Hi everyone ––I'm working on a sound project which will compile audio from film sequences (from avant-garde to blockbuster) featuring characters in a state of intentional or "deep" listening. An obvious example of this is the 'listening scene' from The Conversation (1974) –– https://www.youtube.com/watch?v=mlBXlDh3dCg <https://www.youtube.com/watch?v=mlBXlDh3dCg>
Any other recommendations would be greatly appreciated. Thank you! On Sun, Apr 24, 2022 at 10:00 AM <[email protected]> wrote: > Send Frameworks mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > > http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of Frameworks digest..." > > > Today's Topics: > > 1. This Week in Avant Garde Cinema: April 23 - May 1, 2022 > (This Week) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Sun, 24 Apr 2022 11:15:01 -0400 > From: This Week <[email protected]> > To: [email protected] > Subject: [Frameworks] This Week in Avant Garde Cinema: April 23 - May > 1, 2022 > Message-ID: > <CAKYqsu=i8VOM= > [email protected]> > Content-Type: text/plain; charset="utf-8" > > View this email in your browser > < > https://mailchi.mp/6effb7e7c89e/this-week-in-avant-garde-cinema-8820009?e=857b71a9cb > > > > > > *This Week [April 23 - May 1, 2022] in Avant Garde Cinema* > > > > > To receive the weekly listing directly via email rather than through > Frameworks, just hit Subscribe > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb > > > . > > > *DEADLINES APPROACHING* > **** Enter upcoming calls for entry here > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8784ccb2eb&e=857b71a9cb > > > **** > > ___________________________________________________________________________________ > *sorted by submission deadline* > Ongoing Films for Ukrainian Border Crossings > < > [email protected]?subdir=calls&filename=2.ann&accepts=yes%0a?subdir=calls&filename=2.ann&accepts=yes%20?subdir=calls&filename=2.ann&accepts=yes > > > (No Dialogue + PG) > 04.24.2022 Mimesis Documentary Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3e85ba0591&e=857b71a9cb > > > (Late Deadline) > 04.25.2022 Edinburgh International Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cff29a21b7&e=857b71a9cb > > > (Late Deadline) > 04.29.2022 Southwest Seen Commission & Exhibition > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4bbe0eb815&e=857b71a9cb > > > 04.30.2022 Antimatter [media art] > <http://filmfreeway.com/AntimatterMediaArt> (Early Deadline) > 04.30.2022 Analogica > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=661662945f&e=857b71a9cb > > > (Regular Deadline) > 04.30.2022 Istanbul International Experimental Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=35ac3bb847&e=857b71a9cb > > > (Late Deadline) > 04.30.2022 Ecologies & Cosmologies Residency > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=96e6195c6a&e=857b71a9cb > > > 04.30.2022 non-syntax Experimental Image Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1840b8bfe0&e=857b71a9cb > > > (Early Deadline) > 05.15.2022 VSW Project Space Residency > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=059bde7ad8&e=857b71a9cb > > > 05.15.2022 Sharjah Film Platform > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=12ccd1d061&e=857b71a9cb > > > 05.16.2022 Edinburgh Short Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fab20dbb65&e=857b71a9cb > > > (Regular Deadline) > 05.20.2022 Coney Island Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67768224ca&e=857b71a9cb > > > (Late Deadline) > 05.20.2022 New Orleans Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1de6d7ec8e&e=857b71a9cb > > > (Late Deadline) > 05.31.2022 25 FPS Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1765b53aa4&e=857b71a9cb > > > 05.31.2022 Ji.hlava International Documentary Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=90c2684d24&e=857b71a9cb > > > (2022 Films) > 05.31.2022 Interbay Cinema Society Lightpress Grants > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=68ae3e5eec&e=857b71a9cb > > > 06.01.2022 Engauge Experimental Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2334c82232&e=857b71a9cb > > > 06.03.2022 New York Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7e06c05bc7&e=857b71a9cb > > > 06.10.2022 Fisura, International Festival of Experimental Film and Video > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=87f590ff2e&e=857b71a9cb > > > (Early Deadline) > 06.14.2022 VIDEONALE.19 ? Festival for Video and Time-Based Arts > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1a16f6f177&e=857b71a9cb > > > (Early Deadline) > 06.15.2022 Revolutions per Minute Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea67f02968&e=857b71a9cb > > > (Extended Deadline) > 06.15.2022 Imagine Science Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5345fcd115&e=857b71a9cb > > > (Regular Deadline) > 07.31.2022 San Diego Underground Film Festival > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56b1d7fe8b&e=857b71a9cb > > > (Regular Deadline) > > > *EVENTS* > **** Enter your event announcements here > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=92cd647161&e=857b71a9cb > > > **** > > ___________________________________________________________________________________ > *complicated sorting but a true attempt, enjoy!* > > This week's programs (summary): > > - Jonas Mekas 100! > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=878140c66f&e=857b71a9cb > > > [November > 1, 2021-January 25, *2023*, worldwide] > - seen only, heard only through someone else?s description > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce8545f39e&e=857b71a9cb > > > [March > 5-April 30, San Francisco, CA] > - Jordan Belson LANDSCAPES > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9d3aea5383&e=857b71a9cb > > > [March > 11-April 24, New York, NY] > - Early Blossoms/Perilous Thirds > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6a8fd65d9e&e=857b71a9cb > > > [March > 26-May 7, Baltimore, MD] > - Jodie Mack: Matter Matters > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b062e21502&e=857b71a9cb > > > [March > 29-June 19, Rochester, NY] > - aCinema: KIRISAME > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bffe776f75&e=857b71a9cb > > > [April 1-30, online] > - I Am Here: Home Movies and Everyday Masterpieces > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c734985447&e=857b71a9cb > > > [April > 13-August 14, Toronto, Canada] > - Machinalive: Nomadica At Laba 2022 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6c0baa2e7&e=857b71a9cb > > > [April > 21-25, Brescia, Italy] > - Friedl Kubelka Vom Gr?ller > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ddff7df63&e=857b71a9cb > > > [April > 21-26, New York, NY] > - Psycho-Geo2: Calexico > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=58f23d890a&e=857b71a9cb > > > [April > 23, San Francisco, CA] > - Barbara Hammer's My Babushka: Searching Ukrainian Identities > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1e7782a5f9&e=857b71a9cb > > > [April > 23-May 30, online] > - ??Whatever Norm Bruns Decides To Bring?: A Norm Bruns Retrospective > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=65d4b944eb&e=857b71a9cb > > > [April > 24, New York, NY] > - Gearwax: Old vinyl, Repurposed > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f5b8359667&e=857b71a9cb > > > [April > 24, online] > - Ieva Balode. Loop of Fear. Solo Show > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=23990bc999&e=857b71a9cb > > > [April > 30 - June 12, Riga, Latvia] > - Psycho-Geo3: Southwest > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=720b702077&e=857b71a9cb > >[April > 30, San Francisco, CA] > - Reversing Reversal: A Filmmaking Workshop > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=922cf24092&e=857b71a9cb > > > [May > 1, Oakland, CA] > - Southern Climes: Films From AFW Melbourne > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1b89aa323e&e=857b71a9cb > > > [May > 1, Oakland, CA] > - The Long Conversation > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b0cc38da99&e=857b71a9cb > > > [ongoing, online] > - 6x6 Project: Artists' Moving Image Works ? Edition N? 27 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=524fdb4b00&e=857b71a9cb > > > [ongoing, > online] > - Ecstatic Static Screenings > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=844f74d9d7&e=857b71a9cb > > > [ongoing, > online] > > > *STARTING BEFORE APRIL 23, 2022* > > *November 1 - January 25, 2023* > Venue type: *Both physical and online* > Jonas Mekas 100! > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c51652ba18&e=857b71a9cb > > > times and locations vary, see below > Event URL: https://jonasmekas100.com/ > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=db2bcfc1e9&e=857b71a9cb > > > *Jonas Mekas 100!* > In 2022, the world and Lithuania celebrate the life and work of Jonas > Mekas, one of the country?s most prominent cultural figures of the 20th and > 21st centuries and a global cultural phenomenon in his own right, > considered by many to be the ?godfather of avant-garde cinema?. > > Throughout his life, Mekas always emphasized and cherished his Lithuanian > roots. After fleeing the foreign occupation of his native land, he arrived > in New York City, in his own words ?at exactly the right moment?, joining > thousands of others escaping the devastation wrought by destructive > ideologies and tyrannical regimes in Europe. One might say that Mekas left > one village, his native Semeni?kiai in northern Lithuania, and immersed > himself in the life of another ? the Village thriving in and around lower > Manhattan, and in its landmark publication, the Village Voice, helping to > shape American and global culture so profoundly in the latter half of the > 20th century. > > This centennial celebration, Jonas Mekas 100!, seeks to expand global > recognition of his work and encourage a deeper exploration of Mekas? > prolific contributions to cinema, film criticism, cultural organization, > and, in particular, his body of poems and prose, now published in > Lithuanian, French, German, English, Japanese, Hebrew, and many other > languages. > > The centennial program features over 50 events in an expanding list of > countries, including: Belgium, Denmark, Finland, France, Germany, Greece, > Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan, > Ukraine, the United Kingdom, and the United States. The vast scope of > Mekas? contribution to global cultural is examined through film screenings > and retrospectives, exhibitions, readings, workshops, new publications and > translations of Mekas? writings, and concerts celebrating the spirit of his > work, among other events. > > The centennial program is a joint international collaboration between > leading art and cinema organisations, curators, publishers, the global > network of Lithuanian cultural attach?s, the Estate of Jonas Mekas, and the > Lithuanian Culture Institute. > *___________________________________________________________________* > > *March 5 - April 30* > Venue type: *Live, physical event* > McEvoy Foundation for the Arts > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ab6c008b93&e=857b71a9cb > > > Wed - Sat, 11am-6pm PT, > McEvoy Foundation for the Arts, 1150 25th Street, Building B, San Francisco > *seen only, heard only through someone else?s description* > Short films offer new temporal spaces for considering how images and > narratives construct meaning, artifice, and memory. > *seen only, heard only through someone else?s description* engages > filmmakers and artists whose interdisciplinary practices draw from > performance, film, photography, research, and writing. The program?s title > stems from *Audience Distant Relative* (1977) by Theresa Hak Kyung Cha > (1951?1982)?a poem, performance, and mail art piece that uses language to > unravel dynamics of distance, visibility, hearing, and communication. > > The program is organized in two sessions of experimental short films by > women and nonbinary artists from the 1970s through the 2010s. *Sometimes We > Stand Alone* explores personal identity and history through experimental > processes and found footage. *Drawing Energy* is concerned with communities > of women and their collective power to document and deeply engage with > artistic, cultural, or familial lineages. The collected works interweave > varied perspectives to probe formal tensions between the moving image and > still photography. *Sometimes We Stand Alone* screens daily from January 14 > through March 4, 2022. *Drawing Energy* debuts March 5 and runs through > April 30, 2022. > > Guest curated by Gina Basso in conjunction with Image Gardeners, an > exhibition of modern and contemporary photography from the McEvoy Family > Collection. > > ---- March 5 ? April 30, 2022 /// Drawing Energy ---- > Ilene Segalove, *Mom in Famous Women*, 1978 > sair goetz, *me and my army*, 2017 > Deborah Stratman, *Vever (For Barbara)*, 2019 > Onyeka Igwe, *Her Name in My Mouth*, 2017 > Madeleine Hunt-Ehrlich, *Spit on the Broom*, 2019 > Lily Jue Sheng and Rita Ferrando, *Ikebana*, 2020 > > *___________________________________________________________________* > > *March 11 - April 24* > Venue type: *Live, physical event* > Matthew Marks Gallery > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ecf05174a4&e=857b71a9cb > > > Tue-Sat 10am - 6pm ET, > 526 West 22nd Street, New York, NY > *Jordan Belson LANDSCAPES* > Jordan Belson: Landscapes features a series of collages made between 1970 > and 1973. Exhibited here for the first time, Belson?s collages were created > from torn paper painted in various colors. They were inspired in part by > the 1000-year-old Japanese art of chigiri-e, which uses torn paper to > create images of landscapes and flowers. > > Jordan Belson (1926?2011) is a seminal figure in twentieth-century > avant-garde cinema. He studied painting as a young man, receiving a degree > in studio art from the University of California, Berkeley, in 1946. He > initially achieved some success as a painter, exhibiting his work at SFMOMA > and the Guggenheim Museum in the late 1940s. After 1950, however, he > focused primarily on filmmaking, and although he continued to make > paintings and drawings for the remainder of his life, he never publicly > exhibited this part of his work again during his lifetime. > > All works are Untitled, c. 1970?73, paper collage and mixed media mounted > on board. > > *___________________________________________________________________* > > > *March 26 - May 7* > Venue type: *Live, physical event* > Current Space > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8c86c905ca&e=857b71a9cb > > > various times, see below, > Current Space, 421 N Howard St, Baltimore, MD > *Early Blossoms/Perilous Thirds* > Current Space is proud to present "Early Blossoms/Perilous Thirds." an > exhibition of works by Stephanie Barber, Patrick David, and Josh Dorman; > curated by Andrew Shenker, Michael Benevento, and Julianne Hamilton. Please > join us for the opening reception! > > Opening Reception: March 26th, 6-9pm > Exhibition Duration: March 26th ? May 7th > Gallery Hours: Fridays & Saturdays, 1-5pm > > "The work from these three artists presents questions of the narrative > image, an experience that opens an associative window??what does a line you > once recognized become as it breaks, what does a body? > The conversation arrives in threes, triangulates the snake in the garden > and holds it to the glass. > A symbol contorts to reflect itself in the eye that catches it. To take the > icon out of its rank, the head from its neck, to weigh how small or smooth > the evidence of a hand in the world it creates. > Broken time, things in place, place in things." > - Caroline Preziosi > > "\[Shared most of all, perhaps, is a meditative and uncanny mood at the > edge of the sayable, close to oblivion; a dreamlike warmth (and horror).\]" > - Andrew Shenker > > *___________________________________________________________________* > > *March 29 - June 19* > Venue type: *Live, physical event* > George Eastman Museum > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=70181eeb43&e=857b71a9cb > > > Tue-Sat,10-5pm + Sun 11-5pm ET, > Multipurpose Hall, George Eastman Museum, 900 East Avenue, Rochester, NY > *JODIE MACK: MATTER MATTERS* > The George Eastman Museum is pleased to present selected experimental > animated films by Jodie Mack (UK, b. 1983), an artist who has developed a > remarkable filmmaking style that provides new perspectives on a variety of > familiar materials. Mack?s subjects often include captivating decorative > objects and vintage, ornate textiles. Her films invite viewers to > contemplate the objects? significance and the nature of disposability. > > Mack often works with a Bolex camera and 16mm film, and her films explode > with dizzying displays of colors, shapes, and patterns. While her mastery > of traditional stop-motion animation technique is highly precise and > sometimes abstract, Mack?s films have a joyful, handmade quality that > radiates humor and human warmth. > > The following film descriptions are provided by the artist. > > A program of four animated short films. Originally shot in 16mm the films > will be screened digitally in this presentation on a loop (21 min. total) > during museum hours. > > *Posthaste Perennial Pattern* (US 2010, 4 min.). Rapid-fire florals and > morning birdsong bridge interior and exterior, design and nature. > *Blanket Statement #1: Home is Where the Heart is* (US 2012, 3 min.). > Discordant dysfunction down to the nitty-gritty. > *Blanket Statement #2: All or Nothing* (US 2013, 4 min.). A battle of > extreme extremes. > *Something Between Us* (US 2015, 10 min.). A choreographed motion study for > twinkling trinkets: costume jewelry and natural wonders join forces to > perform plastic pirouettes, dancing a luminous lament until the tide comes > in. > > *___________________________________________________________________* > > *April 1 - 30* > Venue type: *Virtual, online event* > aCinema > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea4b888316&e=857b71a9cb > > > streaming 24/7, > Event URL: https://www.acinema.space/current-program > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56eb0f3e4f&e=857b71a9cb > > > *aCinema: KIRISAME* > > *Chiyo* ? Chiemi Shimada ? 12 min 39 sec ? video > *bakufuu, hinoumi: bomb wind, ocean fire* ? Sancia Miala Shiba Nash ? 22 > min 18 sec ? video > > aCinema is a monthly exhibition dedicated to the screening of works by > moving image artists from around the globe for audiences during the 9 month > period of September to May. aCinema also organizes a yearly festival > programmed from an open call for works titled, aDifferent festival. Through > the exhibition of artists -- historical and contemporary, emerging and > established -- in curated programs, aCinema creates a platform for artists > of all career statuses to share a common exhibition space. > > Through the curatorial themes and independent thoughts expressed within the > works, aCinema hopes to inspire and expand audiences' views of the moving > image, fostering an arts educational space, where audiences are free to > engage in discussion with curators and artists (when present) following the > screenings. > > *___________________________________________________________________* > > *April 13 - August 14* > Venue type: *Live, physical event* > Art Gallery of Toronto > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1642bdaec5&e=857b71a9cb > > > during gallery hours, > 317 Dundas Street West, Toronto, Ontario > *I AM HERE: HOME MOVIES AND EVERYDAY MASTERPIECES* > >From the earliest cave paintings to TikTok, humans have found creative > ways > to document their day-to-day lives. *I AM HERE: Home Movies and Everyday > Masterpieces*, a major new AGO exhibition opening in April of 2022, is a > revealing look at our universal need to capture, share and cherish the > everyday. Featuring lost-and-found home movies from the Prelinger Archives, > alongside celebrated artworks by the likes of David Hockney, Patti Smith, > Claes Oldenburg, Annie Pootoogook, Arthur Jafa and Mary Pratt, as well as > snapshots, photo albums, letters, television, grocery lists, and social > media, *I AM HERE* brings together a broad range of personal records from > different time periods and locales to explore the shared human impulse to > document life as it happens. > > Co-curated by Jim Shedden, the AGO?s Manager of Publishing, and Alexa > Greist, AGO Associate Curator and R. Fraser Elliott Chair, Prints & > Drawings, in collaboration with archivist, scholar and writer Rick > Prelinger, the exhibition is a celebration of daily life and human > creativity, replete with music and creative prompts. Among the artworks on > display will be a digital collage of the more than 3000 submissions > received from around the world as part of the AGO?s 2021 Portraits of > Resilience exhibition. The exhibition will be accompanied by a catalogue > co-published by the AGO and DelMonico Books/D.A.P > > *___________________________________________________________________* > > > *April 21 - 25* > Venue type: *Live, physical event* > Nomadica at LABA 2022 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f81f1354ed&e=857b71a9cb > > > times vary, visit website, > Spazio Contemporanea, Nuovo Cinema Eden, Indica-Spazio Idra, Brescia, Italy > > *MACHINALIVE: Nomadica at LABA 2022* > Libera Academy of Fine Arts (LABA) > Artist film lab > screenings, performances & exhibitions > > Five days of radical immersion in international experimental and artist > cinema, with film screenings, focuses, seminars, tributes, meetings, and > workshops. Artistic activities and open discussions will create > opportunities for informal exchange between viewers, students, filmmakers, > artists, and curators. > > A unique event organized by Nomadica and LABA to discover dozens of > off-the-grid works from the past and the future and from all corners of the > world. > > with films, performances, installations, seminars by > AA++ / Angel RUEDA and Ana DOM?NGUEZ, Dianna BARRIE, Yonay BOIX, Dietmar > BREHM, Giulia CALIGNANO, S?lvia DAS FADAS, Manuela DE LABORDE, Claudia > LARCHER, James EDMONDS, Benjam?n ELLENBERGER, Zachary EPCAR, Morgan FISHER, > Philipp FLEISCHMANN, Siegfried FRUHAUF, Paolo GIOLI, Teo HERNANDEZ, Baba > HILLMAN, Shun IKEZOE, Andrew KIM, Sandra LAHIRE, Christian LEBRAT, Mikhail > LYLOV, Luis MACIAS, Elke MARH?FER, Pablo MAR?N, Jean Jacques MARTINOD, Yuri > MURAOKA, Daniel MURPHY, Lydia NSIAH, OJOBOCA / Anja DORNIEDEN and Juan > David GONZALES MONROY, Jun'ichi OKUYAMA, Jacques PERCONTE, Charlotte PRYCE, > Sofia RUSSO, Lucy RAVEN, Jorge SU?REZ-QUI?ONES RIVAS, Michael ROBINSON, > Karen RUSSO, Luca SANTESE / CESURA, Gianni SERRA, Suneil SANZGIRI, Paul > SHARITS, Francesco VESPIGNANI, Bretta C. WALKER, WARSHADFILM / Tiziano > DORIA and Samira GUADAGNOLO, Josh WEISSBACH, Chris WELSBY, Andrew Norman > WILSON, and many more ... > > *___________________________________________________________________* > > *April 21 - 26* > Venue type: *Live, physical event* > Anthology Film Archives > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=569556d63b&e=857b71a9cb > > > times vary, see below, > 32 Second Avenue, New York > *FRIEDL KUBELKA VOM GR?LLER* > Astonishingly prolific both as a photographer (under the name Friedl > Kubelka) and a filmmaker (as Friedl vom Gr?ller, since 2009), Friedl > Kubelka vom Gr?ller has been active since the 1960s, but the majority of > her moving-image work has emerged in the years since 2000, with a nonstop > flood of short films whose refreshing but deceptive brevity (they rarely > exceed 3 minutes in length) belies their formal variety, thematic richness, > and vibrant spontaneity. Though her films encompass a wide range of ideas > and approaches, they very often gravitate around the practice of > portraiture. Indeed, even if she had never made a motion picture herself, > Kubelka vom Gr?ller?s photographic body of work would be vitally important > within the realm of experimental cinema thanks to her commitment to > producing extraordinary portraits of many of the most important avant-garde > filmmakers of her time, including her ex-husband Peter Kubelka, Jonas > Mekas, Bruce Baillie, Kenneth Anger, Hollis Frampton, Shigeko Kubota, Stan > Brakhage, Ken & Flo Jacobs, George Landow, and many others (as well as > numerous artists, friends, and strangers). > > But of course, Kubelka vom Gr?ller has made many films of her own ? in > fact, more than 120 and counting. Though these works have cropped up in > various short film festivals and showcases of new avant-garde cinema in the > U.S. over the years, they have rarely, if ever, been showcased all > together. Long overdue, this five-program survey of her work will take > place in conjunction with her month-long residency at the Deutsches Haus at > NYU, a component of the ExtraVALUE Award that was bestowed on her film > L?AVENIR? DE F.V.G? at the 2019 Viennale film festival. > > The series ? which will combine her films with slides of selected > photographs from throughout her career ? has been guest-programmed by > Dietmar Schw?rzler, Austrian artist film distributor, representative of the > distribution company Sixpack, and editor of the book Friedl Kubelka vom > Gr?ller ? *One Is Not Enough. Photography & Film II* (Buchverlag Walther > K?nig & Index 2018). Both Kubelka vom Gr?ller and Schw?rzler will be here > in person to present each program. > > This program is co-presented by Erste Bank, Deutsches Haus at NYU, the > Austrian Cultural Forum New York, and Sixpack. Special thanks to Juliane > Camfield & Sarah Girner (Deutsches Haus at NYU); Christian J. Ebner > (Austrian Cultural Forum New York); Ruth Goubran (Erste Bank); Eva > Sangiorgi & Paolo Calamita (Viennale); and Gerald Weber (Sixpack). > > FRIEDL KUBELKA VOM GR?LLER, PROGRAM 1 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a97fb133d&e=857b71a9cb > > > April 21 at 7:30 PM > > FRIEDL KUBELKA VOM GR?LLER, PROGRAM 2 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=84691231a1&e=857b71a9cb > > > April 22 at 7:30 PM > > FRIEDL KUBELKA VOM GR?LLER, PROGRAM 3 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8608465a94&e=857b71a9cb > > > April 23 at 7:30 PM > April 26 at 6:30 PM > > FRIEDL KUBELKA VOM GR?LLER, PROGRAM 4 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=272e061676&e=857b71a9cb > > > April 24 at 7:30 PM > April 26 at 8:30 PM > > FRIEDL KUBELKA VOM GR?LLER, PROGRAM 5 > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fe6259573&e=857b71a9cb > > > April 25 at 7:30 PM > > > FILMMAKER IN PERSON! > *SATURDAY, APRIL 23, 2022* Venue type: *Virtual, online event* > Other Cinema > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2342f23351&e=857b71a9cb > > > 8pm PT, > Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco > *PSYCHO-GEO2: CALEXICO* > HODO + SCOTT + WATTS TOWERS + > OC presents the first of a dual-citizenship double-header locus-focused on > the Southwest of the continent, with a compelling cadre of makers > from Mexico as well as an audio-visual feast of provocative shorts from > the North. Greg Berger's outrageous Joe T Hodo project demonstrates how > a SF expat activist has managed to construct a potent satirical character > on the margins of contemporary Mexican politics, Charles Fairbanks/Saul > Kak's *Echoes of the Volcano* surveys the Oaxacan soundscape, and > the Postcommodity Collective bisects the border wall with beautiful > balloons! Whereas the psycho-politics of the LA area, layered in time and > grounded on Simon Rodia's landmark sculpture hand-wrought in Watts, is > echoed in Noah Purifoy's junk-art-park in the desert of Joshua Tree and > reverberates through the mesmerizing Cali-fire reveries of San Luis > Obispo's Lana Z Caplan. PLUS the legendary Matt Wolf/Guadalupe > Rosales coverage of Latinx resistance to neighborhood gentrification > in Boyle Heights, Georg Koszulinski's rhapsodic on-the-road > collage-essay *Continental > Drifts*, and Jake Scott's transformative farewell-to-Frisco hybrid > performance. > > *___________________________________________________________________* > > *April 23 - May 30* > Venue type: *Virtual, online event* > Electronic Arts Intermix > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bae74efe68&e=857b71a9cb > > > streaming 24/7, > Event URL: https://fifty.eai.org/video-features/barbara-hammer-my-babushka > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ef18b0241b&e=857b71a9cb > > > *Barbara Hammer?s My Babushka: Searching Ukrainian Identities* > Electronic Arts Intermix (EAI) and the Estate of Barbara Hammer have made > Hammer?s 2001 personal documentary My Babushka: Searching Ukrainian > Identities available to view through May 30th. As the artist writes, this > timely video ?centers on the questions of civil liberties and cultural > differences in a society beginning to open as one woman searches for her > own ethnic roots, identity and family history in Ukraine.? > > *My Babushka: Searching for Ukranian Identities* > 2001, 53:16 min, color, sound > > ?The current news is full of Ukraine and the Ukrainians who claim it as > home. However, many people in the world admit they know little of either. > The video, made in 2001, provides a glimpse into the people who were > struggling at that time for identity in a divided and economically > depressed country. > > Following her natural curiosity and love of adventure, Hammer went to > Ukraine in 2000 to trace her roots and find family members. As with most of > her work, Hammer wanted to uncover hidden histories, so she sought out > information about anti-Semitism and homophobia among Ukrainians. Hammer > discovered that old political, societal and cultural barriers were > collapsing but without new ways to replace them. Fast forward to 2022 and > we see ruin, death, renewed poverty, and destruction, but we also see > strong people fighting for their country and their future. There will be > many more questions for others to research and art to be made, but we felt > it important to show this film now.? > > - Florrie Burke, Spouse and Executor of Hammer Estate > Louky Keijsers Koning, Director, Estate of Barbara Hammer > > *SUNDAY, APRIL 24, 2022* Venue type: *Live, physical event* > Anthology Film Archives > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7c82d3635a&e=857b71a9cb > > > 4:30pm ET, > 32 Second Avenue, New York > *??WHATEVER NORM BRUNS DECIDES TO BRING?: A NORM BRUNS RETROSPECTIVE* > Norm Bruns was a singular figure in the 1980s Chicago experimental film > scene. His filmography includes elaborate bargain-basement set pieces and > effects worthy of Jack Smith or James Bidgood?s *PINK NARCISSUS*; > eccentrically rumpled eroticism akin to the brothers Kuchar, with a touch > of Warhol; and some visual witticisms that recall Stuart Sherman. He used > such palpably simple symbolic elements with such a pure-hearted twist of > legerdemain that the films seem out-of-time. Bruns worked at a blazing pace > with startling boldness: after purchasing a Super-8mm camera in 1980, he > created 11 films in 10 months. In the words of Barbara Scharres, writing in > the Chicago Reader in 1981, these early films are ?strikingly in the > tradition of Jean Cocteau and of American avant-garde filmmakers like Maya > Daren and Curtis Harrington in their concern with personal ritual and the > replication of dreamlike states.? > > Most of Bruns?s films are in swirling black-and-white, and show a natural > confidence in his skill and vision. As he developed as a filmmaker, his > sets, costumes, and complicated superimpositions and laboratory techniques > expanded his palette and allowed for a deepening of his focus on bodies, > city life, dreams, and rituals. Sadly, Norm passed away in 1990, and his > films went unseen for 30 years until librarian and filmmaker Josh B Mabe > tracked down the prints, which had been residing with family members in the > far western side of Illinois. The films were shown virtually as part of the > Onion City Experimental Film + Video Festival in 2020, but this > presentation at Anthology represents their first screening on Super-8mm > since Bruns?s death, and quite possibly their first ever appearance in New > York City. > > Guest-programmed and presented by Josh B Mabe. > > *THEATRE OF THE HORSE AND MOON* (ca. 1980-81, 13 min, Super-8mm, silent) > *SWIM *(ca. 1980-81, 7 min, Super-8mm) > *BED DESERT* (ca. 1980-81, 5 min, Super-8mm, silent) > *FIGURE WITH 14 TRAINS* (ca. 1980-81, 7 min, Super-8mm) > *BINGO* (ca. 1980-81, 6 min, Super-8mm, silent) > *BLUE AURA* (ca. 1980-81, 4 min, Super-8mm) > *DUCK* (ca. 1980-81, 3 min, Super-8mm, silent) > *THE POET AND THE POND* (ca. 1980-81, 6 min, Super-8mm) > *SCREEN TEST* (ca. 1980-81, 3 min, Super-8mm, silent) > *THE UNUSUAL BOOK *(ca. 1980-81, 10 min, Super-8mm) > > Total running time: ca. 70 min. > > *___________________________________________________________________* > > Venue type: *Virtual, online event* > *GearWax* > https://www.gearwax.org/ > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0189ef7186&e=857b71a9cb > > > 6pm-8pm PT, > *GEARWAX: OLD VINYL, REPURPOSED* > A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm > records. Hosted by Kathleen and Scott from San Francisco. Every other > Sunday, 6-8pm PT! > > *SATURDAY, APRIL 30, 2022* > > *April 30 - June 12* > Venue type: *Live, physical event* > Latvian National Museum of Art > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47f1b0d818&e=857b71a9cb > > > Tu-Th 11am-6pm, F 10am-8pm, Sa-Su 10am-5pm (GMT+3) > 1 Ja?a Rozent?la laukums, Riga, Latvia > *Ieva Balode. Loop of Fear. Solo Show* > Loop of Fear turns to the subject of fear in society, which is particularly > relevant today, after two years of the pandemic and the current horrors of > the war in Ukraine. Fear has always existed in a variety of gradations and > forms: fear of the unknown, fear of the dark, fear of the enemy, fear of > death. Since the beginnings of mankind fear has been both a driving force > for humanity and a stumbling block. It is an instinctive force that has > made humanity form communities for safety and shelter from the danger that > is lurking in darkness. The fear of death has compelled civilisations to > build temples and for people to dedicate their lives to preparing society > for the afterlife. > > Likewise, the medium of analogue photography and analogue cinema, which > Ieva Balode uses in this exhibition, embodies this same fear ? the fear to > lose and forget what once took place or was alive. It is the propensity to > make the world immortal, the propensity to freeze time in a capsule for > eternity, which, through the lens of the camera, leaves an instant's > impression on the light-sensitive surface of the film. Here light serves as > a record on the surface of a film, which, by dispelling darkness in the > body of the camera, captures what is in front of it through the glass of > the lens, similar to the human eye. > > The exhibition presents 16 mm film loops and spatial image projections. > Their mechanical nature interacts with the architecture of the space to > create a slight sense of alarm, reminding us of the fragility and mortality > of the material world. The exposition gives visitors the opportunity to > become familiar with the photochemical film stock as a kinetic object > which, together with several other analogue projectors, illuminate the > museum's gallery in a different light. > > About the artist > Ieva Balode is an artist and analogue film activist who works with analogue > film and image. She earned her BA and MA from the Department of Visual > Communication at the Art Academy of Latvia. Her interest in analogue media > resides in its relationship to nature, memory and human perception. The > artist's works have been exhibited in art galleries Platform, Munich > (2020), Den Frie, Copenhagen (2019), Villa Vassilieff, Paris (2018), > Latvian National Museum of Art (2018?2020), Latvian Museum of Photography > (2018), LCCA Office Gallery, Riga (2016), Daugavpils Mark Rothko Art Centre > (2018), ??k?, Leipzig (2016), 1st Riga International Biennial of > Contemporary Art (2018), Riga Photomonth as well as international film > festivals: Harkat 16mm film festival (India, 2021), 65th International > Short Film Festival Oberhausen (Germany, 2019), KRAAK (Belgium, 2019), > Luminous Void (Ireland, 2018?2019), MIEFF (Russia, 2018), Riga IFF (Latvia, > 2017?2021), EFF Process (Latvia, 2017?2021), Kinoskop (Serbia, 2017?2019), > TIFF Wavelength series (Canada, 2017), Zabroffka (Poland, 2013), Oslo > Screen Festival (Norway, 2012) and others. > > As a cinema activist Ieva Balode is the founder of Baltic Analog Lab ? an > artist collective providing a space and platform for the production, > research and education of analogue cinema. Since 2017 she is also a > director of the Riga-based experimental film festival Process. > *___________________________________________________________________* > > Venue type: *Virtual, online event* > Other Cinema > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f983fd299c&e=857b71a9cb > > > 8pm PT, > Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco > *PSYCHO-GEO3: SOUTHWEST* > PLANTE's WITH EARP CAME THE WEST + C/W GEMS + > After the moment of the Gunfight at the OK Corral in late 1881, Wyatt > Earp became famous in his own time. He was already known within the Western > territories as a tough lawman. The gunfight represented the epitome of what > the wild west stood for: good guys against bad guys in a thrilling duel. > The real event was 30 seconds long. The motivations behind it have > complicated details. But Wyatt wanted us to forget all that. He was never > shot in a gunfight and lived into old age. By chance, at a championship > boxing match at the turn of the century, he saw the power of cinema in > action. He decided he could rewrite history through the magic of movies, > hanging out in Hollywood in the 1920s to try to get a movie made about his > life. And it actually worked.The Western theme is set by a rousing > half-hour of classic 16mm C/W tunes, from Gene Autry to Elvis Presley, > from Tex Ritter to Spike Jones. $8.88 > > *SUNDAY, MAY 1, 2022* > > Venue type: *Virtual, online event* > Shapeshifters Cinema + San Francisco Cinematheque > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67bc2aa482&e=857b71a9cb > > > 11am - 4pm PT, > Shapeshifters Cinema, 567 5th Street Oakland, CA > *Reversing Reversal: A Filmmaking Workshop* > This one-day workshop, led by Paddy Hay, a member of the Melbourne, > Australia-based Artist Film Workshop, will be geared towards anyone > interested in Super-8 filmmaking, and especially for those interested in > learning B&W negative processing for the first time. Participants will > shoot on B&W reversal film, but process as a negative. Why B&W negative? In > a nutshell, it gives greater exposure latitude (especially good for dodgy, > old S-8 cameras) and a faster processing time. Also much safer? no bleach! > (Potassium Dichromate, the essential ingredient of B&W bleach mixture, is a > highly toxic carcinogen.) Various techniques for shooting film and > recording sound will be discussed. The workshop aims to equip participants > with a better understanding of how to approach small-gauge film ideas that > might rely upon sync sound (documentary ideas, for instance). People with > little or zero experience with these mediums are very welcome and > encouraged to participate! Space is limited. Register Now! > > This all-day workshop (11am?4pm) will be followed by a 7:30pm > screening?Southern Climes: Films from AFW Melbourne?also presented by Paddy > Hay, of films produced by members of Artist Film Workshop, Melbourne. The > Workshop and screening are ticketed separately. Full screening details > here. > > *___________________________________________________________________* > > Venue type: *Virtual, online event* > Shapeshifters Cinema + San Francisco Cinematheque > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7f8df03863&e=857b71a9cb > > > 7:30pm PT, > Shapeshifters Cinema, 567 5th Street Oakland, CA > *Southern Climes: Films from AFW Melbourne* > Initiated by filmmakers Richard Tuohy and Dianna Barrie in 2009, Artist > Film Workshop (AFW) is a film collective and not-for-profit organization > which provides access to knowledge and resources for filmmakers and artists > in Melbourne, Australia. AFW holds regular screenings and workshops for > people interested in film or working with sound and vision. > > Visiting as part of an epic west coast tour, AFW member Paddy Hay will > present a selection of recent and brand-new 16mm film works produced by > members of AFW. The program reflects the diversity of interests, > methodologies and technologies investigated by AFW members, showcasing a > wide variety of filmmaking styles across forms of abstraction, archival/ > found footage, audio-vision and lo-fi documentary. Techniques including > contact and optical printing, DIY cameras and traditional lens-based > photography are among the methods and approaches explored. ALL FILMS TO BE > PRESENTED ON 16MM. > > SHAPESHIFTERS CINEMA FILMMAKING WORKSHOP: This screening will be preceded > by an all-day filmmaking workshop?Reversing Reversal: A Filmmaking > Workshop?also presented by Paddy Hay. Workshop details here. > > *Valpi* (2019) by Richard Tuohy; 16mm, color, sound, 9 minutes; > *Is Anybody Coming Over to Dinner* (2022) by Audrey Lam; > *Self Portrait With Bag* (2020) by Dianna Barrie; > *Southern Climes* (2018) by Hanna Chetwin; > *4000 Frames from Hobart to Queenstown* (2020) by Ilona Schneider; > *Window* (2020) by Rowena Crowe; > *Fade* (2017) by Callum Ross-Thomson; > *Landing* (2019) by Sabina Maselli; > *Sensor Lights in Flemington* (2022) by Lucas Haynes; > *The Gardens* (2022) by Paddy Hay & Giles Fielke. > > TRT: 74 minutes > > *ONGOING* > > Venue type: *Virtual, online event* > *Riverwest Radio* > https://www.riverwestradio.com/show/the-long-conversation/ > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=51c405b11f&e=857b71a9cb > > > streaming 24/7 > *THE LONG CONVERSATION* > THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on indefinite > hold. But... all episodes from the last year and a half are streaming!!! > > *___________________________________________________________________* > > Venue type: *Virtual, online event* > *6x6 Project* > https://6x6project.com/ > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5a9d2c262e&e=857b71a9cb > > > streaming 24/7 > *Artists' Moving Image Works ? Edition N? 26* > 6x6 project is an online artists' community that serves as a platform for > disseminating artists' moving image works, and to create > an ever-growing network among peers. > > To date, there have been twenty-seven editions with six different artists. > There are now a total of one hundred and sixty-two artists? profiles and > more than four hundred artists? film and moving image works available to > view on the website. > > Edition N? 27 includes works by Krzysztof Honowski, Tilly Shiner, Andr? > Santos Martins, Deniz ?im?ek, Jo?o Pedro Faro, Clara Helbig > > *___________________________________________________________________* > > Venue type: *Virtual, online event* > *Ecstatic Static* > https://www.ecstaticstatic.com/screenings/ > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8836811f23&e=857b71a9cb > > > streaming 24/7 > *ECSTATIC STATIC SCREENINGS* > We host regular online screenings of artists? films and videos on the > landing page, as a way to share work both new and rare, that may otherwise > have a limited release. For more information on each artist and ways on how > to support their work, please see the links below. > > *Screening No. 14: ???* > Mohamad Hafeda, *Sewing Borders*. 2018, 25 min > Irene Guti?rrez, *Diarios de Frontera (Border Diaries)*. 2013, 25 min > Ryan Ferko, *Hrvoji, Look at You From the Tower*. 2019, 17 min > Jumana Emil Abboud , *Smuggling Lemons*. 2006, 20 min > Randa Maroufi, *Bab Sebta (Ceuta's Gate)*. 2019, 19 min > Chen Chieh-jen, *Empire's Borders I*. 2009, 26 min, 50 sec > Annemarie Jacir, *Like Twenty Impossibles*. 2003, 17 min > Alia Syed, *On a Wing and a Prayer*. 2016, 19 min > > > ------------------------------ > > > > *Let us know about your alternative film/video event!* > > Enter your event announcements by going to the Flicker Weekly Listing Form > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fb90fc61c&e=857b71a9cb > > > . > > > > To receive the weekly listing directly via email rather than through > Frameworks, just hit Subscribe > < > https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb > > > . > > > > > > *Copyright ? 2020 Flicker, All rights reserved.* > Longtime recipient of This Week in Avant Garde Cinema > > This Week in Avant Garde Cinema ? everywhere ? 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