Hell yeah! See you there. Gonna be show & telling my Double/Regular8mm optical printer (merci Matt McWilliams for all his essential help). Looking forward to it; glad you're going.
Sandy On Sat, Apr 22, 2023 at 5:57 PM Anna Kipervaser <[email protected]> wrote: > Yeah, optical printing is a route I also use often, and hell yea making > magic Double 8mm and Reg8mm films in the JK and tape splicing . Can't wait > to see your new films, Sandy, and hope to see you in Toronto next month! > > Scott - Presstape ain't what I would use. But, then again, I'm just here > offering to tape splice folks' negatives. Re the blur, again - depends on > the tape being used, the person doing the splicing, and the eyes/glasses > the person is using. Anywho, I'm not trying to start an argument about tape > vs cement or get or give lessons. Just asking whether folks are cutting > their own negs these days or if y'all are sending things out to get cut, > or, as Jeff points out, if folks are doing film-outs instead. > > Always, > Anna > > > --- > anna kipervaser > annakipervaser.com > > > On Sat, Apr 22, 2023 at 5:45 PM Sandy McLennan <[email protected]> > wrote: > >> Good on ya, mate. Perhaps not in the same boat, but I’ll be tape splicing >> some camera-original Double8mm and Regular8; not worried about seeing it >> when optically printing then contact printing from that. Visually part of >> the process. >> >> I didn’t realize splicing towards a release print is as common a current >> topic as it apparently is. Been decades since I did it. Difficult, yet >> defining. Splice on! >> >> Sandy McLennan >> Port Sydney, Ontario >> >> > On Apr 22, 2023, at 5:32 PM, Scott Dorsey <[email protected]> wrote: >> > >> > A-B rolling with a couple frames of overlap, you can get away with >> tape but >> > there's always a little blur at the splice because the tape never goes >> over >> > the sprockets in the printer perfectly. With a dissolve where there is >> a >> > couple dozen frames of overlap I can't really tell the difference. >> > >> > I once edited a short film with a Kodak Presstape Splicer, using a four >> > frame overlap, and it went okay. >> > >> > But these days you can buy an M-H hot splicer for pennies on the dollar >> so >> > there isn't so much of a need anymore... >> > --scott >> > >> > -- >> > Frameworks mailing list >> > [email protected] >> > >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> >> -- >> Frameworks mailing list >> [email protected] >> https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >> > -- > Frameworks mailing list > [email protected] > https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org >
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