----- Original Message -----
From: "Paul Robertson" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, April 07, 2002 4:52 PM
Subject: THE COLOUR OF EVERYTHING - Two new lists from Heart Fine Art Ltd.
> Part One
>
> APPARENTLY THE KNOWN UNIVERSE IS NOT IN TURQUOISE AFTER ALL.
>
> Aragon, Arp, Artaud, Aubray, Audiberti Bousquet, Breton Bucaille,
> Caillois, Carrington, Dali, Damme, Dubuffet, Eluard, Heine, Jorn,
> Kinetisist Movement, Leiris, Oelze, Penrose, Peret, Picasso,
> Querschnitt, Surrealism, Toyen.
>
> and
>
> Part Two
>
> IN FACT THE COSMORAMA IS CLOTHED IN BEIGE.
>
> Acconci, Andre, Art & Language, Barney, Beau Geste, Beuys,
> Boltanski, Buren, Darboven, Dean, Dine, Export, Fischer, Fluxus,
> Fulton, Garnier, Gilbert & George, Gonzalez-Torres, Heinisch,
> Immendorff, Judd, Kantor, Knizak, Kosuth, Kudo, Long, Der Lowe,
> Nauman, Nonas, Oppenheim, Pezold, Polke, Prince, Rae, Rauschenberg,
> Richter, Rist, Rosenbach, Ruscha, Serra, Smith, Soutter, Spur Group,
> Turk, Wall, Warhol, Weiner, Whitman and others.
>
> *************
>
> APPARENTLY THE KNOWN UNIVERSE IS NOT IN TURQUOISE AFTER ALL
>
> Aragon, Louis.
> LA GRANDE GAITE. Avec 2 dessins d'Yves Tanguy.
> Paris: Gallimard, 1929. Large 8vo. 126pp. Two full-page b/w
> illustrations by Tanguy. Original wrappers. First edition of Aragon's
> last great Surrealist-period work. One of only 75 on velin bouffant
> lafuma-navarre from a total issue of 351 + 20 h.c. copies. A very
> good+ example of this elusive title.
>
> 575 uk pounds
>
>
> Arp, Hans & Huidobro, Vincente.
> TROIS NOUVELLES EXEMPLAIRES. Traduction: Rilka Walter.
> Paris: Fontaine, collection (L'Age d'Or), 1945.
> 12mo. 30pp. Original pictorial wrappers (designed for the series by
> Mario Prassinos). First edition of these collaborative experimental
> tales composed by Arp and the Chilean Dadaist poet and novelist
> Huidobro. One of 400 numbered examples from a total issue of 475. A
> very good+ copy. Uncommon.
>
> 80 uk pounds
>
>
> Artaud, Antonin.
> VAN GOGH LE SUICIDE DE LA SOCIETE.
> Paris: K. Editeur, 1947.
> 8vo. 76pp. Original pictorial wrappers. First edition of this
> obsessive discursive work by Artaud. One of 630 numbered examples on
> Marais Crevecoeur (aside from 30 h.c.). A very good+ copy. Scarce.
>
> 265 uk pounds
>
>
> Artaud, Antonin.
> CI-GIT. Precede de la Culture Indienne.
> Paris: K. Editeur, 1947.
> Small 8vo. 50pp. Original wrappers. First edition. One of a series of
> truly inspired investigations from the author's increasingly dire
> post-WWII period. One of 435 numbered on velin pur fil du marais,
> after 15 'du tete' on japon and apart from 35 h.c. examples (total
> issue). A very good+ example. Scarce.
>
> 300 uk pounds
>
>
> Artaud, Antonin.
> POUR EN FINIR AVEC LE JUGEMENT DE DIEU. Emission radiophonique
> enregistree le 28 novembre 1947. Texte integral suivi de variantes,
> extraits de presse et 8 lettres.
> Paris: K. Editeur, 1948.
> Small 8vo. 112pp. Original wrappers. First edition of the complete
> transcription of this compelling dramatic piece for radio by Artaud.
> Includes variant passages, press reports in wake of the original
> broadcast and related correspondence. One of 400 numbered on chiffon
> du marais, after 35 'du tete', apart from 25 h.c. copies. A very
> good+ example. Scarce.
>
> 175 uk pounds
>
>
> Aubray, Therese.
> DEFENSE DE LA TERRE. Battements III. Preface de Leon-Paul Fargue.
> Paris: GLM, 1937.
> 12mo. Original wrappers. First edition of this experimental poetic
> work by the para-Surrealist author as prefaced by the influential
> modernist poet Fargue. One of 410 numbered examples on velin. A fine
> copy of this uncommon GLM imprint.
>
> 100 uk pounds
>
>
> Audiberti, Jacques.
> L'OUVRE-BOITE. Colloque Abhumaniste.
> Paris: Gallimard, 1952.
> 8vo. 201pp. Four full-page abstract designs by Camille Bryen.
> Original wrappers. First edition of this work by the prominent
> modernist author, as illustrated by the para-Surrealist Bryen. A very
> good+ example. Scarce.
>
> 65 uk pounds
>
>
> Bousquet, Joe.
> LE FRUIT DE L'OMBRE.
> Paris: Minuit, 1947.
> Small 8vo. 42pp. Original wrappers. First edition of this uncommon
> collection by the intrepid Surrealist poet. Bousquet was serverely
> (permanently) disabled, owing to injuries suffered in WWI.
> Nevertheless, his extraordinary poetic and editorial accomplishments
> spanned some three decades. There were no large paper or 'du tete'
> copies issued of this title. A close to fine example.
>
> 100 uk pounds
>
>
> Breton, Andre.
> LEGITIME DEFENSE.
> Paris: Editions Surrealistes, 1926.
> Small 8vo. 28pp. Original wrappers. First edition. Content of a
> vigorous response to the attacks of Henri Barbusse and the
> 'L'Humanite' group upon the Surrealist project. A very good+ example.
> Increasingly scarce.
>
> 175 uk pounds
>
>
> (Breton, Andre).
> Arnim, Achim von.
> CONTES BIZARRES. Introduction de Andre Breton. Preface et traduction
> de Theophile Gautier.
> Paris: Arcanes, 1953.
> 8vo. 236pp. Three b/w images by Wolfgang Paalen. Original wrappers
> with pictorial design (also) by Paalen. First edition thus of
> Gautier's important translation of these darkly humored tales by the
> visionary German Romantic, as introduced by Breton and pictorially
> 'signified' by Paalen. Early on, Breton designated Arnim as a
> Surrealist precursor ('Arnim is Surrealist absolutely, in space and
> time'). A close to fine copy in like laminated dustwrapper, which
> repeats Paalen's cover design. Uncommon.
>
> 100 uk pounds
>
>
> (Bucaille, Max).
> MAX BUCAILLES - GOAUCHES. Text: Marcel Bealu.
> Charleroi: Le Rouge et le Noir (17-30 Oct.), 1959.
> 25.6 x 30cm. Single sheet printed with text by Bealu & lists of works
> exhibited. The uncommon catalogue/announcement for this exhibition of
> works by the Surrealist affiliate Bucaille. Noteworthy for the poetic
> text by the experimental poet and editor of 'Realities Secretes'.
> Folded, else a very good example.
>
> 35 uk pounds
>
>
> Caillois, Roger.
> QUATRE ESSAIS DE SOCIOLOGIE CONTEMPORAINE.
> Paris: Perlin, 1951.
> 8vo. 156pp. Original decorative wrappers. First edition of this
> quartet of critical essays on the 'sacred' by the one-time
> Surrealist, translator & co-founder of the 'College de Sociologie'. A
> very good+ example of an uncommon title.
>
> 80 uk pounds
>
>
> Carrington, Leonora.
> PIGEON VOLE. Contes Retrouves. Traduction: Jacqueline
> Chenieux-Gendron & Didier Vidal.
> Cognac: Le Temps qu'i Fait, 1986.
> Small 8vo. 152pp. Original wrappers. First edition of this uncommon
> collection of fantastic tales by Carrington. One of 1000 copies
> issued. A fine example in like pictorial dustwrapper after a design
> by the author/artist.
>
> 55 uk pounds
>
>
> Dali, Salvador
> MA REVOLUTION CULTURELLE PAR SALVADOR DALI
> Paris: N.P., 18 Mai 1968
> 8vo. Card wrappers - a political(if typically self-absorbed text) by
> the later right-wing surrealist who had notoriously backed Franco and
> had embraced both the church and the conservative state by the
> sixties. Unsurprisingly the events of Mai' 68 do not find any great
> support. An interesting late curiosity. Fine condition.
>
> 95 uk pounds
>
>
> (Damme, Suzanne van).
> Lecomte, Marcel.
> L'OEUVRE DE SUZANNE VAN DAMME - 1920-1945.
> Brussels: Editions la Boetie, 1946.
> 4to. 179pp. + xi. Numerous b/w reproductions + tipped-on plates in
> color after works by the artist. Original cloth. First edition of
> this earliest and most extensive monograph (to date) detailing the
> works of the underlooked Belgian Surrealist van Damme. Text by the
> poet Lecomte. Some surface soiling and slight bowing to cloth, else a
> very good example of this uncommon documentation.
>
> 70 uk pounds
>
>
> Dubuffet, Jean.
> NOTICE SUR LA COMPAGNIE DE L'ART BRUT.
> Paris: Compagnie de l'Art Brut, 1947.
> 20 x 25cm. single printed sheet. The founding mission-statement of
> 'Compagnie de l'Art Brut'. This non-profit organization initiated by
> Dubuffet (with the support of Andre Breton, Michel Tapie, and others)
> was an ongoing vehicle for the exhibition, and presentation of works
> by artists in institutionalized circumstances; and thus removed from
> socio-cultural influences. Printed signatures at end. Formerly
> folded, else a very good example of this decisive document. Rare.
>
> 175 uk pounds
>
>
> Eluard, Paul.
> A TOUTE EPREUVE.
> Paris: Editions Surrealistes, 1930.
> 12mo. Unbound signatures comprising 16pp. Self-wrappers. First
> edition of this cycle of Surrealist love poems by Eluard. One of only
> a handful (perhaps six) printed on rose paper, from the total issue
> of approximately 30 copies. A very good+ example of this exceedingly
> rare title.
>
> 325 uk pounds
>
>
> Eluard, Paul.
> AVENIR DE LA POESIE. Conference a la Comedie des Champs-Elysees le
> Samedi 2 Octobre a 16h15. Exposition Internationale Surrealiste,
> Paris: 1937.
> Paris: GLM, 1937.
> Small 8vo. 20pp. Original wrappers with a pictorial design by Pablo
> Picasso. First edition. This text was delivered by Eluard at the
> title seminar, which he organized for the International Surrealist
> Exhibition of 1937 (Paris). Beyond Eluard's framing contribution, the
> event consisted of readings from the poetic works of Apollinaire,
> Breton, Char, Lautreamont, Peret, Michaux, Reverdy, et. al. All
> examples were printed on velin fort, sans any 'du tete' or large
> paper issue. This is the Surrealist poet Noel Arnaud's copy and bears
> his 'stamped' ex-libris as designed by Jacques Herold at the
> fly-leaf. Some minor wear to back cover, else a very good+ examples
> of this elusive document.
>
> 300 uk pounds
>
>
> Eluard, Paul.
> LE PHENIX. Avec dix-huit dessins de Valentine Hugo.
> Paris: GLM, 1951.
> Small 4to 61pp. 17 full-page b/w illustrations by Valentine Hugo.
> Original pictorial wrappers (also) designed by Hugo. First edition of
> this last collaboration between the poet and artist (Eluard died in
> 1952). Hugo's designs include Surrealist portraits of both Eluard and
> his wife. One of 1200 numbered examples on velin blanc from a total
> issue of 1425. A very good+ copy of this attractive livre d'artiste.
> Scarce.
>
> 280 uk pounds
>
>
> Heine, Maurice.
> LA MORT POSTUME (Fouilles d'Antinoe).
> N.p.: self-published, 1917.
> 8vo. Original wrappers. First edition of the author's first book. One
> of 150 numbered examples on velin blanc de Holland from a total
> edition of 202. This copy signed. Heine was the acknowledged
> 'inventor of Sade' in the 20th Century, owing to his passionate and
> tireless scholarly searching out and subsequent re-contextualization
> of the latter's oeuvre. Anecdotally, Heine had made a pact of sorts
> with Apollinaire to carry out a similar project. However, the poet's
> premature death left Heine to his own devices. Throughout the 20's &
> 30's (beyond the aforementioned Sadean pursuits), Heine participated
> in Surrealist group activities and those of the short-lived
> 'Contre-Attaque' faction. Some minor use to wrappers and intermittent
> internal foxing, else a very good+ example. Rare.
>
> 280 uk pounds
>
>
> (Jorn, Asger).
> 50 ASGER JORN.
> Copenhagen: Galerie Birch, 1964.
> 21 x 29.7cm. 26pp. 26 b/w reproductions after works by Jorn (dating
> from 1962-63). Original wrappers. First edition of this catalogue
> issued to celebrate Jorn's 50th birthday. Appropriately, some pages
> are black and red. One of only 500 numbered copies issued. A very
> good+ copy of this uncommon documentation.
>
> 50 uk pounds
>
>
> (Kineticist manifest).
> LE MOUVEMENT. Texts by Pontus Hulten, Roger Bordier & Victor Vasarely.
> Paris: Galerie Denise Rene, 1955.
> 4to. Single yellow sheet folded to comprise two printed sections. Two
> diagrammatic designs by Vasarely. The original manifest for this
> epochal exhibition, which included kinetic experiments by Agam, Bury,
> Calder, Duchamp, Jacobsen, Soto, Tinguely & Vasarely. A very good
> example. Folded as issued. Scarce.
>
> 85 uk pounds
>
>
> Leiris, Michel.
> NUIT SANS NUIT.
> Paris: Fontaine, collection 'L'Age d'Or', 1945.
> 12mo. 68pp. Original printed wrappers (designed for the series by
> Mario Prassinos). First edition of this signature immediate post-war
> work by Leiris. One of 600 numbered examples on velin blanc from a
> total issue of 625. A very good+ copy. Scarce.
>
> 100 uk pounds
>
>
> (Oelze, Richard).
> Schmied, Wieland.
> RICHARD OELZE - 1900-1980. Gemalde und Zeichnungen.
> Berlin: Akademie der Kunst, 1987.
> 22 x 28cm. 280pp. Reproductions throughout in b/w and color after
> works by the artist. Pictorial wrappers. First edition. The extensive
> monograph produced on the occasion of the title retrospective.
> Oelze's work bridged the new objectivism of the 1930's and
> Surrealism. Includes an illustrated catalogue raisonne, biography &
> bibliography. A fine copy.
>
> 70 uk pounds
>
>
> Penrose, Valentine.
> MARTHA'S OPERA.
> Paris: Fontaine, collection 'L'Age d'Or', 1945.
> 12mo. 28pp. Pictorial wrappers (designed for the series) by Mario
> Prassinos. First edition of this short prose work by the Surrealist
> author and artist. One of 450 numbered examples (after 25 'du tete')
> issued. A very good+ copy. Scarce.
>
> 70 uk pounds
>
>
> Peret, Benjamin.
> AU PARADIS FANTOMAS.
> Paris: 'Un Divertissement' (privately printed), 1937.
> 12mo. Unbound signatures comprising 16pp. Self-wrappers. First
> edition of this work by the Surrealist author and polemicist.
> Privately printed in an edition of only 100 numbered copies (after 15
> 'du tete'), 'Au Paradis Fantomas' is undoubtedly one of the most
> obscure of Peret's bookworks of the 1930's. A fine example preserved
> (in later) archival card box. Rare.
>
> 425 uk pounds
>
>
> Peret, Benjamin.
> DERNIER MALHEUR, DERNIERE CHANCE.
> Paris: Fontaine, 1946.
> 12mo. 40pp. Stiff, pictorial wrappers. First edition of this virulent
> poetic statement by Peret. Issued in immediate aftermath of his
> wartime exile in Mexico. One of 750 numbered examples on velin from
> the total issue of 775. A fine copy of this demure and very uncommon
> title.
>
> 150 uk pounds
>
>
> (Picasso, Pablo).
> PICASSO. Issued as 'Les Pages Libres de la Main a Plume'. No.12.
> Collective (uncredited) text.
> Paris: Editions de la Main a Plume, 1942.
> 12mo. 16pp. 5 b/w reproductions of works by Picasso. Pictorial
> wrappers after a drawing by the artist (dated 1941). First edition of
> this clandestinely published wartime Surrealist publication. Composed
> of an anonymous, and presumably collective homage to Picasso. This
> was the last of the pamphlet works issued in the series 'Les Pages
> Libres de la Main a Plume', which included contributions by Noel
> Arnaud, Andre Breton, Benjamin Peret, Christian Dotremont, et. al.
> One of 250 examples on papier couche, after 15 'du tete'. A very good
> copy of this fragile item. Scarce.
>
> 125 uk pounds
>
>
> DER QUERSCHNITT. 8th yr., no.1. Herausgebr: H. v. Wedderkop.
> Berlin: Propylaen Verlag, Jan. 1928.
> Small 4to. 78pp. B/w drawings by Fernand Leger, George Grosz, E.L.
> Kirchner, Ottomar Starke, et. al. + many duotone photos as reportage.
> Original stapled wrappers with cover design by Leger. Single number
> of this long-lived modernist journal of art and literature. This
> issue includes textual and/or pictorial contributions from Franz
> Blei, Fernand Leger, George Grosz, E.L. Kirchner, among others.
> Typical minor wear to wrappers, else in very good estate.
>
> 50 uk pounds
>
>
> (Surrealist tract).
> MANFESTE DES SURREALISTES-REVOLUTIONNAIRES EN FRANCE. Collective text.
> Paris: self-published, 1947.
> Two quarto leaves, comprising four pages. The founding manifest of
> the short-lived dissident Surrealist faction, as founded by Noel
> Arnaud (in France) and Christian Dotremont (in Belgium). This
> statement is (in part) prototypical of Cobra's underlying principles.
> Within a matter of months both Arnaud and Dotremont would align
> themselves with the Cobra movement. Co-signed by Arnard, Y.
> Battistini, E. Jaguer, H. Juin, J. Laude, et. al. A very good+
> example of this keynote transitional document. Scarce.
>
> 135 uk pounds
>
> WITH THE RARE PROSPECTUS
>
> (Toyen ne Marie Cerminova).
> Capek, Jan B.
> PISEN PISNI.
> Prague: F.J. Mueller, 1931.
> 8vo. 44 (xii)pp. Five full-page hand-coloured illustrations by Toyen.
> Original wrappers. First edition of these poems after 'The Song of
> Songs', as accompanied by five striking 'Artificialist' hand-coloured
> compositions by Toyen. One of only 105 examples on japan, of which 25
> were not for sale (total edition). Laid into this example is the rare
> prospectus for this title, content of 4 variant hand-coloured images
> by Toyen and a holograph notice from the publisher. A remarkably
> pristine example in like publisher's slipcase of this extremely
> elusive work.
>
> 1,450 uk pounds
>
>
> (Toyen).
> Breton, Andre.
> LA LAMPE DANS L'HORLOGE.
> Paris: Editions Robert Marin, 1948.
> Small 8vo. 72pp. Frontispiece original lithograph by Toyen +
> full-page photo-portrait of the author by Elisa Breton. Wrappers with
> a pictorial design by Toyen. First edition of this important
> post-WWII work by Breton. One of 350 numbered examples on velin to
> include the original lithograph by Toyen, apart from 2000 examples.
> The cover design by Toyen is quite intriguing. A close to fine
> example. Scarce.
>
> 245 uk pounds
>
>
> (Toyen).
> TOYEN. Aphorismes de Andre Breton, Jean Pierre Duprey, Jindrich
> Heisler, Ado Kyrou, Benjamin Peret.
> Paris: A L'etoile Scellee, 1953.
> Poster/catalogue. 17.9 x 32.9cm. Light pink stock printed on both
> sides. Recto with cut-out pictorial design by Toyen. Verso, with
> aphoristic text statements and list of works exhibited. The scarce
> catalogue in poster format for this major exhibition of works by the
> emigre Czech Surrealist. The attractive cut-out design by the artist
> consists of two facing hands with thumbs joined to index fingers. A
> very good+ example of this ephemeral piece.
>
> 245 uk pounds
>
>
> THE COSMORAMA IS CLOTHED IN BEIGE
>
>
> 23 (33) Images de l'art francais
> Moscow: Maison Centrale De L'Artiste, 1989
> Group show including Boltanski, Buren, Calle, Filliou, Le Gac,
> Messenger, and others. 4 colour postcards in printed envelope with 2
> offset inserts - texts in Russian and French. Four views of the
> exhibition are reporduced recto in full colour. One closed tear to
> the envelope, otherwise fine.
>
> 35 uk pounds
>
>
> (Acconci, Vito).
> VITO ACCONCI - PHOTO WORKS, VIDEOS ET FILMS SUPER 8. 1969-72. Texts
> by Catherine Queloz, Claude Cortinovis, et. al. Geneva: Sous-Sol,
> 1988. 18cm. sq. folding card box with pasted-down title label.
> Content of 50 unbound sheets, including ten b/w photo-documents & two
> long-playing audio cassettes ('Ten Packed Minutes', 1977 & 'Anchors',
> 1972). First edition of this excellent catalogue assemblage. Composed
> of text, image & audio documentation of primary performance works by
> the artist. All elements in fine estate in like box.
>
> 110 uk pounds
>
>
> Andre, Carl
> FOUR MEDITATIONS ON THE YEAR 1960
> Dusseldorf: Konrad Fisher, 1971
> 14.5 x 10.5 cm scarceexhibition invitation card - b/w recto
> illustration of the instruction drawing for the work. This a mailed
> copy. Very good.
>
> 20 uk pounds
>
>
> ANDRE, Carl.
> M�nchengladbach, St�dtisches Museum, 1968.
> Cardboard box with platic lid content of a booklet consisting of 2
> folding parts in wrappers with folded 400 x 16 cm white tablecloth.
> One of only
> 660 copies. Fine.
>
> 450 uk pounds
>
> Other boxes from this series including Byars, Long, Richter and
> Weiner (or even an entire set) may be available - please enquire.
>
>
> ART & LANGUAGE.
> Eindhoven, Van Abbemuseum, 1980.
> 4-tro. 414 pp plus card covers. 133 b/w reproductions of various Art
> & Language publications and works. Printed in 500 copies. Text in
> Dutch and English with inserted Dutch publisher's errata slip.
> Notable is the reprinted discourse on how to display the air
> conditioning in a gallery as the art work. Scarce. Very good
> condition apart from some very neat ink marks on the contents page
> and a neat former owner's name on the inside rear cover.
>
> 85 uk pounds
>
>
> (Barney, Matthew)
> T-SHIRT FOR CREMASTER 2.
> Minneapolis: Walker Art Centre, 1999.
> X-Large clothing multiple - black long sleeved heavy cotton t-shirt.
> A deliberate parody of the current Indie-clothing, this is an artist
> designed t-shirt sold as ephemera at the showing of Cremaster 2 at
> the Walker. Front is a full colour skull, hive and flag motif bound
> in flame. Back is the Cremaster logo over printed with the "tour
> details" ie the showing of C2 at the Walker. Down each sleeve are the
> texts: "The drones' exposition" and "Cremaster 2". Hip.
>
> 50 uk pounds
>
>
> SIGNED BY BOTH COMPOSER AND ARTIST
>
> (Barney, Matthew/ Bepler, Jonathan)
> MUSIC FOR CREMASTER 2.
> USA: n.p., 1999.
> Standard audio cd picture disc in jewel case and with 24pp pictorial
> artist designed pictorial insert (with lyrics to Bepler's score for
> Cremaster 2). From an edition of 500 copies, this copy is signed in
> ink on the picture disc by both Barney and Bepler. The Cremaster
> series is soon to be completed by Barney with the release of # 3
> which is set in an Irish bar seemingly atop of the Chrysler Building
> and ends at the Giant's Causeway. A masterpiece of art, the entire
> schema for what Barney insists are sculptures in film should be
> revealed at last. This is the music from the most recent release -
> which had Gary Gilmore as Houdini's grandson. Mint condition.
>
> 55 uk pounds
>
>
> Beau Geste Press.
> CONTINUOUS PRODUCTION ANAEROBIC TANK. Collective text.
> Devon: Beau Geste Press, c. 1974.
> Small 4to 5pp. Full-page diagrams of the title 'processor'. Stapled
> self-wrappers. First issue of this uncommon manifest, which begins
> with a quote by Sitting Bull. The body of the text concerns the
> preservation of the earth's resources and is interspersed with
> diagrammatic proposals for the construction and use of the
> 'Continuous Production Anaerobic Tank'. A close to fine example.
>
> 50 uk pounds
>
>
> Beuys, Joseph and Byars James Lee
> FRAGMENTI VENEZIANI (I - IIIIIIIIII)
> Verona: Factotum Art, 1980
> 38.5 x 54cm wooden box containing ten 35 x 50 cm graphite on black
> wove by Byars and Beuys (5 from each artist). All are black on black
> and textual in character. Sheets are all numbered I to IIIIIIIIII and
> a Byars print is then followed by a corresponding Beuys' print next
> in sequence. printed lower right and inscribed in pencil verso. Each
> print is framed in pairs (one of Beuys is framed next to the
> corresponding Byars print in each frame under passporteau) This is
> number X from XXX copies, a really nice set. (For a partial
> description see - Schellman 339 - 343)
>
> 3,500 uk pounds net
>
>
> Boltanski, Christian
> Saynetes Comiques
> Brussels: 1975
> 4-to lansdscape. 32pp printed b/w recto only. Boltanski re-enacting
> scenes from his life against painted backgrounds without any attempt
> at disguise or realism. Original 1st edition. Fine condition.
>
> 95 uk pounds
>
>
> Boltanski, Christian
> Two early b/w postcards
> LE PAPA BRICOLEUR. and LE "REPAS REFUSE".
> Antibes: ARROCARIA editions 1975
> 14.5 x 10.5cm. Boltanski the family man with apuppet. Both scarce
> documents - Ref:. Konig: Schenkung Christian Boltanski # 107 and
> #108 respectively. Fine condition.
>
> 75 uk pounds for the pair.
>
>
> Boltanski, Christian
> PASSIE/PASSION
> Tilburg: De Pont, 1997
> 38 x 58cm unfolded. 4 sheets of double sided b/w posters folded to
> create a quasi - tabloid newspaper. The images are of greatly
> magnified staring eyes. Accusatory. In original (unposted) printed
> mailing band - as issued. Edition know known. Fine condition except
> for a slight nick on the mailing band.
>
> 25 uk pounds
>
>
> Buren, Daniel.
> LIMITES CRITIQUES.
> Paris: Yvon Lambert Editeur, 1970.
> 21 x 30cm. 16 pp. 15 illustrations, including a foldout tryptych of
> diagrams printed in colors. Printed wrappers. First edition of this
> key theoretical work, which details Buren's concepts of 'serial
> obliteration'. A fine copy. Uncommon.
>
> 60 uk pounds
>
>
> Buren, Daniel.
> ESSAI HETEROCLITE.
> Eindhoven: Van Abbemuseum, 1981.
> 18 x 24.5 cm. 40 pp. 24 illustrations (one in color). Printed
> wrappers. First edition. One of 850 copies printed. Texts by the
> artist. A fine copy.
>
> 35 uk pounds
>
>
> Byars, James Lee
> This is the Ghost of James Lee Byars Calling.
> Los Angeles: Eugenia Butler Gallery, 1969.
> 15cm dia. (9.5cm approx per side) 5-sided Gold Announcement Card.
> Offset lithograph text on recto in red "This is the Ghost of James
> Lee Byars Calling; 615 North la Ceinega; Los Angeles, California,
> USA." The very scarce invitation card sent out to a small number of
> invited guests to the one of Byars' "Ghost"
> performances/installations of 1969 . One performance saw Butler
> deliberately refused access to her own gallery office thanks to a red
> wall built by Byars and over the 5 days of the exhibition access to
> the entire gallery was eventually and gradually restricted to a small
> hole in another specially constructed red wall across the frontage.
> Very good condition.
>
> 495 uk pounds
>
>
> Byars, James Lee
> M�nchengladbach, St�dtisches Museum, 1977.
> 18 x 15 x 8 cm cardboard box made from gold card - content of a
> giant sheet of black paper with text by Byars printed in gold,
> crumpled together to fit into the box. Limited Edition of 330
> numbered copies. Very good.
>
> 850 uk pounds
>
>
> Byars, James Lee
> >DEVIL<.
> Temporary Travelling Press Publications # 12. Artists Press Bern, 1978.
> 21 x 15 cm red card folder (opens to 21 x 30 cm). Gold printed title.
> On opening a red cord can be seen to be glued into the centerfold of
> the folder. The total length of cord is 185 cm. At exactly the mid
> pount of the cord, 3 additional cords of 92cm each are knotted onto
> the assembly. On one of these cords yet another cord is knotted after
> exactly 138 cm. Only150 copies were made, each individually numbered.
> Mint condition. Scarce.
>
> 375 uk pounds
>
>
> Creed, Martin
> WORK No. 88
> London: W&P, 1999
> 297 x 210mm piece of paper (overprinted with the publication data,
> artist's name and title) crumpled up by the artist. Signed by Creed.
> A special edition (aside from the impossible to get first edition) of
> Creed's famous conceptual piece. One of only 100. Scarce.
>
> 195 uk pounds
>
>
> Darboven, Hanne
> UNTITLED T-SHIRT.
> CAPC Musee, Bordeaux, France, 1986
> Artist designed t-shirt (XL) with b/w silkscreen image. One of a
> number of clothing multiples designed for CAC by the artist and
> published in an edition of only 500. Darrboven has contributed a
> design outlining a sequence of numbers in all possible combinations
> within a series of magic squares. In original cellophane wrapping.
>
> 55 uk pounds
>
>
> Dean, Tacita.
> A BREATH.
> London: XX Gallery, 1997.
> 6 x 20cm. gray card box content of one video tape loop and hand added
> transfer lettering title. Signed and numbered by the artist. First
> issue of this scarce boxed multiple by the YBA affiliate. An
> excerpted video segment from an exploration of 'breath catching'.
> Edition of only 20 examples signed and numbered by Dean. Fine estate
> in like box.
>
> 125 uk pounds
>
>
> Dean, Tacita.
> A KISS.
> London: XX Gallery, 1997.
> 6 x 15cm. gray card box content of one video tape loop and hand added
> transfer lettering title. Signed and numbered by the artist. As
> above. This time, the video segment records the title act in
> perpetuity (sic). Edition of only 20 examples signed and numbered by
> Dean. Fine estate in like box.
>
> 125 uk pounds
>
>
> Dine, Jim
> SHOES A - F
> n.p., 1970
> 45 x 60cm colour litho on super fine cover paper . Signed and
> numbered by the artist from a small edition of 75. Many of Dine's
> early works concerned themselves with clothing and work tools -
> reflecting his roots in American working class culture, his links
> with Claes Oldenberg and his influential role in early pop art (later
> repudiated by Dine). Fine condition. Unframed.
>
> 650 uk pounds net
>
>
> (Export, Valie & Rosenbach, Ulrike).
> VALIE EXPORT/ULRIKE ROSENBACH. Texts by the artist, et. al.
> Amsterdam: Stedelijk Museum, 1980.
> 20.5 x 27.5cm. 32pp. 47 b/w photo-documents + diagram. Reversible
> format (per artist). Wrappers. First edition of this dual catalogue
> retrospective, which documents selected actions and performances by
> Export and Rosenbach. Divided in two equal (reversible) sections. A
> very good+ example.
>
> 45 uk pounds
>
>
> Filliou, Robert
> 10 Arbeiten von 1961 1 Arbeit von 1961 /1971
> Koln: Galerie Michael Werner 1971
> 15 x 10.5cm invitation card (to "Art Intermedia, Koln") for the show
> "Robert Filliou ". Recto is an illustration of "Self Defence". Very
> good + condition - slight marks from the mailing.
>
> 45 uk pounds
>
>
> Filliou, Robert
> Raining Cats and Dogs
> Unique work, 1969
> 50 x 50 x 43 cm approx. unique assemblage by Filliou . Consisting of
> two doll's chairs, two small cloth, stuffed toys (cats and dog) and
> umbrella on custom made wooden plinth with titled brass plate.
> Signed and dated by the artist ("1964 -1969") Full. In very good
> condition.
>
> Price on application.
>
>
> Filliou, Robert
> HANDSHOW
> Germany: Ursula Bruner-Schwer, 1967.
> Wooden box with perspex lid inclusive of 24 single-sided photographic
> b/w reproductions of various Fluxus affilated artist's hands
> (including Ayo, Cage, Williams). The transparent perspex cover is
> over-screenprinted in red to display palmistry marks allowing
> (theoretically) the viewer to read the future for the 24
> participants. One of 30 numbered and signed boxes. Fine.
>
> 1,250 uk pounds
>
>
> Filliou, Robert
> TELEPATHIC MUSIC No. 5,4,3,2,1. Invitation card.
> New York John Gibson Gallery, (May 1-29), 1972.
> 15.2 x 10.6mm. Offset in black, red and blue on one side only of a
> vellum coloured card to create the impression of standard index card
> filled with the show's details and with "principle of equivalence
> permanent creation" stamp (offset not hand stamped). A very fine
> example of this emphemeral document.
>
> 60 uk pounds
>
>
> (Fischer, Lili).
> LILI FISCHER - HAUSGEISTER. Installationen, Objekte, Zeichnungen.
> Texts by Hanna Hohl, Lothar Romain, et. al.
> Heidelberg: Heidelberger Kunstverein, 1988.
> 21 x 30cm. 68pp. 70 b/w photo-documents. Original wrappers. First
> edition. The superb catalogue documentation of Fischer's
> thematically-related performance and installation work of the title.
> One of only 500 copies printed. A very good+ example. Uncommon.
>
> 40 uk pounds
>
>
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