut it all up and rearrange it
> to make new art, social commentary, parody, and contemporary
> criticism.
>
> It's nothing new. Artists have been making collages for the last
> hundred years. The world of Fine Art has long recognized the artist's
> right to use found objects in a new context to make a comment.
>
> The world of music has been a little behind.
>
> Record companies reject our works outright, wishing to avoid
> unpleasant lawsuits. CD Plants, acting on an RIAA mandate to curb
> piracy, are often not willing to press material that might contain
> recognizable samples. Even free music venues on the Internet refuse
> to allow sample-based works.
>
> Is it illegal? Depends on who you ask. We know we are protected by
> the First Amendment and the Fair Use clause of the Copyright Act.
> Apparently, the music industry has other ideas. Because most of us do
> not posess the resources to defend our artistic rights in a court of
> law, we are often silenced by cease-and-desist letters and other
> legal threats. These tactics amount to censorship of an entire
> artform.
>
> This oppressive resistance to the creative reuse of material has
> really got us in a bind. Our only recourse was to manufacture and
> distribute this free public domain "copyright infringement
> compilation" that calls attention to this issue of sampling in music.
>
> So here it is! Listen to it! We're not doing this for our health.
> This is a deliberate attempt not only for our talents to be heard,
> but to encourage some discussion about artists' use of sound samples
> in their work. If you like the disc, help us spread the word by
> writing an article, playing it on your radio show, making tapes for
> friends, or even droplifting a few copies yourself! For more
> information, visit us on the internet at http://www.droplift.org
>
>
>
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