„Enthusiasm” by Dziga Vertov, 1931 - 
https://www.youtube.com/watch?v=vUInm2dC6Ug. It is an amazing early example of 
what you are looking for.
Marcin


From: Frameworks <[email protected]> On Behalf Of Andrew 
Skalak
Sent: Saturday, November 13, 2021 11:24 PM
To: Experimental Film Discussion List <[email protected]>
Subject: [Frameworks] Sound-centric films: excellence in sound design

Hello everyone,

I am interested in finding films that are particularly interested in and make 
exceptional use of sound. I would say films that are sound-centric even: where 
sound is the primary device of the film above the image. In the narrative world 
I think the filmmaker that has best explored this is Lucrecia Martel.

A great and classic text on what I am trying to explore is Randy Thom’s 1999 
essay on designing films for sound, as opposed to designing sound for film: 
https://www.filmsound.org/articles/designing_for_sound.htm.

I am interested in films with very rich and layered field recording; heavy, 
extreme, or absurd foley; innovative microphone techniques such as contact 
microphones, hydrophones, binaural audio, spatial audio recording; unique sound 
post processing, etc. If there are any films that are not necessarily 
sound-centric, but someone feels really struck then sonically I’m very 
interested in that as well.

I am also interested in films that make use of surround sound and the surround 
space in ways not possible in narrative films, though I may not be able to 
experience them online or without seeing them in a theater.

This is a narrative film, but in this realm is “Out of Tune” by Aaron With:
https://vimeo.com/488308481

I’m definitely most interested in films I can watch or rent online, but any 
films that only exist on prints or are hard to see I am more than happy to add 
to a list to hopefully watch some day.

Thanks you all,
Andrew
--
(563) 210-3321
Cinematographer, Filmmaker - Chicago, IL
Cinematography Reel<https://vimeo.com/282369276/4ccebdbc30>
www.andrewskalak.com<http://www.andrewskalak.com>

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