Some scenes from recent films that come to mind are *Topology of Sirens*, *Kimi *(itself something of an "update" on *The Conversation*), *Lords of Salem*, and *Memoria*
On Sun, Apr 24, 2022 at 2:27 PM curtis tamm <[email protected]> wrote: > Hi everyone > > ––I'm working on a sound project which will compile audio from film > sequences (from avant-garde to blockbuster) featuring characters in a state > of intentional or "deep" listening. An obvious example of this is the > 'listening scene' from The Conversation (1974) –– > https://www.youtube.com/watch?v=mlBXlDh3dCg > <https://www.youtube.com/watch?v=mlBXlDh3dCg> > > Any other recommendations would be greatly appreciated. > Thank you! > > On Sun, Apr 24, 2022 at 10:00 AM <[email protected]> > wrote: > >> Send Frameworks mailing list submissions to >> [email protected] >> >> To subscribe or unsubscribe via the World Wide Web, visit >> >> http://film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> or, via email, send a message with subject or body 'help' to >> [email protected] >> >> You can reach the person managing the list at >> [email protected] >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of Frameworks digest..." >> >> >> Today's Topics: >> >> 1. This Week in Avant Garde Cinema: April 23 - May 1, 2022 >> (This Week) >> >> >> ---------------------------------------------------------------------- >> >> Message: 1 >> Date: Sun, 24 Apr 2022 11:15:01 -0400 >> From: This Week <[email protected]> >> To: [email protected] >> Subject: [Frameworks] This Week in Avant Garde Cinema: April 23 - May >> 1, 2022 >> Message-ID: >> <CAKYqsu=i8VOM= >> [email protected]> >> Content-Type: text/plain; charset="utf-8" >> >> View this email in your browser >> < >> https://mailchi.mp/6effb7e7c89e/this-week-in-avant-garde-cinema-8820009?e=857b71a9cb >> > >> >> >> >> *This Week [April 23 - May 1, 2022] in Avant Garde Cinema* >> >> >> >> >> To receive the weekly listing directly via email rather than through >> Frameworks, just hit Subscribe >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb >> > >> . >> >> >> *DEADLINES APPROACHING* >> **** Enter upcoming calls for entry here >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8784ccb2eb&e=857b71a9cb >> > >> **** >> >> ___________________________________________________________________________________ >> *sorted by submission deadline* >> Ongoing Films for Ukrainian Border Crossings >> < >> [email protected]?subdir=calls&filename=2.ann&accepts=yes%0a?subdir=calls&filename=2.ann&accepts=yes%20?subdir=calls&filename=2.ann&accepts=yes >> > >> (No Dialogue + PG) >> 04.24.2022 Mimesis Documentary Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3e85ba0591&e=857b71a9cb >> > >> (Late Deadline) >> 04.25.2022 Edinburgh International Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=cff29a21b7&e=857b71a9cb >> > >> (Late Deadline) >> 04.29.2022 Southwest Seen Commission & Exhibition >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4bbe0eb815&e=857b71a9cb >> > >> 04.30.2022 Antimatter [media art] >> <http://filmfreeway.com/AntimatterMediaArt> (Early Deadline) >> 04.30.2022 Analogica >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=661662945f&e=857b71a9cb >> > >> (Regular Deadline) >> 04.30.2022 Istanbul International Experimental Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=35ac3bb847&e=857b71a9cb >> > >> (Late Deadline) >> 04.30.2022 Ecologies & Cosmologies Residency >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=96e6195c6a&e=857b71a9cb >> > >> 04.30.2022 non-syntax Experimental Image Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1840b8bfe0&e=857b71a9cb >> > >> (Early Deadline) >> 05.15.2022 VSW Project Space Residency >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=059bde7ad8&e=857b71a9cb >> > >> 05.15.2022 Sharjah Film Platform >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=12ccd1d061&e=857b71a9cb >> > >> 05.16.2022 Edinburgh Short Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=fab20dbb65&e=857b71a9cb >> > >> (Regular Deadline) >> 05.20.2022 Coney Island Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67768224ca&e=857b71a9cb >> > >> (Late Deadline) >> 05.20.2022 New Orleans Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1de6d7ec8e&e=857b71a9cb >> > >> (Late Deadline) >> 05.31.2022 25 FPS Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1765b53aa4&e=857b71a9cb >> > >> 05.31.2022 Ji.hlava International Documentary Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=90c2684d24&e=857b71a9cb >> > >> (2022 Films) >> 05.31.2022 Interbay Cinema Society Lightpress Grants >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=68ae3e5eec&e=857b71a9cb >> > >> 06.01.2022 Engauge Experimental Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2334c82232&e=857b71a9cb >> > >> 06.03.2022 New York Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7e06c05bc7&e=857b71a9cb >> > >> 06.10.2022 Fisura, International Festival of Experimental Film and Video >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=87f590ff2e&e=857b71a9cb >> > >> (Early Deadline) >> 06.14.2022 VIDEONALE.19 ? Festival for Video and Time-Based Arts >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1a16f6f177&e=857b71a9cb >> > >> (Early Deadline) >> 06.15.2022 Revolutions per Minute Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea67f02968&e=857b71a9cb >> > >> (Extended Deadline) >> 06.15.2022 Imagine Science Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5345fcd115&e=857b71a9cb >> > >> (Regular Deadline) >> 07.31.2022 San Diego Underground Film Festival >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56b1d7fe8b&e=857b71a9cb >> > >> (Regular Deadline) >> >> >> *EVENTS* >> **** Enter your event announcements here >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=92cd647161&e=857b71a9cb >> > >> **** >> >> ___________________________________________________________________________________ >> *complicated sorting but a true attempt, enjoy!* >> >> This week's programs (summary): >> >> - Jonas Mekas 100! >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=878140c66f&e=857b71a9cb >> > >> [November >> 1, 2021-January 25, *2023*, worldwide] >> - seen only, heard only through someone else?s description >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ce8545f39e&e=857b71a9cb >> > >> [March >> 5-April 30, San Francisco, CA] >> - Jordan Belson LANDSCAPES >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=9d3aea5383&e=857b71a9cb >> > >> [March >> 11-April 24, New York, NY] >> - Early Blossoms/Perilous Thirds >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=6a8fd65d9e&e=857b71a9cb >> > >> [March >> 26-May 7, Baltimore, MD] >> - Jodie Mack: Matter Matters >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b062e21502&e=857b71a9cb >> > >> [March >> 29-June 19, Rochester, NY] >> - aCinema: KIRISAME >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bffe776f75&e=857b71a9cb >> > >> [April 1-30, online] >> - I Am Here: Home Movies and Everyday Masterpieces >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c734985447&e=857b71a9cb >> > >> [April >> 13-August 14, Toronto, Canada] >> - Machinalive: Nomadica At Laba 2022 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f6c0baa2e7&e=857b71a9cb >> > >> [April >> 21-25, Brescia, Italy] >> - Friedl Kubelka Vom Gr?ller >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8ddff7df63&e=857b71a9cb >> > >> [April >> 21-26, New York, NY] >> - Psycho-Geo2: Calexico >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=58f23d890a&e=857b71a9cb >> > >> [April >> 23, San Francisco, CA] >> - Barbara Hammer's My Babushka: Searching Ukrainian Identities >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1e7782a5f9&e=857b71a9cb >> > >> [April >> 23-May 30, online] >> - ??Whatever Norm Bruns Decides To Bring?: A Norm Bruns Retrospective >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=65d4b944eb&e=857b71a9cb >> > >> [April >> 24, New York, NY] >> - Gearwax: Old vinyl, Repurposed >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f5b8359667&e=857b71a9cb >> > >> [April >> 24, online] >> - Ieva Balode. Loop of Fear. Solo Show >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=23990bc999&e=857b71a9cb >> > >> [April >> 30 - June 12, Riga, Latvia] >> - Psycho-Geo3: Southwest >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=720b702077&e=857b71a9cb >> >[April >> 30, San Francisco, CA] >> - Reversing Reversal: A Filmmaking Workshop >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=922cf24092&e=857b71a9cb >> > >> [May >> 1, Oakland, CA] >> - Southern Climes: Films From AFW Melbourne >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1b89aa323e&e=857b71a9cb >> > >> [May >> 1, Oakland, CA] >> - The Long Conversation >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=b0cc38da99&e=857b71a9cb >> > >> [ongoing, online] >> - 6x6 Project: Artists' Moving Image Works ? Edition N? 27 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=524fdb4b00&e=857b71a9cb >> > >> [ongoing, >> online] >> - Ecstatic Static Screenings >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=844f74d9d7&e=857b71a9cb >> > >> [ongoing, >> online] >> >> >> *STARTING BEFORE APRIL 23, 2022* >> >> *November 1 - January 25, 2023* >> Venue type: *Both physical and online* >> Jonas Mekas 100! >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=c51652ba18&e=857b71a9cb >> > >> times and locations vary, see below >> Event URL: https://jonasmekas100.com/ >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=db2bcfc1e9&e=857b71a9cb >> > >> *Jonas Mekas 100!* >> In 2022, the world and Lithuania celebrate the life and work of Jonas >> Mekas, one of the country?s most prominent cultural figures of the 20th >> and >> 21st centuries and a global cultural phenomenon in his own right, >> considered by many to be the ?godfather of avant-garde cinema?. >> >> Throughout his life, Mekas always emphasized and cherished his Lithuanian >> roots. After fleeing the foreign occupation of his native land, he arrived >> in New York City, in his own words ?at exactly the right moment?, joining >> thousands of others escaping the devastation wrought by destructive >> ideologies and tyrannical regimes in Europe. One might say that Mekas left >> one village, his native Semeni?kiai in northern Lithuania, and immersed >> himself in the life of another ? the Village thriving in and around lower >> Manhattan, and in its landmark publication, the Village Voice, helping to >> shape American and global culture so profoundly in the latter half of the >> 20th century. >> >> This centennial celebration, Jonas Mekas 100!, seeks to expand global >> recognition of his work and encourage a deeper exploration of Mekas? >> prolific contributions to cinema, film criticism, cultural organization, >> and, in particular, his body of poems and prose, now published in >> Lithuanian, French, German, English, Japanese, Hebrew, and many other >> languages. >> >> The centennial program features over 50 events in an expanding list of >> countries, including: Belgium, Denmark, Finland, France, Germany, Greece, >> Israel, Italy, Lithuania, Norway, Poland, South Korea, Sweden, Taiwan, >> Ukraine, the United Kingdom, and the United States. The vast scope of >> Mekas? contribution to global cultural is examined through film screenings >> and retrospectives, exhibitions, readings, workshops, new publications and >> translations of Mekas? writings, and concerts celebrating the spirit of >> his >> work, among other events. >> >> The centennial program is a joint international collaboration between >> leading art and cinema organisations, curators, publishers, the global >> network of Lithuanian cultural attach?s, the Estate of Jonas Mekas, and >> the >> Lithuanian Culture Institute. >> *___________________________________________________________________* >> >> *March 5 - April 30* >> Venue type: *Live, physical event* >> McEvoy Foundation for the Arts >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ab6c008b93&e=857b71a9cb >> > >> Wed - Sat, 11am-6pm PT, >> McEvoy Foundation for the Arts, 1150 25th Street, Building B, San >> Francisco >> *seen only, heard only through someone else?s description* >> Short films offer new temporal spaces for considering how images and >> narratives construct meaning, artifice, and memory. >> *seen only, heard only through someone else?s description* engages >> filmmakers and artists whose interdisciplinary practices draw from >> performance, film, photography, research, and writing. The program?s title >> stems from *Audience Distant Relative* (1977) by Theresa Hak Kyung Cha >> (1951?1982)?a poem, performance, and mail art piece that uses language to >> unravel dynamics of distance, visibility, hearing, and communication. >> >> The program is organized in two sessions of experimental short films by >> women and nonbinary artists from the 1970s through the 2010s. *Sometimes >> We >> Stand Alone* explores personal identity and history through experimental >> processes and found footage. *Drawing Energy* is concerned with >> communities >> of women and their collective power to document and deeply engage with >> artistic, cultural, or familial lineages. The collected works interweave >> varied perspectives to probe formal tensions between the moving image and >> still photography. *Sometimes We Stand Alone* screens daily from January >> 14 >> through March 4, 2022. *Drawing Energy* debuts March 5 and runs through >> April 30, 2022. >> >> Guest curated by Gina Basso in conjunction with Image Gardeners, an >> exhibition of modern and contemporary photography from the McEvoy Family >> Collection. >> >> ---- March 5 ? April 30, 2022 /// Drawing Energy ---- >> Ilene Segalove, *Mom in Famous Women*, 1978 >> sair goetz, *me and my army*, 2017 >> Deborah Stratman, *Vever (For Barbara)*, 2019 >> Onyeka Igwe, *Her Name in My Mouth*, 2017 >> Madeleine Hunt-Ehrlich, *Spit on the Broom*, 2019 >> Lily Jue Sheng and Rita Ferrando, *Ikebana*, 2020 >> >> *___________________________________________________________________* >> >> *March 11 - April 24* >> Venue type: *Live, physical event* >> Matthew Marks Gallery >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ecf05174a4&e=857b71a9cb >> > >> Tue-Sat 10am - 6pm ET, >> 526 West 22nd Street, New York, NY >> *Jordan Belson LANDSCAPES* >> Jordan Belson: Landscapes features a series of collages made between 1970 >> and 1973. Exhibited here for the first time, Belson?s collages were >> created >> from torn paper painted in various colors. They were inspired in part by >> the 1000-year-old Japanese art of chigiri-e, which uses torn paper to >> create images of landscapes and flowers. >> >> Jordan Belson (1926?2011) is a seminal figure in twentieth-century >> avant-garde cinema. He studied painting as a young man, receiving a degree >> in studio art from the University of California, Berkeley, in 1946. He >> initially achieved some success as a painter, exhibiting his work at >> SFMOMA >> and the Guggenheim Museum in the late 1940s. After 1950, however, he >> focused primarily on filmmaking, and although he continued to make >> paintings and drawings for the remainder of his life, he never publicly >> exhibited this part of his work again during his lifetime. >> >> All works are Untitled, c. 1970?73, paper collage and mixed media mounted >> on board. >> >> *___________________________________________________________________* >> >> >> *March 26 - May 7* >> Venue type: *Live, physical event* >> Current Space >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8c86c905ca&e=857b71a9cb >> > >> various times, see below, >> Current Space, 421 N Howard St, Baltimore, MD >> *Early Blossoms/Perilous Thirds* >> Current Space is proud to present "Early Blossoms/Perilous Thirds." an >> exhibition of works by Stephanie Barber, Patrick David, and Josh Dorman; >> curated by Andrew Shenker, Michael Benevento, and Julianne Hamilton. >> Please >> join us for the opening reception! >> >> Opening Reception: March 26th, 6-9pm >> Exhibition Duration: March 26th ? May 7th >> Gallery Hours: Fridays & Saturdays, 1-5pm >> >> "The work from these three artists presents questions of the narrative >> image, an experience that opens an associative window??what does a line >> you >> once recognized become as it breaks, what does a body? >> The conversation arrives in threes, triangulates the snake in the garden >> and holds it to the glass. >> A symbol contorts to reflect itself in the eye that catches it. To take >> the >> icon out of its rank, the head from its neck, to weigh how small or smooth >> the evidence of a hand in the world it creates. >> Broken time, things in place, place in things." >> - Caroline Preziosi >> >> "\[Shared most of all, perhaps, is a meditative and uncanny mood at the >> edge of the sayable, close to oblivion; a dreamlike warmth (and >> horror).\]" >> - Andrew Shenker >> >> *___________________________________________________________________* >> >> *March 29 - June 19* >> Venue type: *Live, physical event* >> George Eastman Museum >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=70181eeb43&e=857b71a9cb >> > >> Tue-Sat,10-5pm + Sun 11-5pm ET, >> Multipurpose Hall, George Eastman Museum, 900 East Avenue, Rochester, NY >> *JODIE MACK: MATTER MATTERS* >> The George Eastman Museum is pleased to present selected experimental >> animated films by Jodie Mack (UK, b. 1983), an artist who has developed a >> remarkable filmmaking style that provides new perspectives on a variety of >> familiar materials. Mack?s subjects often include captivating decorative >> objects and vintage, ornate textiles. Her films invite viewers to >> contemplate the objects? significance and the nature of disposability. >> >> Mack often works with a Bolex camera and 16mm film, and her films explode >> with dizzying displays of colors, shapes, and patterns. While her mastery >> of traditional stop-motion animation technique is highly precise and >> sometimes abstract, Mack?s films have a joyful, handmade quality that >> radiates humor and human warmth. >> >> The following film descriptions are provided by the artist. >> >> A program of four animated short films. Originally shot in 16mm the films >> will be screened digitally in this presentation on a loop (21 min. total) >> during museum hours. >> >> *Posthaste Perennial Pattern* (US 2010, 4 min.). Rapid-fire florals and >> morning birdsong bridge interior and exterior, design and nature. >> *Blanket Statement #1: Home is Where the Heart is* (US 2012, 3 min.). >> Discordant dysfunction down to the nitty-gritty. >> *Blanket Statement #2: All or Nothing* (US 2013, 4 min.). A battle of >> extreme extremes. >> *Something Between Us* (US 2015, 10 min.). A choreographed motion study >> for >> twinkling trinkets: costume jewelry and natural wonders join forces to >> perform plastic pirouettes, dancing a luminous lament until the tide comes >> in. >> >> *___________________________________________________________________* >> >> *April 1 - 30* >> Venue type: *Virtual, online event* >> aCinema >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ea4b888316&e=857b71a9cb >> > >> streaming 24/7, >> Event URL: https://www.acinema.space/current-program >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=56eb0f3e4f&e=857b71a9cb >> > >> *aCinema: KIRISAME* >> >> *Chiyo* ? Chiemi Shimada ? 12 min 39 sec ? video >> *bakufuu, hinoumi: bomb wind, ocean fire* ? Sancia Miala Shiba Nash ? 22 >> min 18 sec ? video >> >> aCinema is a monthly exhibition dedicated to the screening of works by >> moving image artists from around the globe for audiences during the 9 >> month >> period of September to May. aCinema also organizes a yearly festival >> programmed from an open call for works titled, aDifferent festival. >> Through >> the exhibition of artists -- historical and contemporary, emerging and >> established -- in curated programs, aCinema creates a platform for artists >> of all career statuses to share a common exhibition space. >> >> Through the curatorial themes and independent thoughts expressed within >> the >> works, aCinema hopes to inspire and expand audiences' views of the moving >> image, fostering an arts educational space, where audiences are free to >> engage in discussion with curators and artists (when present) following >> the >> screenings. >> >> *___________________________________________________________________* >> >> *April 13 - August 14* >> Venue type: *Live, physical event* >> Art Gallery of Toronto >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=1642bdaec5&e=857b71a9cb >> > >> during gallery hours, >> 317 Dundas Street West, Toronto, Ontario >> *I AM HERE: HOME MOVIES AND EVERYDAY MASTERPIECES* >> >From the earliest cave paintings to TikTok, humans have found creative >> ways >> to document their day-to-day lives. *I AM HERE: Home Movies and Everyday >> Masterpieces*, a major new AGO exhibition opening in April of 2022, is a >> revealing look at our universal need to capture, share and cherish the >> everyday. Featuring lost-and-found home movies from the Prelinger >> Archives, >> alongside celebrated artworks by the likes of David Hockney, Patti Smith, >> Claes Oldenburg, Annie Pootoogook, Arthur Jafa and Mary Pratt, as well as >> snapshots, photo albums, letters, television, grocery lists, and social >> media, *I AM HERE* brings together a broad range of personal records from >> different time periods and locales to explore the shared human impulse to >> document life as it happens. >> >> Co-curated by Jim Shedden, the AGO?s Manager of Publishing, and Alexa >> Greist, AGO Associate Curator and R. Fraser Elliott Chair, Prints & >> Drawings, in collaboration with archivist, scholar and writer Rick >> Prelinger, the exhibition is a celebration of daily life and human >> creativity, replete with music and creative prompts. Among the artworks on >> display will be a digital collage of the more than 3000 submissions >> received from around the world as part of the AGO?s 2021 Portraits of >> Resilience exhibition. The exhibition will be accompanied by a catalogue >> co-published by the AGO and DelMonico Books/D.A.P >> >> *___________________________________________________________________* >> >> >> *April 21 - 25* >> Venue type: *Live, physical event* >> Nomadica at LABA 2022 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f81f1354ed&e=857b71a9cb >> > >> times vary, visit website, >> Spazio Contemporanea, Nuovo Cinema Eden, Indica-Spazio Idra, Brescia, >> Italy >> >> *MACHINALIVE: Nomadica at LABA 2022* >> Libera Academy of Fine Arts (LABA) >> Artist film lab >> screenings, performances & exhibitions >> >> Five days of radical immersion in international experimental and artist >> cinema, with film screenings, focuses, seminars, tributes, meetings, and >> workshops. Artistic activities and open discussions will create >> opportunities for informal exchange between viewers, students, filmmakers, >> artists, and curators. >> >> A unique event organized by Nomadica and LABA to discover dozens of >> off-the-grid works from the past and the future and from all corners of >> the >> world. >> >> with films, performances, installations, seminars by >> AA++ / Angel RUEDA and Ana DOM?NGUEZ, Dianna BARRIE, Yonay BOIX, Dietmar >> BREHM, Giulia CALIGNANO, S?lvia DAS FADAS, Manuela DE LABORDE, Claudia >> LARCHER, James EDMONDS, Benjam?n ELLENBERGER, Zachary EPCAR, Morgan >> FISHER, >> Philipp FLEISCHMANN, Siegfried FRUHAUF, Paolo GIOLI, Teo HERNANDEZ, Baba >> HILLMAN, Shun IKEZOE, Andrew KIM, Sandra LAHIRE, Christian LEBRAT, Mikhail >> LYLOV, Luis MACIAS, Elke MARH?FER, Pablo MAR?N, Jean Jacques MARTINOD, >> Yuri >> MURAOKA, Daniel MURPHY, Lydia NSIAH, OJOBOCA / Anja DORNIEDEN and Juan >> David GONZALES MONROY, Jun'ichi OKUYAMA, Jacques PERCONTE, Charlotte >> PRYCE, >> Sofia RUSSO, Lucy RAVEN, Jorge SU?REZ-QUI?ONES RIVAS, Michael ROBINSON, >> Karen RUSSO, Luca SANTESE / CESURA, Gianni SERRA, Suneil SANZGIRI, Paul >> SHARITS, Francesco VESPIGNANI, Bretta C. WALKER, WARSHADFILM / Tiziano >> DORIA and Samira GUADAGNOLO, Josh WEISSBACH, Chris WELSBY, Andrew Norman >> WILSON, and many more ... >> >> *___________________________________________________________________* >> >> *April 21 - 26* >> Venue type: *Live, physical event* >> Anthology Film Archives >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=569556d63b&e=857b71a9cb >> > >> times vary, see below, >> 32 Second Avenue, New York >> *FRIEDL KUBELKA VOM GR?LLER* >> Astonishingly prolific both as a photographer (under the name Friedl >> Kubelka) and a filmmaker (as Friedl vom Gr?ller, since 2009), Friedl >> Kubelka vom Gr?ller has been active since the 1960s, but the majority of >> her moving-image work has emerged in the years since 2000, with a nonstop >> flood of short films whose refreshing but deceptive brevity (they rarely >> exceed 3 minutes in length) belies their formal variety, thematic >> richness, >> and vibrant spontaneity. Though her films encompass a wide range of ideas >> and approaches, they very often gravitate around the practice of >> portraiture. Indeed, even if she had never made a motion picture herself, >> Kubelka vom Gr?ller?s photographic body of work would be vitally important >> within the realm of experimental cinema thanks to her commitment to >> producing extraordinary portraits of many of the most important >> avant-garde >> filmmakers of her time, including her ex-husband Peter Kubelka, Jonas >> Mekas, Bruce Baillie, Kenneth Anger, Hollis Frampton, Shigeko Kubota, Stan >> Brakhage, Ken & Flo Jacobs, George Landow, and many others (as well as >> numerous artists, friends, and strangers). >> >> But of course, Kubelka vom Gr?ller has made many films of her own ? in >> fact, more than 120 and counting. Though these works have cropped up in >> various short film festivals and showcases of new avant-garde cinema in >> the >> U.S. over the years, they have rarely, if ever, been showcased all >> together. Long overdue, this five-program survey of her work will take >> place in conjunction with her month-long residency at the Deutsches Haus >> at >> NYU, a component of the ExtraVALUE Award that was bestowed on her film >> L?AVENIR? DE F.V.G? at the 2019 Viennale film festival. >> >> The series ? which will combine her films with slides of selected >> photographs from throughout her career ? has been guest-programmed by >> Dietmar Schw?rzler, Austrian artist film distributor, representative of >> the >> distribution company Sixpack, and editor of the book Friedl Kubelka vom >> Gr?ller ? *One Is Not Enough. Photography & Film II* (Buchverlag Walther >> K?nig & Index 2018). Both Kubelka vom Gr?ller and Schw?rzler will be here >> in person to present each program. >> >> This program is co-presented by Erste Bank, Deutsches Haus at NYU, the >> Austrian Cultural Forum New York, and Sixpack. Special thanks to Juliane >> Camfield & Sarah Girner (Deutsches Haus at NYU); Christian J. Ebner >> (Austrian Cultural Forum New York); Ruth Goubran (Erste Bank); Eva >> Sangiorgi & Paolo Calamita (Viennale); and Gerald Weber (Sixpack). >> >> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 1 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=3a97fb133d&e=857b71a9cb >> > >> April 21 at 7:30 PM >> >> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 2 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=84691231a1&e=857b71a9cb >> > >> April 22 at 7:30 PM >> >> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 3 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8608465a94&e=857b71a9cb >> > >> April 23 at 7:30 PM >> April 26 at 6:30 PM >> >> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 4 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=272e061676&e=857b71a9cb >> > >> April 24 at 7:30 PM >> April 26 at 8:30 PM >> >> FRIEDL KUBELKA VOM GR?LLER, PROGRAM 5 >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fe6259573&e=857b71a9cb >> > >> April 25 at 7:30 PM >> >> >> FILMMAKER IN PERSON! >> *SATURDAY, APRIL 23, 2022* Venue type: *Virtual, online event* >> Other Cinema >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=2342f23351&e=857b71a9cb >> > >> 8pm PT, >> Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco >> *PSYCHO-GEO2: CALEXICO* >> HODO + SCOTT + WATTS TOWERS + >> OC presents the first of a dual-citizenship double-header locus-focused on >> the Southwest of the continent, with a compelling cadre of makers >> from Mexico as well as an audio-visual feast of provocative shorts from >> the North. Greg Berger's outrageous Joe T Hodo project demonstrates how >> a SF expat activist has managed to construct a potent satirical character >> on the margins of contemporary Mexican politics, Charles Fairbanks/Saul >> Kak's *Echoes of the Volcano* surveys the Oaxacan soundscape, and >> the Postcommodity Collective bisects the border wall with beautiful >> balloons! Whereas the psycho-politics of the LA area, layered in time and >> grounded on Simon Rodia's landmark sculpture hand-wrought in Watts, is >> echoed in Noah Purifoy's junk-art-park in the desert of Joshua Tree and >> reverberates through the mesmerizing Cali-fire reveries of San Luis >> Obispo's Lana Z Caplan. PLUS the legendary Matt Wolf/Guadalupe >> Rosales coverage of Latinx resistance to neighborhood gentrification >> in Boyle Heights, Georg Koszulinski's rhapsodic on-the-road >> collage-essay *Continental >> Drifts*, and Jake Scott's transformative farewell-to-Frisco hybrid >> performance. >> >> *___________________________________________________________________* >> >> *April 23 - May 30* >> Venue type: *Virtual, online event* >> Electronic Arts Intermix >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=bae74efe68&e=857b71a9cb >> > >> streaming 24/7, >> Event URL: >> https://fifty.eai.org/video-features/barbara-hammer-my-babushka >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=ef18b0241b&e=857b71a9cb >> > >> *Barbara Hammer?s My Babushka: Searching Ukrainian Identities* >> Electronic Arts Intermix (EAI) and the Estate of Barbara Hammer have made >> Hammer?s 2001 personal documentary My Babushka: Searching Ukrainian >> Identities available to view through May 30th. As the artist writes, this >> timely video ?centers on the questions of civil liberties and cultural >> differences in a society beginning to open as one woman searches for her >> own ethnic roots, identity and family history in Ukraine.? >> >> *My Babushka: Searching for Ukranian Identities* >> 2001, 53:16 min, color, sound >> >> ?The current news is full of Ukraine and the Ukrainians who claim it as >> home. However, many people in the world admit they know little of either. >> The video, made in 2001, provides a glimpse into the people who were >> struggling at that time for identity in a divided and economically >> depressed country. >> >> Following her natural curiosity and love of adventure, Hammer went to >> Ukraine in 2000 to trace her roots and find family members. As with most >> of >> her work, Hammer wanted to uncover hidden histories, so she sought out >> information about anti-Semitism and homophobia among Ukrainians. Hammer >> discovered that old political, societal and cultural barriers were >> collapsing but without new ways to replace them. Fast forward to 2022 and >> we see ruin, death, renewed poverty, and destruction, but we also see >> strong people fighting for their country and their future. There will be >> many more questions for others to research and art to be made, but we felt >> it important to show this film now.? >> >> - Florrie Burke, Spouse and Executor of Hammer Estate >> Louky Keijsers Koning, Director, Estate of Barbara Hammer >> >> *SUNDAY, APRIL 24, 2022* Venue type: *Live, physical event* >> Anthology Film Archives >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7c82d3635a&e=857b71a9cb >> > >> 4:30pm ET, >> 32 Second Avenue, New York >> *??WHATEVER NORM BRUNS DECIDES TO BRING?: A NORM BRUNS RETROSPECTIVE* >> Norm Bruns was a singular figure in the 1980s Chicago experimental film >> scene. His filmography includes elaborate bargain-basement set pieces and >> effects worthy of Jack Smith or James Bidgood?s *PINK NARCISSUS*; >> eccentrically rumpled eroticism akin to the brothers Kuchar, with a touch >> of Warhol; and some visual witticisms that recall Stuart Sherman. He used >> such palpably simple symbolic elements with such a pure-hearted twist of >> legerdemain that the films seem out-of-time. Bruns worked at a blazing >> pace >> with startling boldness: after purchasing a Super-8mm camera in 1980, he >> created 11 films in 10 months. In the words of Barbara Scharres, writing >> in >> the Chicago Reader in 1981, these early films are ?strikingly in the >> tradition of Jean Cocteau and of American avant-garde filmmakers like Maya >> Daren and Curtis Harrington in their concern with personal ritual and the >> replication of dreamlike states.? >> >> Most of Bruns?s films are in swirling black-and-white, and show a natural >> confidence in his skill and vision. As he developed as a filmmaker, his >> sets, costumes, and complicated superimpositions and laboratory techniques >> expanded his palette and allowed for a deepening of his focus on bodies, >> city life, dreams, and rituals. Sadly, Norm passed away in 1990, and his >> films went unseen for 30 years until librarian and filmmaker Josh B Mabe >> tracked down the prints, which had been residing with family members in >> the >> far western side of Illinois. The films were shown virtually as part of >> the >> Onion City Experimental Film + Video Festival in 2020, but this >> presentation at Anthology represents their first screening on Super-8mm >> since Bruns?s death, and quite possibly their first ever appearance in New >> York City. >> >> Guest-programmed and presented by Josh B Mabe. >> >> *THEATRE OF THE HORSE AND MOON* (ca. 1980-81, 13 min, Super-8mm, silent) >> *SWIM *(ca. 1980-81, 7 min, Super-8mm) >> *BED DESERT* (ca. 1980-81, 5 min, Super-8mm, silent) >> *FIGURE WITH 14 TRAINS* (ca. 1980-81, 7 min, Super-8mm) >> *BINGO* (ca. 1980-81, 6 min, Super-8mm, silent) >> *BLUE AURA* (ca. 1980-81, 4 min, Super-8mm) >> *DUCK* (ca. 1980-81, 3 min, Super-8mm, silent) >> *THE POET AND THE POND* (ca. 1980-81, 6 min, Super-8mm) >> *SCREEN TEST* (ca. 1980-81, 3 min, Super-8mm, silent) >> *THE UNUSUAL BOOK *(ca. 1980-81, 10 min, Super-8mm) >> >> Total running time: ca. 70 min. >> >> *___________________________________________________________________* >> >> Venue type: *Virtual, online event* >> *GearWax* >> https://www.gearwax.org/ >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=0189ef7186&e=857b71a9cb >> > >> 6pm-8pm PT, >> *GEARWAX: OLD VINYL, REPURPOSED* >> A bi-weekly online radio program featuring old LPs, 45rpm and 78rpm >> records. Hosted by Kathleen and Scott from San Francisco. Every other >> Sunday, 6-8pm PT! >> >> *SATURDAY, APRIL 30, 2022* >> >> *April 30 - June 12* >> Venue type: *Live, physical event* >> Latvian National Museum of Art >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=47f1b0d818&e=857b71a9cb >> > >> Tu-Th 11am-6pm, F 10am-8pm, Sa-Su 10am-5pm (GMT+3) >> 1 Ja?a Rozent?la laukums, Riga, Latvia >> *Ieva Balode. Loop of Fear. Solo Show* >> Loop of Fear turns to the subject of fear in society, which is >> particularly >> relevant today, after two years of the pandemic and the current horrors of >> the war in Ukraine. Fear has always existed in a variety of gradations and >> forms: fear of the unknown, fear of the dark, fear of the enemy, fear of >> death. Since the beginnings of mankind fear has been both a driving force >> for humanity and a stumbling block. It is an instinctive force that has >> made humanity form communities for safety and shelter from the danger that >> is lurking in darkness. The fear of death has compelled civilisations to >> build temples and for people to dedicate their lives to preparing society >> for the afterlife. >> >> Likewise, the medium of analogue photography and analogue cinema, which >> Ieva Balode uses in this exhibition, embodies this same fear ? the fear to >> lose and forget what once took place or was alive. It is the propensity to >> make the world immortal, the propensity to freeze time in a capsule for >> eternity, which, through the lens of the camera, leaves an instant's >> impression on the light-sensitive surface of the film. Here light serves >> as >> a record on the surface of a film, which, by dispelling darkness in the >> body of the camera, captures what is in front of it through the glass of >> the lens, similar to the human eye. >> >> The exhibition presents 16 mm film loops and spatial image projections. >> Their mechanical nature interacts with the architecture of the space to >> create a slight sense of alarm, reminding us of the fragility and >> mortality >> of the material world. The exposition gives visitors the opportunity to >> become familiar with the photochemical film stock as a kinetic object >> which, together with several other analogue projectors, illuminate the >> museum's gallery in a different light. >> >> About the artist >> Ieva Balode is an artist and analogue film activist who works with >> analogue >> film and image. She earned her BA and MA from the Department of Visual >> Communication at the Art Academy of Latvia. Her interest in analogue media >> resides in its relationship to nature, memory and human perception. The >> artist's works have been exhibited in art galleries Platform, Munich >> (2020), Den Frie, Copenhagen (2019), Villa Vassilieff, Paris (2018), >> Latvian National Museum of Art (2018?2020), Latvian Museum of Photography >> (2018), LCCA Office Gallery, Riga (2016), Daugavpils Mark Rothko Art >> Centre >> (2018), ??k?, Leipzig (2016), 1st Riga International Biennial of >> Contemporary Art (2018), Riga Photomonth as well as international film >> festivals: Harkat 16mm film festival (India, 2021), 65th International >> Short Film Festival Oberhausen (Germany, 2019), KRAAK (Belgium, 2019), >> Luminous Void (Ireland, 2018?2019), MIEFF (Russia, 2018), Riga IFF >> (Latvia, >> 2017?2021), EFF Process (Latvia, 2017?2021), Kinoskop (Serbia, 2017?2019), >> TIFF Wavelength series (Canada, 2017), Zabroffka (Poland, 2013), Oslo >> Screen Festival (Norway, 2012) and others. >> >> As a cinema activist Ieva Balode is the founder of Baltic Analog Lab ? an >> artist collective providing a space and platform for the production, >> research and education of analogue cinema. Since 2017 she is also a >> director of the Riga-based experimental film festival Process. >> *___________________________________________________________________* >> >> Venue type: *Virtual, online event* >> Other Cinema >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=f983fd299c&e=857b71a9cb >> > >> 8pm PT, >> Other Cinema, ATA Gallery, 992 Valencia (@ 21st), San Francisco >> *PSYCHO-GEO3: SOUTHWEST* >> PLANTE's WITH EARP CAME THE WEST + C/W GEMS + >> After the moment of the Gunfight at the OK Corral in late 1881, Wyatt >> Earp became famous in his own time. He was already known within the >> Western >> territories as a tough lawman. The gunfight represented the epitome of >> what >> the wild west stood for: good guys against bad guys in a thrilling duel. >> The real event was 30 seconds long. The motivations behind it have >> complicated details. But Wyatt wanted us to forget all that. He was never >> shot in a gunfight and lived into old age. By chance, at a championship >> boxing match at the turn of the century, he saw the power of cinema in >> action. He decided he could rewrite history through the magic of movies, >> hanging out in Hollywood in the 1920s to try to get a movie made about his >> life. And it actually worked.The Western theme is set by a rousing >> half-hour of classic 16mm C/W tunes, from Gene Autry to Elvis Presley, >> from Tex Ritter to Spike Jones. $8.88 >> >> *SUNDAY, MAY 1, 2022* >> >> Venue type: *Virtual, online event* >> Shapeshifters Cinema + San Francisco Cinematheque >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=67bc2aa482&e=857b71a9cb >> > >> 11am - 4pm PT, >> Shapeshifters Cinema, 567 5th Street Oakland, CA >> *Reversing Reversal: A Filmmaking Workshop* >> This one-day workshop, led by Paddy Hay, a member of the Melbourne, >> Australia-based Artist Film Workshop, will be geared towards anyone >> interested in Super-8 filmmaking, and especially for those interested in >> learning B&W negative processing for the first time. Participants will >> shoot on B&W reversal film, but process as a negative. Why B&W negative? >> In >> a nutshell, it gives greater exposure latitude (especially good for dodgy, >> old S-8 cameras) and a faster processing time. Also much safer? no bleach! >> (Potassium Dichromate, the essential ingredient of B&W bleach mixture, is >> a >> highly toxic carcinogen.) Various techniques for shooting film and >> recording sound will be discussed. The workshop aims to equip participants >> with a better understanding of how to approach small-gauge film ideas that >> might rely upon sync sound (documentary ideas, for instance). People with >> little or zero experience with these mediums are very welcome and >> encouraged to participate! Space is limited. Register Now! >> >> This all-day workshop (11am?4pm) will be followed by a 7:30pm >> screening?Southern Climes: Films from AFW Melbourne?also presented by >> Paddy >> Hay, of films produced by members of Artist Film Workshop, Melbourne. The >> Workshop and screening are ticketed separately. Full screening details >> here. >> >> *___________________________________________________________________* >> >> Venue type: *Virtual, online event* >> Shapeshifters Cinema + San Francisco Cinematheque >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=7f8df03863&e=857b71a9cb >> > >> 7:30pm PT, >> Shapeshifters Cinema, 567 5th Street Oakland, CA >> *Southern Climes: Films from AFW Melbourne* >> Initiated by filmmakers Richard Tuohy and Dianna Barrie in 2009, Artist >> Film Workshop (AFW) is a film collective and not-for-profit organization >> which provides access to knowledge and resources for filmmakers and >> artists >> in Melbourne, Australia. AFW holds regular screenings and workshops for >> people interested in film or working with sound and vision. >> >> Visiting as part of an epic west coast tour, AFW member Paddy Hay will >> present a selection of recent and brand-new 16mm film works produced by >> members of AFW. The program reflects the diversity of interests, >> methodologies and technologies investigated by AFW members, showcasing a >> wide variety of filmmaking styles across forms of abstraction, archival/ >> found footage, audio-vision and lo-fi documentary. Techniques including >> contact and optical printing, DIY cameras and traditional lens-based >> photography are among the methods and approaches explored. ALL FILMS TO BE >> PRESENTED ON 16MM. >> >> SHAPESHIFTERS CINEMA FILMMAKING WORKSHOP: This screening will be preceded >> by an all-day filmmaking workshop?Reversing Reversal: A Filmmaking >> Workshop?also presented by Paddy Hay. Workshop details here. >> >> *Valpi* (2019) by Richard Tuohy; 16mm, color, sound, 9 minutes; >> *Is Anybody Coming Over to Dinner* (2022) by Audrey Lam; >> *Self Portrait With Bag* (2020) by Dianna Barrie; >> *Southern Climes* (2018) by Hanna Chetwin; >> *4000 Frames from Hobart to Queenstown* (2020) by Ilona Schneider; >> *Window* (2020) by Rowena Crowe; >> *Fade* (2017) by Callum Ross-Thomson; >> *Landing* (2019) by Sabina Maselli; >> *Sensor Lights in Flemington* (2022) by Lucas Haynes; >> *The Gardens* (2022) by Paddy Hay & Giles Fielke. >> >> TRT: 74 minutes >> >> *ONGOING* >> >> Venue type: *Virtual, online event* >> *Riverwest Radio* >> https://www.riverwestradio.com/show/the-long-conversation/ >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=51c405b11f&e=857b71a9cb >> > >> streaming 24/7 >> *THE LONG CONVERSATION* >> THE LONG CONVERSATION with Xav Leplae and Stephanie Barber is on >> indefinite >> hold. But... all episodes from the last year and a half are streaming!!! >> >> *___________________________________________________________________* >> >> Venue type: *Virtual, online event* >> *6x6 Project* >> https://6x6project.com/ >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=5a9d2c262e&e=857b71a9cb >> > >> streaming 24/7 >> *Artists' Moving Image Works ? Edition N? 26* >> 6x6 project is an online artists' community that serves as a platform for >> disseminating artists' moving image works, and to create >> an ever-growing network among peers. >> >> To date, there have been twenty-seven editions with six different artists. >> There are now a total of one hundred and sixty-two artists? profiles and >> more than four hundred artists? film and moving image works available to >> view on the website. >> >> Edition N? 27 includes works by Krzysztof Honowski, Tilly Shiner, Andr? >> Santos Martins, Deniz ?im?ek, Jo?o Pedro Faro, Clara Helbig >> >> *___________________________________________________________________* >> >> Venue type: *Virtual, online event* >> *Ecstatic Static* >> https://www.ecstaticstatic.com/screenings/ >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=8836811f23&e=857b71a9cb >> > >> streaming 24/7 >> *ECSTATIC STATIC SCREENINGS* >> We host regular online screenings of artists? films and videos on the >> landing page, as a way to share work both new and rare, that may otherwise >> have a limited release. For more information on each artist and ways on >> how >> to support their work, please see the links below. >> >> *Screening No. 14: ???* >> Mohamad Hafeda, *Sewing Borders*. 2018, 25 min >> Irene Guti?rrez, *Diarios de Frontera (Border Diaries)*. 2013, 25 min >> Ryan Ferko, *Hrvoji, Look at You From the Tower*. 2019, 17 min >> Jumana Emil Abboud , *Smuggling Lemons*. 2006, 20 min >> Randa Maroufi, *Bab Sebta (Ceuta's Gate)*. 2019, 19 min >> Chen Chieh-jen, *Empire's Borders I*. 2009, 26 min, 50 sec >> Annemarie Jacir, *Like Twenty Impossibles*. 2003, 17 min >> Alia Syed, *On a Wing and a Prayer*. 2016, 19 min >> >> >> ------------------------------ >> >> >> >> *Let us know about your alternative film/video event!* >> >> Enter your event announcements by going to the Flicker Weekly Listing Form >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=4fb90fc61c&e=857b71a9cb >> > >> . >> >> >> >> To receive the weekly listing directly via email rather than through >> Frameworks, just hit Subscribe >> < >> https://list-manage.us1.list-manage.com/track/click?u=4b83d0e66f4638a082b103d27&id=091193278b&e=857b71a9cb >> > >> . >> >> >> >> >> >> *Copyright ? 2020 Flicker, All rights reserved.* >> Longtime recipient of This Week in Avant Garde Cinema >> >> This Week in Avant Garde Cinema ? everywhere ? 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