Dear Anne and all--
i am sorry my mscore from yesterday interupted--by who knows what force?
will send the rest tomorrow--(the email ones, and rest  of piece cut off)
onwo/ards!
and thank you again so much for this project!
david baptiste



From: Ann Klefstad <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
Subject: Re: FLUXLIST: Scores for Anne
Date: Wed, 03 Sep 2003 15:40:53 -0500

Dear David--I'll leave some room in the array for your mailed works when
they arrive--  I'll print these poster-style and hang them up--hope to see
you if you can come --

Thanks for your involvement with this!

AK


On 9/3/03 1:14 PM, "David Chirot" <[EMAIL PROTECTED]> wrote:


> Dear Anne--
> I am sending my pieces
> it took me longer as made many outdoors in an alley
> they are visual scores, color etc spray painted and with rubbings--
> and then in small print also the event--
>
> i got into making them with shoes found in alleys and dumpsters--
> so there are some "steps" so to speak--
> sorry it took me longer as i can't work in the place where i live so have to
> work outside--
> i can also send some via email
> i wanted to present Event Scores that are also scores--in a visual sense,
> suggesting thing that are an intersign of visual, sound and
> performance--colors, forms, arrangementes--of which the viewer make any
> response they so please--by acting or sounding out--or scrwaling on them a
> response, like grafitti--on alley walls--
>
> here are some i can send via email write/right now:
>
> for example
>
> CONVERSATION PIECES, or BEGGING THE QUESTION
>
> 1.) find a good busy place to stand or sit
> with a large coffee can painted various hues or having obsucre personal
> hieroglyphics
> have a sign in bright colors, written on it
>
> CONTRIBUTE THE UNNEEDED CONTENTS OF YOUR POCKETS
>
> the event begins with the conversations with passersby as to nature of the
> event
> THEN THE EVENT OF THE DONATIONS
> it continues at end of day when, reurning home, one makes collages and
> little asemblages out of the contributions
>
> 2.) dressed as poor beggar--in any idea of such outfit you please--
> have before you a very large can, dingy and bedraggled looking as you wish
> have with you a sign
> BEGGING THE QUESTION
> the event is what ensues in terms of exchanges with passersby
>
> 3.) in the gallery, stand dressed in whatever attention getting or
> anonymous outfit you please--theatrically if you so desire or neutrally
> have below you--you may if you like be mounted on a small pedastal/podium--
> or beside you
> a sing which begs the question
> BUT, IS IT ART?
> paper and pen are provided for the museum goers to write responses and rop
> them in the box provided
> later, the responses are collectd and made into collaged poems by tearing,
> cutting them, mixing words, lines, syllables--
> and one returns with this and to the question, again taking up the pose
> beside paper and pen:
>
> BUT, IS IT ART?
>
> again collect the responses, remix--are there any differences now?
> BUT, IS IT ART--
>
>
> 4.) WORE ON TEARERISM
>
> in the gallery--or outside, roaming about--stationing themselves at
> various "perimeters"--
> someone dressed as a security guard
> with them a large box with stenciled on it the militray looking words
> WORE ON TEARERISM
>
>
>
>
>
>
>> From: Ann Klefstad <[EMAIL PROTECTED]>
>> Reply-To: [EMAIL PROTECTED]
>> To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
>> Subject: Re: FLUXLIST: Scores for Anne
>> Date: Mon, 01 Sep 2003 20:04:37 -0500
>>
>> Thanks, zoe, perfect for the museum context, I'll put them on cards, great!
>> ak
>>
>> On 9/1/03 9:56 AM, "zoe marsh" <[EMAIL PROTECTED]> wrote:
>>
>>> Hi, have been meaning to send something for ages, but now too late to
>> put in
>>> the post so here goes by email...
>>>
>>> these were typed onto smallish cards and left on top of a plinth in a
>>> gallery with the instruction 'TAKE A CARD', but you dont have to do that
>> (or
>>> indeed anything) with them, its up to you!
>>>
>>> FIND A WORK ON THE WALL. tRY TO SEE THE BACK OF IT BY LEANING YOUR HEAD
>>> AGAINST THE WALL.
>>>
>>> FIND A LIGHT SWITCH. EXAMINE IT THOROUGHLY.
>>>
>>> LOOK CLOSELY AT THE LEFT HAND CORNER OF A WORK. SAY 'OH'. MOVE AWAY.
>>>
>>> STAND THREE FEET AWAY FROM A WORK. FROWN. SAY'HMM'.
>>>
>>> STAND IN THE CENTRE OF THE ROOM. RUB YOUR CHIN.
>>>
>>> WALK IN A CIRCLE CLOCKWISE AROUND THE ROOM. MUTTER 'POSTMODERNISM,
>>> INTERESTING'.
>>>
>>> TAKE ANOTHER CARD. READ IT. PUT IT BACK EXACTLY WHERE YOU FOUND IT.
>>>
>>> HIDE THIS CARD IN YOUR POCKET.
>>>
>>> LEAVE THIS CARD SOMEWHERE.
>>>
>>> TAKE ANOTHER CARD WHI8LE NO-ONE IS LOOKING.
>>>
>>> STAND EIGHT FEET FROM A WORK. RAISE YOUR EYEBROWS. BREATHE IN. MOVE
>> CLOSER.
>>>
>>> sorry dont have time to type more, on library computer and must log out,
>>> good luck with all the scores, luv zoe
>>>
>>> _________________________________________________________________
>>> Hotmail messages direct to your mobile phone
>> http://www.msn.co.uk/msnmobile
>>>
>>>
>>
>>
>
> _________________________________________________________________
> Enter for your chance to IM with Bon Jovi, Seal, Bow Wow, or Mary J Blige
> using MSN Messenger http://entertainment.msn.com/imastar
>
>




_________________________________________________________________
Need more e-mail storage? Get 10MB with Hotmail Extra Storage. http://join.msn.com/?PAGE=features/es





Reply via email to