>Date: Thu, 3 Jan 2002 12:08:02 +0000
>To: [EMAIL PROTECTED]
>From: paulrobertson <[EMAIL PROTECTED]>
>Subject: MORE OR LESS... ANOTHER NEW YEAR ON THE BARRICADES - a happy new
> year list from Heart Fine Art Ltd.
>
>Maciunas, George.
>FLUXUS STATIONARY.
>2 examples with 1 envelope. Designed by G. Maciunas.
>New York: Fluxus/Wooster Enterprises, c. 1975.
>Each sheet 20 x 22.5cm respectively. Printed in photo-offset with hand
>image. Envelope is standard business-size with gummed flap printed to form
>a glove, verso printed with 'to' & 'from'. Two examples of the stationary
>designed by the innovative Fluxus pope. Both pieces fine with like
>envelope. Scarce first edition - not the recent London reprint.
>
>100 uk pounds
>
>
>
>(May, '68).
>L'ENRAGE. No's 1-5, 7, 8, 10-12 (of 12 published). Directeur: Jean-Jacque
>Pauvert.
>Paris: Pauvert, May-Nov., 1968.
>10 separate numbers. Uniformly 23.5 x 31 cm. 8-12 pp. per. Composed of
>satirical cartoon commentaries by various contributors. Tabloid format. A
>significant run of this now famous journal, published during the student
>rebellion in Paris and much reflective of its impact. Contributions by
>Sine, Roland Topor, Gil Wolinski, et. al. 'L'Enrage' was particularly
>popular among the activist student community itself. All issues in very
>good+ estate. Uncommon.
>
>150 uk pounds
>
>
>
>(May, '68).
>Gerz, Joachim, Bory, J.F. & A. Hubschmid.
>PARIS MAI 1968/REVOLUTION.
>Paris: Agentzia, 1968.
>Twelve inch sq. card sheet with die-cut windows displaying dates, related
>quotes and b/w photo-documents with centrally affixed (recto and verso)
>card pinwheel. When the pinwheels are rotated the texts and images are
>displayed. Housed in standard LP sleeve (recto with photo-image (on the
>barricades), verso with text excerpted from 'La Monde'. A rare kinetic
>object-multiple in engaging soundless LP format, as devised by the visual
>poet and activist Bory, the German installation artist Gerz and Hubschmid.
>Follow the chronological wheels as they grind to a halt on the barricades.
>All elements fine and intact in sleeve with a minor central relieved
>impression (effect of pinwheel), else very good+. Exceedingly scarce.
>
>125 uk pounds
>
>
>
>(May '68).
>Vienet, Rene.
>ENRAGE ET SITUATIONNISTES DANS LE MOUVEMENT DES OCCUPATIONS.
>Paris: Gallimard, 1968.
>8vo. 316pp. Profusely illustrated throughout after b/w
>photo-documents, text-pieces and detourned comics. Printed wrappers. This
>scarce first edition of this insider's account of the efforts of the
>'Enrage' and Situationist groups during the revolutionary events of May,
>'68 (Paris). Replete with numerous reproductions of tracts, wall
>graffiti, telegrams, photos and detourned comics. A close to fine example
>of this excellent resource document.
>
>50 uk pounds
>
>
>
>Meinhoff, Ulrike.
>LAATSTE TEKSTEN VAN ULRIKE.
>Utrecht: Uitgegeven door het Medissch-guridisch comite politieke
>gevangenen, Sept., 1976.
>14.5 x 20.5cm. 82pp. Stapled, photographic wrappers. First edition of this
>uncredited Dutch translation of the Red Army Faction leader's 'last
>testament'. Published in the year of his suicide in prison. This copy from
>the library of the civil rights attorney Georges Mendes, and bears his
>signature at the half-title. A close to fine example of this uncommon document.
>
>45 uk pounds
>
>
>
>Munari, Bruno.
>IL QUADRATO.
>Milano: Vanni Scheiwiller, 1960.
>18 cm sq. 87 pp. 156 b/w illustrations. Pictorial wrappers and all over
>design by Munari. First edition of this scarce artists' book by the
>influential artist and designer. Very much in keeping with his later
>bookworks in flip-format of the decade of the 60's. Slight bumping to
>wrappers, else a near fine copy.
>
>130 uk pounds
>
>
>
>Nash, Jorgen & J.V. Martin.
>HANEGAL.
>Paris: Edition Internationale Situationniste, 1961.
>Small 4to. 33 pp. Illustrated throughout in b/w and color with original
>lithographs and various other designs by Martin. Pictorial paper over
>boards with a design by Martin. Enclosed in a slipcase with the title
>stenciled in white (on black) and with an overlay of small-gauge chicken
>wire. First edition. One of 750 numbered examples (total edition) signed
>by Nash and Martin. A striking collaborative work by the poet (Nash) and
>illustrator (Martin). Both were major actors in the Situationist movement
>at the time of this publication and the hard-edged polemic of the work
>underscores this. A fine example. Rare.
>
>1,200 uk pounds
>
>
>
>Nash, Jorgen.
>DET NATURLIGE SMIL. Digte og Decollage 1960-1964.
>Copenhagen: Gyldendaske Boghandel/Nordisk Forlag, 1965.
>8vo. 80pp. Profusely illustrated after typo-pictorial collages by
>Nash. Pictorial wrappers. First edition of this uncommon compendium of
>poetic and theoretical texts and collages created by the Danish
>Situationist activist during the course of 1960-1964. A close to fine
>example of this engaging work.
>
>100 uk pounds
>
>
>
>NIEUWE REALISTEN. Textes by Jasia Reichart & Pierre Restany, et. al.
>Den Haag: Haags Gemeentemusem, 1964.
>41 x 55.7 cm. 44 pp. 78 b/w photo-portraits + 109 b/w reproductions of
>works by the contributing artists. Tabloid self-wrappers. First edition of
>the catalogue for the title monumental exhibition of works by New Realist
>adherents and contemporary fellow travelers. Artists include: Arman, Baj,
>Peter Blake, Christo, Bruce Conner, Dufrene, Fahlstrom, Hains, Hamilton,
>Hockney, Indiana, Johns, Allen Jones, Klein, Kudo, Lichtenstein,
>Oldenburg, Paolozzi, Rauschenberg, Raysse, Rotella, Spoerri, Tinguely,
>Villegle, Warhol, et. al. Some horizontal creasing, minor tears along
>creases and minor yellowing (typical of newsprint), else a very good
>example of this important document.
>
>120 uk pounds
>
>
>
>Nitsch, Hermann.
>DAS ORGIEN MYSTERIEN THEATER: 50 Aktion daur 24 Studen. 26-27 July, 1975.
>Poster. Graz: Schloss Prinzendorf, 1975.
>70 x 95cm. B/w offset photographic image (a ritualistically bloodied and
>blindfolded Oswald Weiner with bloody animal carcass suspended in
>backdrop) with surrounding text info. Signed by Nitsch. A scarce poster
>issued by Nitsch to promote the title action, which was to be the first
>step towards his 'gesamtkunstwerk'. This example signed in ink by the
>artist. A close to fine example.
>
>150 uk pounds
>
>
>
>(Nouveau Realisme).
>DYLABY DYNAMISCH LABYRINT.
>Robert Rauschenberg, Martial Raysse, Niki de Saint-Phalle, Daniel
>Spoerri, Jean Tinguely, Per Olof Ultvedt. Amsterdam: Stedelijk Museum, 1962.
>19 x 26 cm. 20 pp. B/w photo-documentation throughout + (laid-in) poster
>for the exhibition (380 x 520 mm. offset in b/w). Original wrappers. First
>edition of the catalogue for the title interactive installation
>environment. An historic collaboration between Rauschenberg and various
>Nouveau Realists. Composed of primary extensive photo-documentation. Laid
>into this example is the scarce 'floor-plan' poster for the
>installation. Both catalogue and poster in very good+ condition.
>
>100 uk pounds
>
>
>
>('Pataphysique).
>UNE SUPPOSITION.
>Monographie par Rene Clair. Charleville: : College de 'Pataphysique, 1958.
>7.5cm (each side) hexagonal. 22 numbered pages. Stiff, printed wrappers.
>First edition of this short survey of the life and work of the 17th
>Century Jesuit author and scholar Phillip Labbe by the noted avant-garde
>film-maker and 'satrape'. One of 643 examples printed (out of series). The
>unusual hexagonal format allows the book to stand on its own. A fine example.
>
>50 uk pounds
>
>
>
>('Pataphysique). Thurium, Herodote de.
>LE FILS DE L'ARCHTECTEUR.
>Charleville: College de 'Pataphysique, 1960.
>12.5 cm sq. 24 pp. Textual illustrations in b/w. Printed wrappers. First
>edition of this translation from the ancient Egyptian by Jacques Brunet &
>Andre Tchernia of the author's bizarre discourse on architecture. You too
>can build your own pyramid. Printed in a total edition of 555 examples. A
>fine copy.
>
>60 uk pounds
>
>
>
>('Pataphysique).
>Sainmont, Jean-Hugues.
>DE QUELQUES CONSEQUENCES.
>Charleville: College de 'Pataphysique, 1961. 17.5 x 22 cm (obelisk-shaped).
>15 pp. Original printed wrappers. First edition. One of 666 numbered
>copies printed of this text by the founder of the 'college'. A close to
>fine example.
>
>50 uk pounds
>
>
>
>PLASTIQUE. Revue Internationale, consacree aux oeuvres d'avant-garde des
>arts plastiques et litteraires. No. 4-5. Edited by Sophie Taeuber-Arp.
>Meudon/Paris: 1939.
>Small 4to. ?pp. B/w images by Hans Arp, Max Ernst, Raoul Hausmann, Wassily
>Kandinsky, Kurt Schwitters, et.al. Original pictorial wrappers. The final
>issue of this vanguard review, as edited by Taeuber-Arp. This is a double
>number, and is primarily devoted to the collectively generated Surrealist
>novella: 'L'homme qui a perdu son Squelette' by Hans Arp, Marcel Duchamp,
>Paul Eluard, Georges Hugnet, Henri Pastoreau and Giselle Prassinos. Other
>text and pictorial contributions from Leonora Carrington, Ernst, Hausmann,
>Kandinsky, Schwitters, et.al. Some minor wear to wrappers, else a very
>good example of this extremely desirable issue.
>
>275 uk pounds
>
>
>
>Pomerand, Gabriel.
>LES PUERILS.
>Paris: Laffont, 1956.
>8vo. 247 pp. Printed wrapper. First edition of this experimental
>picaresque novel by the Lettrist author, artist and filmmaker. This
>example humorously inscribed by Pomerand. Text browned, else a very good+
>example. Scarce.
>
>130 uk pounds
>
>
>
>(Provo journal).
>GOD, NEDERLAND EN ORANJE. No's 2-5, 9.
>Amsterdam: self-published, 1966-68.
>Five issues. Dimensions and pages vary per. Numerous b/w editorial
>cartoons. Differing formats (8vo., stapled wrappers and 4toi,
>self-tabloid). A signature group of issues of this journal, which ran to
>10 numbers. 'God, Nederland en Oranje' was a bitingly satirical anarchist
>revue with direct ties to the Provo movement. Text and pictorial
>contributions byAad Nuis, Rudolf de Jong, Simon Vinkenoog, Adriaan
>Morrien, Peter Vos, Willem, Malsen, et. al. All issues in very good to
>very good+ estate. Uncommon.
>
>125 uk pounds
>
>
>
>
>(Provo journal).
>PROVO. No's 10, 12-15.
>Amsterdam: Provo, June 30, 1966 - March, 1967.
>Five issues. Dimensions vary per (no's 10 and 12: 10.8 x 30.4cm. and 10.8
>x 30.8cm., respectively, no's 13-15: uniformly 21.5 x 59.8cm.). 12-44 pp
>per. No's 10 and 12 in original stapled wrappers, no's 13-15 in folded
>self-tabloid format. Five no's (of 15 issued) of this landmark collective
>journal of the Amsterdam-based Provo movement, as founded by Robert Jasper
>Grootveld in 1965. 'Provo' was a typically Dutch 'playfully anarchist
>group'; its actions were generally akin to Happenings, its ideology linked
>to that of Constant's 'New Babylon' concepts, those of the Situationists,
>the anti-war protests of the period, etc. The movement eventually
>exhibited considerable influence upon urban planning, social housing,
>transport issues and cultural life in the Netherlands throughout the late
>60's - mid-70's. The contributors (herein) form a roll call of the
>Amsterdam underground, including Roel van Duyn, Rob Stolk, Constant,
>Bernard de Vries, et. al. All issues in very good+ estate.
>
>175 uk pounds
>
>
>
>(Provo journal).
>REVO. No's 1 & 5.
>Brussels: self-published, 1966-67.
>Two issues. Uniformly, 11 x 30cm. 20 & 40pp. respectively. Each in
>original stapled wrappers. Two numbers of this 'magazine of the Belgian
>Provotariat', which ran to five issues. 'Revo' was the Belgian answer to
>'Provo', and its life span paralleled that of its Dutch counterpart. All
>contributors are pseudonymous; perhaps as to guard against a possible
>'crackdown' in response the many strident text attacks herein upon the
>Belgian enemies of the Provo movement (i.e. the government). Both issued
>in very good+ estate.
>
>70 uk pounds
>
>
>(Provo).
>ORANJE BOVEN. No.20. Editors D.M. von Werrlee, J.M. Donkers, et. al.
>Amsterdam: self-published, 1966.
>28 x 38cm. 6pp. Folded, tabloid self-wrappers. Single number of this
>anti-Monarchist journal. Text contributions from Raoul van Duyn, Rob Stolk
>and the editors + satirical cartoons by a number of artists. Some closed
>marginal tears, else a very good example.
>
>40 uk pounds
>
>
>
>(Provo).
>AMSTERDAMSE WEEKVLAD. No's 11, 15, 20, 25, 26, 27.
>Amsterdam: 1972. Six issues.
>Uniformly 17.5 x 25cm. 16pp. per. Pictorial wrappers per. A broken run
>from 1972 of this late Provo weekly journal. Contributors include Albert
>Blitz, Muryel Bouman, Dicky Breebart, et. al. Uniformly in very good
>estate. Uncommon thus.
>
>75 uk pounds
>
>
>
>(Queneau, R.).
>Mara, Sally (a.k.a. Raymond Queneau).
>ON EST TOUJOURS TROP BON AVEC LES FEMMES. Nouveau.
>Paris: Editions du Scorpion, 1947. 8vo. Original wrappers. First edition
>of this body parody by Queneau as Sally Mara. The persona of Sally Mara
>was intended to represent that of a late decadent/fin de siecle woman of
>letters, whose adventures are boudoir-centric, to say to least. A fine
>example of this uncommon title.
>
>75 uk pounds
>
>
>
>(Queneau, R.).
>Mara, Sally (a.k.a. Raymond Queneau).
>JOURNAL INTIME. Nouveau.
>Paris: Editions du Scorpion, 1950. Original wrappers. First edition of
>this fiction by the author as Sally Mara. The intimate confessions of
>Queneau's adventurous woman of letters. A very good copy. Uncommon.
>
>75 uk pounds
>
>
>
>(Ray, Man).
>Bourgeade, Pierre.
>BONSOIR MAN RAY.
>Paris: Pierre Belfond, 1972.
>15 x 21cm. 158pp. Original wrappers. First edition (after 300 numbered
>examples) of these extensive interviews with Man Ray, as conducted and
>prefaced by Bourgeade. Issued shortly after the artist's death, these
>conversations took place in 1951. A fine copy of this uncommon documentation.
>
>70 uk pounds
>
>
>
>Raysse, Martial.
>RIVERSIDE D'TOUT SEUL ANKAMMON.
>Paris: Edition G. Fall/Opus International, 1968.
>Small 4to. 24 unnumbered pp. Composed of full-page reproductions of
>drawings by various contributors. Original stapled wrappers. First edition
>of this collective bookwork created under the aegis of Martial Raysse
>during his stay at a Utopian-style commune in the mid-late 60's. The
>drawings are very much in the spirit of May '68, and are by Raysse and
>seven other community members. One of only 150 examples (all published)
>signed by each contributor. A close to fine example. Decidedly rare.
>
>150 uk pounds
>
>
>
>Redfern, June
>Portrait of Ulrike Meinhoff
>Unique work.
>Edinburgh, Scotland 1982
>39.5cm x 39.5cm.. Acrylic on board. Contemporary Scottish artist better
>known for her expressionist landscapes (which often contain figurative
>elements) of Venice and Edinburgh. This is a curious choice of subject
>matter for Redfern - Ulrike Meinhoff; the German Red Brigader and
>terrorist, who committed suicide under suspicious circumstances in a
>German prison. Signed and dated. In original cloth and wooden frame.
>
>325 uk pounds
>
>
>
>Restany, Pierre.
>LE LIVRE ROUGE DE LA REVOLUTION PICTURALE.
>Milano: Edizioni Apollinaire, 1968.
>12 mo. 71 numbered pp. Frontispiece photograph of the author. Flexible red
>plastic covers designed in facsimile of Mao's "Little Red Book". First
>edition of these poems and prose texts dedicated to the spirit of "May 68"
>by the primary theorist of the Nouveau Realiste Movement. A fine
>copy. Uncommon.
>
>45 uk pounds
>
>
>
>Richter, Gerhard.
>HOOD.
>Kassel: Documenta X, Kassel, 1996.
>44 x 144cm. offset photographic image with over-painting on Japon. Signed
>and numbered by the artist. First issue of this print-multiple by Richter.
>Referential to his 'Stammheim' series/documentation of the infamous events
>surrounding the incarceration and subsequent collective self-negation of
>RAF (Rote Armee Fraktion) members. From an edition of 60 examples signed
>and numbered by the artist. Fine estate.
>
>1,500 uk pounds
>
>
>
>
>Richter, Gerhard.
>SOUVENIR.
>Unique work. 1997.
>21 x 21 cm. Oil on canvas. Signed, titled and dated on the verso by the
>artist. An intriguing original abstract, which emanated from the artist's
>dissection of the body of a larger canvas at d'Offay Gallery, London.
>Here, Richter literally cut-up a completed canvas into 64 equal sections.
>Each of these so-called 'Souvenirs' was thus established as an individual
>and unique work by the artist. Fine estate.
>
>8,000 uk pounds
>
>
>
>Richter, Hans.
>Original gelatin silverprint film still with hand coloring from "Dreams
>That Money Can Buy":
>1947.
>22.5 x 27.5cm production still. Wide margins with title & production
>information (in German) beneath the image. A rare & striking still from
>Richter�s (definably) Surrealist film (filtered through a Jungian lens).
>Composed of 7 sequences (each) devoted to a particular dream as related by
>Max Ernst, Fernand Leger, Man Ray, et.al.. The images offered (here) is
>after Richter�s own sequence and refers to the Narcissus myth. This
>example uniquely hand-colored by Richter's assistant on the film. Fine
>condition. Reproduction upon request.
>
>450 uk pounds
>
>
>
>Rot, Dieter.
>FRUHE SCHRIFTEN UND TYPISCHE SCHEISSE. Ausgewahlt und mit einem Haufen
>Teilverdautes von Oswald Wiener. Darmstadt/Neuwied: Luchterhand, 1973.
>11.5 x 18cm. 272pp. Original wrappers. First issue of this voluminous
>bookwork by Rot. Composed of text-image pieces and so-called
>'indigestible' commentary by Wiener. Issued in an edition of 1200
>examples. Uncommon. Very good+ copy.
>
>125 uk pounds
>
>
>
>Saito, Takako.
>GAMES.
>Dusseldorf: Noodle Edition, 1976.
>36 x 50 cm. folio, content of 25 offset prints in color. Folio with
>tipped-on print in color. First edition of this cohesively (per a
>'game') group of prints by the Fluxus artist. One of only 200 signed and
>numbered copies produced. The game is designed to be played with other
>objects (pieces), as stated in Saito's notes. All prints fine in like folio.
>
>250 uk pounds
>
>
>
>Salle, David
>Lively Iris
>Munich: 1992
>69 x 54cm lithograph/linocut. Signed and numbered from a small edition of
>40. We hold three different prints from this portfolio. Luscious,
>rococco-esque Salle imagery from the master of the layered composition.
>Images available on request. Fine.
>
>500 uk pounds each or all three for 1200 uk pounds
>
>
>
>Serrano, Andres
>A HISTORY OF ANDRES SERRANO/A HISTORY OF SEX
>The Netherlands: Groninger Museum, 1997
>29.5 x 24.5cm, 118 plus embossed, foil stamped heavy boards. Gilt edged
>pages with 57 full page colour reproductions of Serrano's most famous
>works. Ostensibly an exhibition catalogue but in practice an artist's book
>due to the reproductions of Serrano's sex photographs. Oddities made
>beautiful by skill and care, Serrano moves into Witkin's territory and
>with the intensity of colour found in his work, strips the image of its
>shock value and presents even extremely fetishistic activity as acts of
>love. Fine estate.
>
>45 uk pounds
>
>
>
>(Situationist tract).
>DIFENDETE LA LIBERTA OVUNQUE.
>Alba/Milano: Stampato del Laboratorio Sperimentale della S.I.I.S., 2 via
>20 setembre, 4 juillet, 1958.
>140 x 225 mm. single sheet printed in red with text. First issue of this
>scarce tract from the Italian section of the I.S. demanding the liberation
>of Van Gugliemi, who was arrested for the 'desecration' of an
>institutionally housed tableau by Rafael with the manifest statement:
>"Vive la revolution italienne! A bas le gouvernment clerical". The Italian
>section was headed by the painter and theorist Guiseppe Pinot-Gallizio,
>and developed out of the historical 'Alba' laboratory conferences of the
>early 50's, which culminated in the formulation of the Bauhaus Imaginiste
>concept. Fine estate.
>
>180 uk pounds
>
>
>
>(Situationist tract).
>AU SECOURS DE VAN GUGLIELMI!
>Paris: Internationale Situationniste, 7 julliet, 1958.
>155 x 255 mm. single sheet of beige stock printed on recto only with
>text. The first French language issue of the item described above, as
>edited by Asger Jorn. A fine example. Scarce.
>
>175 uk pounds
>
>
>
>(Situationist).
>SPUR-MANIFEST.
>Munchen: Gruppe Spur, Nov., 1958.
>21 x 29.7 cm. Single sheet printed in red with text. Printed signatures of
>Prem, Zimmer, Eisch, Sturm, Fischer, Jorn, Rempt, Britt and Stadtler.
>First issue of the 21 point founding manifest of the German section of
>I.S. "Gruppe Spur". Published on the initiative of Asger Jorn, who in
>large part financed their journal. "Spur" joined the I.S. in 1959. A fine
>example. Scarce.
>
>175 uk pounds
>
>
>
>(Situationist tract).
>DIFENDIAMO LA LIBERTA.
>Alba del Piemonte: Stampato del Laboratorio Sperimentale della
>S.I.I.S., Novembre, 1959.
>145 x 230 mm. single sheet printed with text in black on recto only. A
>collective denunciation of the presentation of the Sao Paolo grand prize
>for painting to Modesto Cuixard. Printed signatures of
>Pinot-Gallizio (Italian section), and the whole of the German (Gruppe
>Spur) section: Zimmer, Prem, Sturm, Eisch, Fischer, et. al. In part,
>their refusal to abandon the medium of painting would lead shortly to the
>various resignations and ex-communications of Pinot-Gallizio and Gruppe
>Spur (among others) from the I.S. A fine example. Scarce.
>
>175 uk pounds
>
>
>
>(Situationist tract).
>Debord, Guy & Asger Jorn.
>MUTANT.
>Critique europeenne des Corps acdemiques des Universites, Colleges et
>Instituts de Recherche de la metropole de New York et de L'aire de
>Cambridge-Boston; a propos de programme inadequat que les susdits viennent
>soumettre au president Kennedy et au gouverneur Rockefeller, dans le but
>de renverfer L'absurde processus de la "defense civile" aux Etats Unis.
>Paris: Mutant, 1962.
>120 x 320 mm. single sheet printed in black with text on white stock. The
>rare manifest/prospectus for the proposed Situationist journal "Mutant",
>as formulated by Debord and Jorn. Bi-lingual French and English text.
>"Mutant" as publication never came to fruition owing to Jorn's resignation
>from the S.I.. Thus, the tract offered here constitutes the only published
>documentation of this unrealized project. A fine example.
>
>175 uk pounds
>
>
>(Situationist tract).
>AUX POUBELLES DE L'HISTOIRE.
>Paris: Situationniste Internationale, Jan., 1963.
>Single 640 x 960 mm. sheet folded to comprise 4 sections. Printed with
>text on recto only. First issue of this outstanding tract composed by the
>Situationist central council. A loaded attack upon the revue "Argument"
>and the leftist (obviously not far enough) theoretician Henri Lefevre.
>Printed signatures of Michele Bernstein, Debord, Mustapha Khayati, J.V.
>Martin, Jan Strijbosch, Alexander Trocchi & Raoul Vaneigem at end. A fine
>example of this scarce document.
>
>230 uk pounds
>
>
>
>(Situationist tract). Vaneigem, Raoul & Jan Strijbosch.
>GEEN DIALOOG MET GLUIPERDS. GEEN DIALOOG MET IDIOTEN. PAS DE DIALOGUE AVEC
>LES SUSPECTS. PAS DE DIALOGUE AVEC LES CONS.
>Anvers: Situationniste Internationale, 27 Fevrier, 1963.
>255 x 370 mm. Single sheet printed on recto only. First issue of this
>tract. Composed of an attack upon the so-called "Stalinist Surrealists".
>Bi-lingual Dutch and French text. Printed signatures of Vaneigem and
>Strijbosch at end. A fine example of this scarce document.
>
>160 uk pounds
>
>
>
>(Situationist tract). Vaneigem, Raoul.
>DAS ELEND DER STUDENTEN UND DER BEGINN EINER EPOCH.
>Dusseldorf: Projecktgruppe, Sept., 1970.
>Small 8vo. 40pp. Stapled wrappers. First German language edition of this
>crucial Situationist testament by Vaneigem. Translator not noted. A close
>to fine copy of this uncommon document.
>
>80 uk pounds
>
>
>
>(Sixties protest).
>MAATSTAF 10-11. 'L.S.D.25'.
>The Hague: Daamen n.v., Jan-Feb., 1967.
>11 x 18cm. 212pp.+ index & contents. Original wrappers. Double number of
>this voluminous journal. This issue primarily composed of an anthology of
>texts devoted to the topic of L.S.D.. Contributions by Timothy Leary, Alan
>Watts, Ira Cohen, Simon Vinkenoog, J.P. Vroom, et. al. A very good+
>example. Uncommon.
>
>40 uk pounds
>
>
>
>(Sixties protest).
>DE BEZETTERS VAN HET MAAGDENHUIS.
>Amsterdam: uncredited, circa 1968.
>21 x 29.7cm. Leaflet. Printed in offset with text on recto only. Formerly
>folded. Issued collectively, this leaflet calls upon workers and students
>to protest in support of striking student activists in the Hague. Some
>browning, else very good.
>
>30 uk pounds
>
>
>
>(Sixties protest).
>DE BUITENPARLEMENTAIRE STUDENTE OPPOSITIE.
>n.p. (Amsterdam): privately issued, 1968.
>22.5 x 28cm. 52pp. Mimeo. Stapled photo-wrappers. First edition of this
>uncredited collective student activist publication. Composed of an
>anti-university manifesto, articles on SDS, Vietnam, et. al. A very good+
>example of this uncommon work.
>
>35 uk pounds
>
>
>
>(Sixties protest).
>NUB. Nijimeegs Universiteits Blad. No.2. Diskkussie Nummer.
>n. p. (Amsterdam): anonymously published, 1968.
>Large 4to 16pp. Folded, tabloid self-wrappers. Single number of this
>student activist journal composed of uncredited roundtable discussions as
>to the future of the university and 'capital'. Some closed marginal tears
>and minor underscorring, else a good+ example of this ephemeral and
>obscure item.
>
>30 uk pounds
>
>
>
>Stella, Frank
>EGYPLOSIS
>USA: n.p., 1996
>66cm approx dia. lithograph, etching, aquatint, and relief stamping on
>hand made paper. One of a signed and numbered edition of 36. A detailed
>explosion of colour and shape. Image on request. Fine condition.
>
>3,500 uk pounds
>
>
>
>Stella, Frank
>CALNOGOR
>USA: n.p., 1996
>69cm approx dia. lithograph, etching, aquatint, and relief stamping on
>hand made paper. One of a signed and numbered edition of 34. Chaos
>contained within a circular world. Image on request. Fine condition.
>
>3,750 uk pounds
>
>
>WITH THE RARE PROSPECTUS
>
>(Toyen ne Marie Cerminova).
>Capek, Jan B.
>PISEN PISNI.
>Prague: F.J. Mueller, 1931.
>8vo. 44 (xii)pp. Five full-page hand-coloured illustrations by Toyen.
>Original wrappers. First edition of these poems after 'The Song of Songs',
>as accompanied by five striking 'Artificialist' hand-coloured compositions
>by Toyen. One of only 105 examples on japan, of which 25 were not for sale
>(total edition). Laid into this example is the rare prospectus for this
>title, content of 4 variant hand-coloured images by Toyen and a holograph
>notice from the publisher. A remarkably pristine example in like
>publisher's slipcase of this extremely elusive work.
>
>1,750 uk pounds
>
>
>
>Vautier, Ben.
>NO ART BAG.
>New York: Fluxus, 1969.
>34 x 44 cm. Paper bag printed in black and white script on one side only:
>'Keine Kunst/ Pas d'Art/No Art/Art Total'. A rare and keynote
>object-multiple by the Fluxus artist. Originally announced in 'Fluxfest
>Kit 2/Fluxfest Information (1969)'. An implicitly disposable signifier for
>the ages. Double-folded (as issued), else a very
>good example of this fragile piece.
>
>140 uk pounds
>
>
>
>Vordemberge-Gildewart, Friedrich.
>MILLIMETER UND GERADEN.
>Amsterdam: J.F. Duwaer & Zonen, 1940.
>Unbound signatures of white and rose coloured stock, comprising 20pp. Four
>images (three tipped-on plates + one hors texte) by the artist/author. The
>whole, laid into paper folio with geometric-abstractionist design in black
>on white by Vordemberge-Gildewart. First edition of the influential
>artist, theorist and typographer's first published bookwork. Composed of a
>cycle of experimental poems, which explore the theoretical underpinnings
>of the geometric-abstractionist adventure, of which he was the most
>prominent actor. One of only 75 numbered examples issued (total edition).
>Images, typographic design and layout by Vordemberge-Gildewart. Light
>scattered foxing internally, else a very good+ example of this attractive
>production. Rare.
>
>1,250 uk pounds
>
>
>
>Warhol,Andy
>Purple Cat
>S.P . N.Y., N.Y.: 1955
>297mm x 210mm. Hand applied ink over offset litho on paper. Unnumbered
>from an original 190 copies from a hand coloured portfolio 25 Cats named
>Sam and One Blue Pussy (many now lost) - each is unique. In his early,
>pre-pop career as a graphic artist Warhol produced such portfolios to
>give as gifts to potential clients. The work is handsigned in ink but most
>probably by the artist's mother (as were almost all of these early works)
>as part of a table-top factory set up by the artist to serially produce
>the portfolios. Framed and matted with good margins. "Sam the bad cat died
>and went to pussy heaven" - Lou Reed. Many published references:
>including Warhol David Bourdon, 1989 and Andy Warhol Una Retrospettiva,
>Bompiani, 1990
>
>1,650 uk pounds
>
>
>Other works by Andy Warhol available - enquire.
>
>Paul Robertson
>HEART FINE ART LTD
>1 Royal Mile Mansions
>50 North Bridge
>Edinburgh
>EH1 1QN
>Scotland, United Kingdom
>
>Tel/fax 0044 131 225 8217
>
>http://www.heartfineart.com
>
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