Hello Bryan, Three Spanish films that come to mind regarding "films about cinemas". I have just read the MoMA bought the second one:
*La sortie* (2008) de Chus Domínguez. 10’ https://vimeo.com/52296364 *Cinema Mundial 1957-2007* (2007) de Carles Asensio. 18’ https://vimeo.com/237120871 *25 CINES/seg* (2017) de Luis Macías. 39' http://luismacias.es/25-cines-seg/ Best, Albert On Mon, Apr 26, 2021 at 7:18 PM jjmartinod <[email protected]> wrote: > damn, sent to ALL! > > > > > > - > > > Sent with ProtonMail <https://protonmail.com> Secure Email. > > ‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐ > On Monday, April 26, 2021 11:16 AM, jjmartinod <[email protected]> > wrote: > > Hey Bryan, > How's it all? > Here from an apple orchard|vineyard officially homeless, though never > better. > Wanted to day I'd be happy to schedule a talk about Youngblood(would be > willing in person, socially distanced etc etc etc, as I'm fully vaccinated) > but am leaving for the east for a recording gig on May 8, & also will be in > ABQ Friday 7th. Maybe that works? Zoom works too. I'd also encourage to > talk to Martín Baus(*[email protected] <[email protected]>)*, the > person who translated *Secession from the Broadcast*, who might have been > in touch with him up until his most lucid last moments. > Also, here goes a film about cinemas: > https://vimeo.com/122070258 > password: monopolio > > salud! > j-j > > > ps: > i have a small curated program I am working on but haven't found a home > for it. Doc/experiments on "liminal spaces". A handful of filmmakers who > feel natura-in-the-camera. Any suggestions would help! > > > > - > > > > > > > > > > > - > > > > Sent with ProtonMail <https://protonmail.com> Secure Email. > > ‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐ > On Monday, April 26, 2021 10:36 AM, Bryan Konefsky <[email protected]> > wrote: > > Hi all, I am in the early moments of curating a program of films > (artists'/experimental/personal) that think about cinemas. I would prefer > short films and these can be pre-COVID/COVID/post-COVID works. Please send > along suggestions. > thanks > Bryan Konefsky > president, Basement Films > founder/director, Experiments in Cinema > > Great art has always gone to the masses, to their hopes and dreams, for > that spark that kindled their souls. The rest, "the many, all too many" as > Nietzsche called mediocrity, have been mere commodities that can be bought > with money, cheap glory, or social position. > - Emma Goldman > > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- http://albertalcoz.com/ <http://www.albertalcoz.com/>
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