Hi Janis, I'm curious why you want to go from video to film and back to video. What effect is it you are trying to achieve. I work back and forth between formats often, but mostly go from film to video without going back unless it's for a screening where they only screen film. I'm just not sure what to suggest without knowing what it is you are trying to do exactly. I hope my question makes sense! Also, the still looks really interesting. I'd love to see the whole video.
Nicole Elaine Baker Peterson (she/her/they) Founder & Head Programmer, Media Monsters [email protected] *twitch.tv/media_monsters <http://twitch.tv/media_monsters> | **magiklantern.com <http://www.magiklantern.com/>* On Sun, Feb 5, 2023 at 7:43 AM Colinet andré <[email protected]> wrote: > If not frame by frame you’ll need a camera with Crystal sync motor or a > motor which can synchronize with the sync signal from the monitor. > > All the best. > > > > > > Envoyé à partir de Courrier > <https://go.microsoft.com/fwlink/?LinkId=550986> pour Windows > > > > *De : *Anna Kipervaser <[email protected]> > *Envoyé le :*dimanche 5 février 2023 00:55 > *À : *[email protected] > *Objet :*Re: [Frameworks] Digital Master to 16mm/35mm --› Scan back to > Digital > > > > When I film off of a monitor, I do single frames, like you would on an > optical printer. So I move the video one frame, and use a shutter release > to take one frame (on I) on the Bolex, then advance the video, etc etc etc. > This method requires some obvious things and some not so obvious things: > > > > - some testing to determine exposure > > - making sure the lens of your camera is centered > > - making sure that the monitor is level > > - either utilizing an animation motor (Rex 4 or Rex 5 compatible) to allow > for a longer exposure OR depending on your film stock, opening up your > aperture more than you might want to for focus situations and sharpness. > > > > This method reproduces exactly what's on screen when done right. So, if > you want extra grain, you might wanna use 500T or if you want extra > artifacts like age fog, you might wanna use old 500T. > > > > > > > > On Sat, Feb 4, 2023 at 10:57 AM <[email protected]> wrote: > > Hello > > I have an experimental music video project which only operates with > analogue/optical effects. It was all filmed with digital cameras high iso - > so its veeeeery grainy (purposely so, see sample still). Now I would like > to perform a final step over: Print it on 16mm (or 35mm film) and then scan > it back in 2k or 4k > > There are three ways I imagine this can happen, tho have no previous > experience: > - 16mm print out and scan back to digital: quite expensive to do, even for > 4min. > - 35mm print out and scan back to digital: probably cheaper - though maybe > the resolution is too good / the grain no present enough. Then again: Maybe > this is just the necessary amount of information/sharpness needed to render > the digital grain/artefacts clearly > - Use a Bolex or Krasnogorsk and film the digital master from a screen or > projector, develop the film and scan back to digital (?): does this give > you adequate quality? *I'm especially interested in this technique since > its the cheapest but also because i imagine the 'sloppiness' of the > bolex/krasnogorsk adds a movement/breathing that could be quite interesting > for e.g. the shots that were filmed on a gimbal*. > > Questions: > > - has any of you experience with filming from a screen / projector? If > yes, I'd appreciate some tips regarding technique. > - I guess in all the cases above it would make sense to have a digital > master that is rather a little more overexposed than underexposed? > - ho do overexposures end up on the film negative/scan back? does it get > more organic or does it stay rather digital in its aesthetic? > > I hope I could express myself understandably. > > Best > Janis > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org > > > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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