How about Slavko Vorkapich? He is credited with ''visual design'' in I Bury the Living (1958) and created the 3D sequences of The Mask (1961). Both films have become cult classics of the Psychotronic genre.
El jue, 11 de nov. de 2021 a la(s) 17:51, Adam Hyman ([email protected]) escribió: > Yes, talking about “Sister Midnight” > > I don’t know anyone else working on it. > > > > On 11/11/21, 11:18 AM, "Frameworks on behalf of jared ashburn" < > [email protected] on behalf of [email protected]> > wrote: > > > > Thank you Tyler and Adam! Smith, Warhol, and the Kuchar brothers are > central to all of this and I am definitely considering their work and > influence on this overlap. Turnock's work (this article and her book) is a > perfect template for what I am trying to do here, but, I cannot seem to > find anyone else (aside from James and Arthur) researching this part of the > history of avant-garde film. For Mays, you are talking about "Sister > Midnight," right? Thanks, again! > > > > On Wed, Nov 10, 2021 at 9:18 PM Adam Hyman <[email protected]> wrote: > > Oh, and Peter Mays made an exploitation feature as well. > > > > Best, > > Adam > > > > On 11/9/21, 10:27 AM, "Frameworks on behalf of Fred Camper" < > [email protected] on behalf of [email protected]> wrote: > > > > Bette Gordon made her own feature film. It was low budget but I don't know > if you are looking for that, or for filmmakers who worked for others? Larry > Jordan made another, *The Apparition*, only 50 minutes according to IMDB, > but it had that feature film, or TV-show, look. As best I can remember it > was his own film. I definitely remember that it looked like it was trying > to be a TV show or short feature. I love Jordan's best films, but on my one > viewing of this one, it seemed to be not good at all, not even at what it > was trying to do. > > Fred Camper > > Chicago > > > > On 11/9/2021 11:30 AM, jared ashburn wrote: > > OK, wow, this is great! Thank you for your replies--this is quite a list. > Does anyone know if this history has been written about? I thought of David > E. James and Paul Arthur and I looked at the chapter, "Narrating Los > Angeles: Art Films and Independent Features," in James' book on minor > cinemas in LA. He accounts, indirectly, for the point that David Sherman > has made here by discussing exploitation films that exploited the > counterculture and appropriated some styles, concepts, and techniques found > in the New American Cinema and European art cinema. The chapter is useful > for my research but I am looking for other articles that might address the > history of this overlap more explicitly. If you think of something, I am > all ears. Thank you, again, I am most appreciative. -JA > > > > List of American Avant-Garde filmmakers who also worked on low-budget, B > and exploitation feature films in the 1960s and 70s: > > *Pat O'Neil * > > *Curtis Harrington* > > *Nathaniel Dorsky* > > *Morgan Fisher* > > *Jerry Abrams* > > *Peggy Ahwesh* > > *Jerome Hiler* > > *Betzy Bromberg* > > *Hy Hirsh* > > > > On Mon, Nov 8, 2021 at 10:23 PM Marc Couroux <[email protected]> wrote: > > Yes! Fisher mentions Messiah of Evil, and shows a frame of it in Standard > Gauge. > > M > > > > On Mon, Nov 8, 2021 at 5:01 PM Steve Polta <[email protected]> wrote: > > Off the top of my head: > > 1) Nathaniel Dorsky: *Revenge of the Cheerleaders* (1976)—he was either > director, co-writer, cinematographer or some combination, depending on whom > you ask. > > 2) I've heard that Morgan Fisher was editor on *Messiah of Evil* (1973) > although he is not credited (he appears as an actor as well). > > 3) Bay Area '60s filmmaker (who also did light shows) Jerry Abrams > directed an exploitation doc on Bay Area porn culture of the '70s; I can't > recall the title. > > 4) Peggy Ahwesh worked on-set on some George Romero films but I don't know > the titles. > > > > There are surely lots more… > > > > On Mon, Nov 8, 2021 at 1:19 PM jared ashburn <[email protected]> > wrote: > > Hi, > > > > Does anyone know of any American avant-garde filmmakers who also worked on > low-budget features, B or exploitation films in the late 60s and 70s? This > could be in any area of production or post-production... > > > > Thank you, > > Jared > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > > -- > > @xenopraxis <https://twitter.com/xenopraxis> > > xenaudial <https://xenaudial.wordpress.com/> > > xenaudial (b/c) <https://xenaudial.bandcamp.com/> > > The Occulture <http://www.theocculture.net/> > > WKWYLF (vimeo) <https://vimeo.com/user9854186> > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > > -- Frameworks mailing list [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- Frameworks mailing list [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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