hey folks i'm pondering the relative merits of scanning 16mm neg vs workprints / release prints - any thoughts? I've tried both and I'm finding that flat/log scans of neg are not so easy to correct (with either Davinci Resolve or Avid) - I'm wondering if I'd be better off scanning the prints? (which are from Colorlab, whose timing is always gorgeous ...) all advice very gratefully received!cheers Moira
-- Frameworks mailing list Frameworks@film-gallery.org https://mail.film-gallery.org/mailman/listinfo/frameworks_film-gallery.org
