damn, sent to ALL!
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‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐
On Monday, April 26, 2021 11:16 AM, jjmartinod <[email protected]>
wrote:
> Hey Bryan,
> How's it all?
> Here from an apple orchard|vineyard officially homeless, though never better.
> Wanted to day I'd be happy to schedule a talk about Youngblood(would be
> willing in person, socially distanced etc etc etc, as I'm fully vaccinated)
> but am leaving for the east for a recording gig on May 8, & also will be in
> ABQ Friday 7th. Maybe that works? Zoom works too. I'd also encourage to talk
> to Martín Baus([email protected]), the person who translated Secession from
> the Broadcast, who might have been in touch with him up until his most lucid
> last moments.
> Also, here goes a film about cinemas:
> https://vimeo.com/122070258
> password: monopolio
>
> salud!
> j-j
>
> ps:
> i have a small curated program I am working on but haven't found a home for
> it. Doc/experiments on "liminal spaces". A handful of filmmakers who feel
> natura-in-the-camera. Any suggestions would help!
>
> -
>
> -
>
> Sent with [ProtonMail](https://protonmail.com) Secure Email.
>
> ‐‐‐‐‐‐‐ Original Message ‐‐‐‐‐‐‐
> On Monday, April 26, 2021 10:36 AM, Bryan Konefsky <[email protected]>
> wrote:
>
>> Hi all, I am in the early moments of curating a program of films
>> (artists'/experimental/personal) that think about cinemas. I would prefer
>> short films and these can be pre-COVID/COVID/post-COVID works. Please send
>> along suggestions.
>> thanks
>> Bryan Konefsky
>> president, Basement Films
>> founder/director, Experiments in Cinema
>>
>> Great art has always gone to the masses, to their hopes and dreams, for that
>> spark that kindled their souls. The rest, "the many, all too many" as
>> Nietzsche called mediocrity, have been mere commodities that can be bought
>> with money, cheap glory, or social position.
>> - Emma Goldman
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