----- Original Message -----
From: "Paul Robertson" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Sunday, April 07, 2002 5:22 PM
Subject: THE COLOUR OF EVERYTHING - Two new lists from Heart Fine Art Ltd.
> (Fluxus)
> Koln: Galerie Rudolf Zwirner,1966
> 14.8 x 10.5cm invitation card, text printed recto only for a group
> exhibition of mostly Fluxus affiliated artists including Ayo, Cage,
> Knowles, Higgins, McLow, Ono, Paterson - "A la recharge de
> metaphysique perdue" and also Nam June Paik "Cinema metaphysique".
> Slight spotting on the card otherwise good. Uncommon.
>
> 40 uk pounds
>
>
> Fulton, Hamish
> TWO EARLY INVITATION CARDS
> Identifications
> Videogalerie Gerry Schum, Hannover, 1970
> 14.8 x 10.5cm invitation card (other artists include Brown, Beuys,
> Buren, Gilbert & George, Ruckreim, Weiner et al.) Recto is a b/w
> reproduction of a Fulton photograph of a Scottish trawler
> added
> O-ONA-GAZHEE (Ogglala Sioux) 21 x 10cm b/w invitation card for a
> Fulton solo London show from 1971 with a reproduced original artwork
> by Fulton recto and the date and Gallery rubber stamped verso). Fine
> condition.
>
> 32 pounds the pair.
>
>
> Garnier, Ilse & Pierre.
> LE SPATIALISME EN CHEMINS.
> Amiens: Editions Corps Puce/Collections 'Le Poemir et Poezie', 1990.
> 16.5 x 24cm. 192pp. Original wrappers. First edition of this
> extensive collection of concrete poetic experiments by the authors.
> The Garniers were the originators of the text-based spatialist form,
> and throughout the 1960's they published the journal 'La Lettre' and
> a series of bookworks and manifestos. A fine copy.
>
> 40 uk pounds
>
>
> Gilbert and George
> Untitled clothing multiple
> CAPC Musee, Bordeaux, France, 1986
> Artist designed t-shirt (XL) with full colour silkscreen image. The
> printed image is of the two human sculptures posing with thick black
> keylines around them (as in recent photographic works) in front of a
> blue circle. Back to the neutrality of their early career. Only 500
> were printed - from a series of clothing multiples produced by a
> number of artists for CAPC. Still in original cellophane.
>
> 55 uk pounds
>
>
> Gilbert and George
> GENTLEMEN clothing multiple
> CAPC Musee, Bordeaux, France, 1986
> Artist designed t-shirt (XL) with full colour silkscreen image. The
> printed image is reproduced from their early mail art project
> -GENTLEMEN - where the pair are communing with nature leaning on a
> style One of 500 . Still in original cellophane.
>
> 60 uk pounds
>
>
> Gonzalez-Torres, Felix.
> 'Untitled' ("I always wonder if men in uniform sleep better after
> performing their duties").
> New York: Latin American Gallery, 1988.
> 20 x 22.5 cm. 8pp. Composed of re-contextualized photo-monuments and
> two text-image pieces. Gold card wrappers. First edition of this
> scarce bookwork by the artist. A veritable mini-vitrine, a la his
> installations of the period. A fine example.
>
> 70 uk pounds
>
>
> (Heinisch, Barbara).
> BARBARA HEINISCH - MALEREI ALS LEBENDIGER. Prozess. Texts by
> Francoise Metz & the artist.
> Berlin: publisher not noted, 1980.
> 4to. 52pp. 24 photo-documentation and installation views. Pictorial
> wrappers. First edition of this bookwork/catalogue; detailing the
> artist's series of sculptural and montage adaptations of iconographic
> motifs from allegorical Renaissance works in tableau. Heinisch's
> actions and sculptural environments represent the best of the second
> wave of performance-oriented women artists in Germany. Some minor
> wear to wrappers, else a very good example. Uncommon.
>
> 45 uk pounds
>
>
> Immendorff, Jorg
> MALERAFFE
> Germany, n.p., 1998
> 60 x 41cm lithograph in 2 colours. One of Immendorf's best known
> motif's of a monkey is reworked into a reversed out image. A signed
> proof copy marked "H.C." aside from the edition of 35. Man's stupidy
> is no more than that of an animal. Fine. Image on request.
>
> 195 uk pounds
>
>
> Immendorff, Jorg
> STEINARM
> Germany, Art Bridge, 2000
> 76 x 52cm lithograph in 12 colours on Rives paper. One of 100
> numbered and signed prints. The weight of German beer steins has
> built up the arm's muscles dominating a wallpaper -like background of
> stamped monkeys, crosses and Maos. Image on request.
>
> 325 uk pounds
>
>
> (Judd/Serra)
> DONALD JUDD/RICHARD SERRA
> Stuttgart: Wurttembergischer Kustverein Stuttgart Kustgebaude am
> Schlossplazz, 1980
> A2 poster/exhibition catalogue folded to A4 size landscape to create
> the catalogue for the show - half of each is dedicated to one of the
> two artists.15 b/w illustrations of Serra works , 14 of Judd's. Fine
> condition. Scarce.
>
> 60 uk pounds
>
>
>
> Kantor, Tadeuz.
> THE THEATRE OF DEATH. Translation: Piotr Graff.
> Warsaw: Galerie Foksal, 1975.
> 21 x 30cm. 6pp. Stapled wrappers. First English language version of
> this concise tract. Kantor was the primary instigator of avant-garde
> activity in Poland after WWII. His intermedial theatrical
> manifestations and Happenings typically ruptured the established
> illusory barriers between performers and audience members (i.e. art
> and life). A fine example.
>
> 35 uk pounds
>
>
> Kantor, Tadeuz.
> EMBALLAGES. Texts by the artist & W. Borowski. Translation: Piotr Graff.
> Warsaw: Galerie Foksal, 1976.
> 20 x 29cm. 36pp. Stapled wrappers. First English language version of
> this compilation-history of Kantor's poetic 'emballages'. The
> 'popular' exhibition of the title (1963) introduced a unique approach
> to informal painting. A fine copy.
>
> 45 uk pounds
>
>
> Knizak , Milan
> PROBABLE POEMS
> Germany, s.p., 1982
> 2 unique books
> 21 X 17cm 112pp each Each cover is a unique drawing or painting on
> the book of poems by the Czech Fluxus affiliated artist who was
> arrested many times by the communist authorities in his home city
> before moving to the West. One cover is a colour painting mostly in
> red, black and yellow in an almost abstract expressionist style, the
> other a drawing of a winged being. Both in fine condition. Images on
> request.
>
> 650 uk pounds each.
>
>
> Kosuth, Joseph
> "Consciousness of self is in itself and for itself when and because
> it is itself and for itself for another consciousness of self; in
> other words it is only by being. Hegel: Phenomology of Mind."
> Rotterdam: Imschoot Uitgevers and Art Information Centre, 1991.
> 60 x 100cm. Two colour screenprint (yellow/blue) on black 250 gr.
> paper. Edition of 50 and 25 A.P.s, signed and numbered by the artist,
> and studio blind stamp. Designed by Kosuth. Special edition of the
> poster for the exhibition of artists books in the Netherlands. Fine
> estate.
>
> 425 uk pounds
>
>
> Kudo , Tetsumi
> BOTTLED HUMANISM/INSTANT SPERM
> Artifact from Happening, 1962
> 12 x 12 x 0.6cm (approx.) - a filled rubber condom (prophylatic)
> brand unknown. Astonishingly the condom is unbroken and still
> flexible - unusual with latex/rubber items from the 60s. Content of
> loose seeds inserted by Kudo. Knotted and then again tied with a pink
> printed ribbon "INSTANT SPERM". Distributed free by the artist at a
> 1962 public performance.
> Added: 27 x 21cm mimeographed leaflet published by Kudo and issued at
> the performance. The leaflet has a grease mark from where the condom
> has been stored on top of it for many years otherwise in very good
> condition. Text in English. "Instant sperm excels in efficiency and
> portability. You can put it in your bag or pocket and use it when you
> need."
> Added:
> 21 x 14.5cm mimeographed leaflet published by Kudo again in 1962
> 'HAPPENING /"Harikari" of humanism/ Bottled humanism/ Cutlets of
> humanism/Steak Tartare of humanism'
>
> All 3 items together 425 uk pounds
>
>
> Kudo, Tetsumi
> CULTIVATION BY RADIOACTIVITY
> Holland Galerie Mickery Loenersloot, 1968
> 4-to, 20pp exhibition catalogue plus original silkscreen cover (of an
> electric diagram) designed by Kudo. 20 b/w illustrations of works by
> the artist. Internally there is an electric diagram print on
> transparent paper bound in. Signed and dated on the internal title
> page in black felt tip pen - "Kudo 20 Nov 68". Slight browning on
> cover. Otherwise fine. Scarce.
>
> 195 uk pounds
>
>
> Long, Richard
> A SCULPTURE BY RICHARD LONG PRESENTED BY KONRAD FISCHER
> Germany: Konrad Fisher, 1971
> 44 x 15cm folded card sculpture by Long. Slightly grubby (card is
> mostly white) and one closed slight tear on 3rd panel. Otherwise
> good. Early postal work by Long.
>
> 40 uk pounds
>
>
> DER LOWE. No. 7. Herausgeber und redaktion: Dr. G.J. Lischka.
> Bern: Verlag Lisbet Kornfeld, April 1976.
> 12.5 x 19 cm. 64 pp. B/w illustrations throughout. Typo-pictorial
> wrappers. Single number of this Swiss vanguard revue. Content of
> pageworks by and documentation pieces on James Lee Byars, Hermann
> Nitsch, Haarold Szeemann, Herbert Distel, Ulay, et. al. A fine
> example.
>
> 35 uk pounds
>
>
> DER LOWE. No. 8. Herausgeber und redaktion: Dr. G.J. Lischka.
> Bern: Verlag Lisbet Kornfeld, August 1976.
> 12.5 x 19 cm. 64 pp. B/w illustrations throughout. Typo-pictorial
> wrappers. Single number of this revue. Content of pageworks by and
> documentation pieces on Christian Boltanski (also cover image),
> Nannucci, Mattheus, Zaza, Morgan, Fischer et. al. The Boltanski
> original contribution is "La durete du pere" (6pp of b/w
> photographs). A fine example.
>
> 65 uk pounds
>
>
> Nauman, Bruce.
> L.A. AIR.
> USA: n.p.,1970.
> Folio, square. 8 reproductions of the clouds / sky over Los Angeles.
> Appropriating the atmosphere in a way not seen since Klein shouted at
> birds for spoiling the blue void above. From the 'Artists and
> Photographs Box'. Mint condition. Scarce early publication.
>
> 800 uk pounds
>
>
> (Nauman, Ruscha, Wegman, et. al.).
> 11 LOS ANGELES ARTISTS. Texts by Maurice Tuchman, et. al.
> London: Hayward Gallery, 1971.
> Small 4to. 64pp. 70 reproductions after works by artists exhibited.
> Wrappers. The excellent catalogue of this program of works by
> contemporary Los Angeles based artists: John Altoon, Larry Bell,
> Richard Diebenkorn, Newton Harrison, Maxwell Hendler, Robert Irwin,
> John Mclaughlin, Bruce Nauman, Kenneth Price, Ed Ruscha & William
> Wegman. A very good example of this period documentation.
>
> 45 uk pounds
>
>
> Nonas, Richard.
> BOILING COFFEE.
> New York: Tanam Press, 1980.
> 20 x 21 cm. 172pp. Illustrated throughout after collages,
> photo-pieces and drawings by the artist. Typo-pictorial wrappers
> designed by Nonas. First edition of this voluminous bookwork by the
> artist. Enigmatic text-statements interspersed among a thematically
> cohesive sequence of images. "A book about working; about slow
> movement, a thin difference, small change". A fine copy.
>
> 45 uk pounds
>
>
> (Oppenheim, Dennis).
> NINE DAYS WITH DENNIS OPPENHEIM. Text by Jorge Glusberg.
> Buenos Aires: CAYC, 1971.
> Small 4to. Thirteen unbound leaves. B/w photo-documentation. Laid
> into printed card folder (as issued). First edition of this
> contemporaneous documentation of Oppenheim's film and video works (to
> date). Bi-lingual Spanish/English text by Glusberg. All contents fine
> in like folder. Uncommon.
>
> 65 uk pounds
>
>
> (Pezold, Friederike).
> FRIEDERIKE PEZOLD. Texts by Wolfgang Lagsfeld, Wulf Herzogengrath, et. al.
> Graz: Gerhard Wolf, 1976.
> 30.5 x 35.5cm. 52pp. 60 b/w photo and video manipulations. Original
> wrappers. First edition of this documentation of selected projects by
> the innovative Austrian body and performance artist and filmmaker.
> Pezold's aggressive commentaries upon the socio-economic exploitation
> of the body-feminine, are at once highly personalized and externally
> dynamic. Laid into this example is an invitation card for her 'Video,
> Fotos, Zeichnungen', Munich: 1975 (recto with b/w video still). Some
> minor foxing to wrappers, one end sheet with minimal ink notation,
> else a very good copy.
>
> 42 uk pounds
>
>
> Polke, Sigmar
> O.T.
> Unique work on paper, 1982
> 66 x 99cm watercolour and stains (coffee) on paper. A large, unique,
> brooding abstract work by Polke which incorporates the (perhaps,
> fortuitous) staining of coffee and other foodstuffs. Signed and dated
> in pencil by the artist. Framed. Image on request.
>
> 11,500 uk pounds
>
>
> Prince, Richard.
> MENTHOL WARS.
> New York: self-published, 1980.
> 14 x 22 cm. 24pp. Illustrated with b/w photo-pieces by the artist.
> Original wrappers designed by Prince. First edition. One of the
> artist's earliest bookworks; issued in coordination with his related
> Madison Avenue display window installation (in the year of
> publication). During this period, Prince established his trademark
> blurring of distinctions between the subjective-self and the
> commercial ideal of the self; wherein commodity became personality. A
> close to fine example. Scarce.
>
> 70 uk pounds
>
>
> Rae, Fiona
> FIONA RAE
> Glasgow: Third Eye Centre, 1990
> 12-o. 64pp plus card covers and printed pictorial dj. An early
> artist's book by YBA Rae conent of various b/w ink drawings without
> text or titles. One of 500 issued. Fine condition.
>
> 35 uk pounds
>
>
> Rauchenberg, Robert
> VISUAL AUTOBIOGRAPHY
> NYC: Broadside Art Inc. 1969.
> 3 colored offset lithographs each 165 x 122.5 cm from an original
> edition of around 2,000 (many now lost) . A billboard poster in three
> separate panels. Each is titled thus : X-Ray; Rauschenberg's
> skeleton is overlaid on his horoscope; UMBRELLA: black and white and
> gray image with outline of a box in green; and CIRCLE OF WORDS: black
> and white and gray with a red line box and a center image in blue.
> Ref: Pentel Rauschenberg Cat. Rais.
>
> All three lithos together for 2,250 uk pounds
>
>
> Rauchenberg, Robert
> WORLD ARTISTS AGAINST APARTHEID
> n.p., 1983
> 85 x 60 cm colour offset lithographic Rauschenberg designed poster
> from the campaign against institutionalised racism in South Africa.
> Handsigned by the artist.
>
> 295 uk pounds
>
>
> Gerhard Richter .
> EIS
> Rome: Galeria Pieroni, 1981
> 20 x 12 cm, 213 b/w photos of sheet ice (eis) in Greenland. The cover
> of this extremely desirable book was an original painting on paper
> which was glued in a single 3cm area onto the outer plain (unprinted)
> covers of the book. Each copy of the book was handsigned and
> individually numbered from a limited edition of only 90 copies only.
> (See Richter Catalogue Raisonne Editions # 48). The cover on this
> particular copy of the book has been carefully removed (without any
> damage to the painting) and stored separately by the owner who wished
> to avoid damaging the painting by doing so. If desired the book could
> be easily restored to its original state. Fine condition as
> described. Extremely rare.
>
> 10,500 uk pounds
>
>
> Richter, Gerhard.
> Graue Bilder.
> Museum Moenchengladbach, 4 Dec. 1974 - 12 Jan. 1975.
> Artist's multiple and exhibition catalogue in a 20 x 15,5 x 3 cm
> brown cardboard box with individually spraypainted lid (by Richter
> himself). Content of a folded sheet with text (German) by Johannes
> Cladders, a leporello booklet with 12 reproductions of Richter's gray
> paintings. One of only 330 copies, each individually numbered. In
> perfect condition.
>
> POA
>
>
> Rist, Pipilotti
> A SUPER AUBJECTIVE PILLOW CASE NEXT TO A MINI POSTER ORGAN
> Japan: CCA Kitakyushu, 2001
> 21.8 x 15.4cm slipcase content of a folded 48 x 48cm printed full
> colour pillow case and a 21 x 15cm (folded size) 14pp full colour
> leporello-style artists' book. Rist's (and Pius Tschumi's)
> photographs and video still captures of Japan are reproduced as a
> series of unrelated, garish images. The deliberately obtuse
> translations of titles and a songtext by Rist and Anders Guggisberg
> adds to the sense of mystery. A wonderful recent publication and
> object multiple from Rist's Super-subjective installation - this
> copy from the unlimited edition aside from the 30 signed and numbered
> copies. Fine condition.
>
> 65 uk pounds
>
>
> (Rosenbach, Ulrike).
> ULRIKE ROSENBACH - FOTO, VIDEO, AKTION. Texts: Gislina Nabakowski &
> Peter Gorsen.
> Aachen: Neue Galerie - Sammlung Ludwig, 1976.
> 21.5 x 30cm. 44 unbound sheets, comprised of 50 b/w photo-documents
> and two text inserts (12 and 14pp., respectively). Housed in printed
> card folder. First edition of this catalogue-assemblage, which
> documents Rosenbach's actions, photo and video based pieces. Along
> with Valie Export, Rosenbach pioneered a necessary feminist
> reinvigoration of Aktionism in the late 60's and 70's. All contents
> in fine estate in folder with ink notation at top edge and remains of
> sticker removal at spine, else very good.
>
> 50 uk pounds
>
>
> Ruscha, Edward
> STAINS
> Hollywood: heavy Industry Publications, 1969
> 30.5 x 27.9cm artist book of 75 unbound folios consisting of 76
> mixed-media stains (chocolate, bleach, cabbage, even tap water) on
> Eagle Coupon Bond 100% cotton paper plus one stain (the artist's
> blood) on white silk moire fabric all boxed in clamshell portfolio
> box. Numbered and signed on colophon in ink. One of only 70 issued
> plus 2 A/Ps + 3 "donor copies". Fine estate. Extremely rare example
> of Ruscha's most ornate and desirable artist's book.
>
> Price on application
>
>
> (Ruscha, Edward)
> ASSEMBLING (A collection of otherwise unpublishable manuscripts)
> New York : Gnilbmessa Inc., 1970.
> 4 to., 158 pp. Limited edition conceptual book. Various artists,
> including Arakawa, Acconci, D. Graham, R. Lax, R. Kostelanetz and
> others, submitted 1,000 copies of up to 4 pages of self-printed
> material, to be collected in the publication. The completed
> publication included 42 original contributions a Ruscha handstained
> work: CHOCOLATE. The title printed on one page and a hand-applied
> chocolate smear appearing opposite: a referance to Ruscha's
> Installation at the Venice Bienale the same year, where he
> constructed a Chocolate Room consisting of 360 smeared sheets of
> paper. Fine condition.
>
> 295 uk pounds
>
>
> Sandberg, W.(Editor)
> 73- 74 AN ANNUAL OF NEW ART AND ARTISTS
> Published - Abrahams, Blume, and others, NYC, London, Amsterdam
> Designed by William Sandberg. Oriignal cover by Alighiero Boetti.
> 1974. 210pp. Quarto with numerous illustrated and photographic
> plates, some color. Text illustrations and photographs. Illustrated
> paper covers. Slight wear to backstrip. Wide ranging and
> comprehensive review of conceptual and other contemporary art
> movements with each artist being given 2pp or 4pp or sometimes 6pp to
> either show their work or include an original contribution. Artists
> included are Aguilar, Aillard, Arnatt, Baumgarten, Billgren, Boetti,
> Boltanski, Broodthaers, Bucan, Castelli, Corse, Crozierm Darboven,
> Dibbets, Dimitrijevic, de Dominicis, Efrat, Fabro, Filliou, Franzen,
> Fulton, Gayor, Geva, Gostomski, Harrison, Henneman, Jungwirth,
> Jurkiewicz, Kirkeby, Kohlhofer, Korman, Kowalski, Long, Luthl, Mahn,
> Nonas, Nusberg, Panamareno, Pedret, Pierzgalski, Pisani, Pijuan,
> Plackman, Raetz, Ringel, Saura, Slettemark, Suter, Tot, Treelinski,
> Visser, Winnewisser. Very good condition except slight wear to
> backstrip.
>
> 45 uk pounds
>
>
> Smith, Bob & Roberta
> UNTITLED
> London: W&P, 1999
> Small 12-o sealed envelope content of a painted conker (a nut from a
> British tree used as a children's toy/weapon by its placement on the
> end of a string) . The outside of the envelope is numbered from an
> edition of 100 and initialed by the artists in blue child's crayon.
> Momento of joyous past times?
>
> 100 uk pounds
>
>
> (Soutter, Louis).
> Bader, Alfred.
> LOUIS SOUTTER. Eine Pathographische Studie. Mit eine gedichte von
> Hermann Hesse und Louis Soutter.
> Stuttgart: Paul Eckhardt, 1968.
> 19cm.sq. 66pp. 34 full-page plates (5 in color) and 4 tipped-on,
> including a photo-portrait of the artist. Boards with a cover design
> by Soutter. First edition thus of this superior monograph detailing
> both the diagnosed mental state of and resultant visionary projects
> by the institutionalized Soutter. Replete with poetic text
> (posthumous) by Hesse, and the artist. A fine example.
>
> 42 uk pounds
>
>
> (Spur tract).
> SUCHANZEIGE: AN 'ANTITHESE'. Verantwortlich th. Adorno.
> Munich: Gruppe Spur, 1964.
> 30 x 43cm. Single yellow sheet printed with text. First issue of this
> tract by the German Situationist-affiliated Spur group. The accredit
> to Adorno is apocryphal. Formerly folded, else a very good+ example
> of this uncommon document.
>
> 100 uk pounds
>
>
> (Spur tract).
> RITUS CONTRA DEPARVATION.
> Munich: Gruppe Spur, 1965.
> 30 x 52cm. Single blue sheet folded to comprise three printed
> sections. First issue of this collaborative protest by Spur group
> members and the Danish Bauhaus Situationists Gordon Fazarkerly &
> Jorgen Nash. Composed of a manifest co-signed by Beldeney, Gasche,
> Kunzelmann & Zimmer (of Spur), a poem by Fazarkerly & a second
> manifest authored by Jorgen Nash. Folded as issued. Fine estate. Very
> scarce.
>
> 150 uk pounds
>
>
> Turk, Gavin
> MY WAY
> London: W&P, 1999
> 297 x 210mm b/w offset lithograph content of the lyrics to "My Way".
> Turk's self-referential work has seen the Y.B.A. pose for an early
> print as Sid Vicious of the Sex Pistols from the Great Rock and Roll
> Swindle film. In that film Vicious first sings the Sinatra classic
> then shoots the audience a la Jacques Vache's theoretical "most
> surrealist" act. The circularity of this reference is made complete
> by the adoption of this song as a Turk multiple. Fine estate. Signed
> and numbered from an edition of 100.
>
> 150 uk pounds
>
>
> Wall, Jeff
> A small group of 8 invitation cards, 1988 - 1995 and three exhibition
> catalogues/handouts, 1983 - 89
> Various sizes and formats of invite cards - most with pictorial
> elements. Catalogues consist of
> JEFF WALL
> Chicago: Renaissance Society at Uni of Chicago ,1983
> 4-to , 12pp plus card covers exhibition catalogue. 3 full colour
> illustrations of works plus biog and texts. Fine condition
> and
> JEFF WALL
> NYC: Marian Goodman Gallery ,1989
> 4-to landscape , 4pp exhibition catalogue. 1 large and 5 small full
> colour illustrations of works plus texts. Fine condition
> and
> Wall, Jeff
> DEAD TROOPS TALK
> Rotterdam: Boijmans, 1997
> 4pp A3 exhibition catalogue/publicity, folded to A5 as issued.
>
> 65 pounds for the group
>
>
> Warhol, Andy
> PALOMA PICASSO
> Germany/Italy: Propylaen-Verlag/Pantheon Press, 1975
> 104 x 75 cm screenprint on Arches of the 'fashion-ista' and Picasso
> heiress. From the Hommage A Picasso portfolio. Signed and numbered
> by Warhol from the edition of 90 plus 48 proof/HC copies. Fine
> estate. Feldman/Schellman II.121. Image on request.
>
> 3,250 uk pounds
>
>
> Warhol, Andy
> Cologne Cathedral
> A portfolio of handsigned large full colour reproduction cards (4) in
> original cover.
> Bonn: Hermann Wunsch, 1985
> Each card (20 x 16cm) in the set is a reproduction of one of the
> Cologne Cathedral silkscreens (F.S. 11.361 - 364) - all 4 cards in
> the set are signed clearly by Warhol along the side in felt tip pen.
> The original portfolio literature is also included in the portfolio.
> Only 400 sets were signed and given away to people attending the
> launch for the print portfolio. Fine condition.
>
> 2,450 uk pounds
>
>
> Weiner, Lawrence
> NEED TO KNOW. A STRUCTURE OF LAWRENCE WEINER. 29 JANUARY 1978. SUNDAY
> AFTERNOON.
> NYC: Moved Pictures Archive, 1978
> Standard audio cassette with pictorial (artist designed) black on
> cream insert and standard cassette casing. Relatively early soundwork
> by Weiner with music by Peter Gordon. 29:30 long on both sides of the
> tape. Scarce. Fine estate.
>
> 55 uk pounds
>
>
> Weiner, Lawrence
> HULL HORIZON
> n.p. : transartspennine, 1998
> 10.5 x 10.5 cm. Offset litho 2 colour beer/drink mat object multiple
> in heavy card. With archetypical Weiner diecut shaped hole. Fine
> estate.
>
> 10 uk pounds
>
>
> Weiner, Lawrence
> NYC MANHOLE COVERS
> NYC: Public Art Fund, 2001
> 21.8 x 14cm, 20pp plus card covers and printed "blueprint" dust
> jacket. Artist's book. Weiner was commissioned in 1999 to produce a
> public art work for New York - he introduced 19 manhole covers to
> Manhattan - each carrying the message: "IN DIRECT LINE WITH ANOTHER
> AND THE NEXT". Placement mirrored the stars above in the shape of 3
> constellations including the Great Bear. All of the 19 manholes are
> reproduced herein along with the blueprint dj which shows the
> placement and original instruction drawing supplied to the
> manufacturer. Fine estate.
>
> 20 uk pounds
>
>
> Whitman, Robert
> Sounds for 4 cinema pieces
> Chicago: Museum of Contemporary Art, 1968
> 19 x 19cm square plastic flexidisc tipped onto a card back.ing sheet
> which has a text by Jan van der Marck on it. Pieces on the disc
> include Window (1963), Shower (1964), Dressing Table (1964) and Sink
> (1964). The front cover of the publication was originally glued over
> the disk but this has been carefully removed to allow the disc to be
> played. 4 duotone photographs on the inside of the cover. Very good
> condition with a little paper browning on the card. We have not
> played the disc but appears in good condition with no obvious visual
> damage. In original printed mailing envelope.
>
> 45 uk pounds
>
> Paul Robertson
> HEART FINE ART LTD
> 1 Royal Mile Mansions
> 50 North Bridge
> Edinburgh
> EH1 1QN
> Scotland, United Kingdom
>
> Tel/fax 0044 131 225 8217
>
> http://www.heartfineart.com
>
> Payment terms:
>
> Payment by VISA / MASTERCARD (5% surcharge), IMO or personal/business
> UK clearing bank cheque (clearance required before dispatch of items).
>
> Direct bank transfer to
> "Heart Fine Art Ltd."; Account number: 10501877; UK Sort code:
> 82-63-00. Clydesdale Bank, North Bridge Branch, Edinburgh, UK.
>
> Prices of all items excluding shipping, insurance, taxes / duty and
> bank fees. Payment terms by negotiation. Institutions will be
> invoiced on receipt of fully authorised and confirmed purchase order.
> Please note within the EC - VAT (Value Added Tax) at 17.5% will be
> added to all artworks (but not books). Dealers and other companies
> purchasing art who have valid EC VAT numbers and members of academic
> and institutional VAT waiver schemes should allow us to waive VAT but
> please contact us to discuss prior to invoicing.
>
> All purchases outside of the EC (eg the USA) ARE NOT subject to VAT.
>
> Photographs of most items available by email by return if requested.
>
> Detailed provenance history available for unique items.
>
> Please note prices subject to change without due notice. While we
> will endeavour to keep prices stable for items outlined above
> sometimes changes in, for example, exchange rates mean that prices
> have to be altered. If changes are required than we will notify you
> at the time of any enquiry.
>
> O. &. O. E.
>
> A WORD ABOUT SECURITY: Although there is a widespread belief that it
> is risky to email your credit card number, in truth actual instances
> of credit card numbers being intercepted and being used for
> fraudulant purposes are rare. While it is possible to do it, it is
> somewhat difficult and there are many other much easier low-tech
> ways to get a person's credit card number. Let's face it - in
> whatever circumstances a credit card is used, there is a potential
> for fraud on both sides. But considering how often you present your
> card to a stranger, how often does it happen? Even so, what many
> people do for extra safety is send half the numbers in one message,
> the balance in another. Others spell out the numbers rather than
> using digits. Still others simply remove the spaces between the
> groups of numbers on the card or irregularly space out the numbers
> into groups of 5, 3, 2 etc. And if you are still worried about
> sending your credit card number over the web then why not just fax us!
>
>
