*Hacked Circuit* (2014) by Deborah Stratman about the sound restoration of *The Conversation* by Coppola. http://www.pythagorasfilm.com/hacked-circuit.html
Try to find this book: *Film Sound: Theory and Practice* by Elisabeth Weis and John Belton, for example. In fact there are dozens of experimental films concerning sound as the main topic... Here are some of them <http://www.visionaryfilm.net/2017/12/peliculas-de-resonancias-filmicas.html> . On Sun, Nov 14, 2021 at 7:19 AM [email protected] < [email protected]> wrote: > “Thanatopsis” Ed Emshwiller > “Harmonica” Larry Gottheim > “OffOn” Scott Bartlett > > enjoy! > owen > > > > > On Nov 14, 2021, at 12:43 AM, Marc Couroux <[email protected]> wrote: > > > Definitely look at the work of the Sensory Ethnography Lab > <https://sel.fas.harvard.edu/> at Harvard. Leviathan would be a good > place to start! > M > > On Sat, Nov 13, 2021 at 7:46 PM Marcin Gizycki <[email protected]> > wrote: > >> „Enthusiasm” by Dziga Vertov, 1931 - >> https://www.youtube.com/watch?v=vUInm2dC6Ug. It is an amazing early >> example of what you are looking for. >> >> Marcin >> >> >> >> >> >> *From:* Frameworks <[email protected]> *On Behalf Of >> *Andrew >> Skalak >> *Sent:* Saturday, November 13, 2021 11:24 PM >> *To:* Experimental Film Discussion List <[email protected]> >> *Subject:* [Frameworks] Sound-centric films: excellence in sound design >> >> >> >> Hello everyone, >> >> >> >> I am interested in finding films that are particularly interested in and >> make exceptional use of sound. I would say films that are sound-centric >> even: where sound is the primary device of the film above the image. In the >> narrative world I think the filmmaker that has best explored this is >> Lucrecia Martel. >> >> >> >> A great and classic text on what I am trying to explore is Randy Thom’s >> 1999 essay on designing films for sound, as opposed to designing sound for >> film: https://www.filmsound.org/articles/designing_for_sound.htm. >> >> >> >> I am interested in films with very rich and layered field recording; >> heavy, extreme, or absurd foley; innovative microphone techniques such as >> contact microphones, hydrophones, binaural audio, spatial audio recording; >> unique sound post processing, etc. If there are any films that are not >> necessarily sound-centric, but someone feels really struck then sonically >> I’m very interested in that as well. >> >> >> >> I am also interested in films that make use of surround sound and the >> surround space in ways not possible in narrative films, though I may not be >> able to experience them online or without seeing them in a theater. >> >> >> >> This is a narrative film, but in this realm is “Out of Tune” by Aaron >> With: >> >> https://vimeo.com/488308481 >> >> >> >> I’m definitely most interested in films I can watch or rent online, but >> any films that only exist on prints or are hard to see I am more than happy >> to add to a list to hopefully watch some day. >> >> >> >> Thanks you all, >> >> Andrew >> >> -- >> >> (563) 210-3321 >> >> Cinematographer, Filmmaker - Chicago, IL >> >> Cinematography Reel <https://vimeo.com/282369276/4ccebdbc30> >> >> www.andrewskalak.com >> >> >> -- >> Frameworks mailing list >> [email protected] >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > > > -- > @xenopraxis <https://twitter.com/xenopraxis> > xenaudial <https://xenaudial.wordpress.com/> > xenaudial (b/c) <https://xenaudial.bandcamp.com/> > The Occulture <http://www.theocculture.net/> > WKWYLF (vimeo) <https://vimeo.com/user9854186> > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > -- http://albertalcoz.com/ <http://www.albertalcoz.com/>
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